At 5’2, Mickey Rooney may have been small in stature, but he had a huge personality and was one of the biggest stars in the heyday of the Golden Era of Hollywood. He had one of the longest careers of any entertainer, with a body of work that spans nine decades in the industry, including vaudeville, films, television, radio and the stage.
Rooney was born Joe Yule, Jr. on September 23, 1920, in Brooklyn, New York. At 17 months old, he made his stage debut in his parent’s vaudeville act, and made his motion picture debut in 1926. In 1927, he starred in the first of several short films in the “Mickey Maguire” series, and adopted the stage name “Mickey Rooney.” He made 78 of these comedies, and also received great notices in films such as “A Midsummer Night’s Dream” (1935). Then in 1937, he made the film that would establish his star status. “A Family Affair” was the first of 16 films in which he played the popular character Andy Hardy, the rambunctious and girl-crazy teenage son to the wise Judge James Hardy. Andy often found himself in “girl trouble,” with the likes of such MGM starlets as Lana Turner, Ann Rutherford and, most famously, Judy Garland.
In 1937, Rooney and Garland appeared in their first of 10 films together, “Thoroughbreds Don’t Cry.” They became extremely close, remaining friends until her death in 1969, and he always spoke with great love of her and their friendship. This genuine affection came across in their many romantic musicals, the best of which is “Babes in Arms,” (1939) for which Rooney became the first teenager to receive an Academy Award nomination for Best Actor.
The popularity of these films and the Andy Hardy character made Rooney the top box-office star in 1939, 1940 and 1941, beating out the likes of Clark Gable, Spencer Tracy, James Cagney and Errol Flynn. Rooney was one of the most versatile actors in that generation, with his ability to sing and dance and play musical instruments, his dead-on comedic timing and his ability to transition to more dramatic roles. In all, in made more than 300 films between 1926 and 2014, acting up to the time of his death, with his final two roles released posthumously, in the films “Night at the Museum: Secret of the Tomb” (2014) and “Dr. Jekyll and Mr. Hyde” (2017). He has an acting credit almost every one of those almost 90 years, whether it be in film or television, or on stage.
One of the few breaks in this career came in 1944, when Rooney was inducted into the United States Army. His contribution to the war effort was entertainment, as he spent 21 months performing for troops in America and Europe. He was awarded the Bronze Star Medal for entertaining troops in war zones, in addition to other medals, such as the Army Good Conduct Medal. However, this break in his career caused him problems when he returned home, as he was now too old to play his popular teenage characters, and he did not have the “look” of a leading man. But the cocky Rooney was nothing if not resilient, and his incredible talent would not go to waste.
Besides receiving his second Oscar nomination in 1944 for “The Human Comedy,” Rooney starred in a couple of radio series in the late 1940s, and appeared in his first television series, “The Mickey Rooney Show” (1954-1955). In the 1961 film “Breakfast at Tiffany’s,” he portrayed his most controversial character, Mr. Yunioshi, which has been criticized over its negative portrayal of Asians. He later said he never would have done the role had he known it would upset people. He would lend his distinctive voice to animation in later years, including the voices of Santa Claus in the stop-motion classic “Santa Claus Is Coming to Town” (1979) and Tod in the Disney classic “The Fox and the Hound” (1981). In 1979, he made his Broadway debut in “Sugar Babies,” alongside Ann Miller, and received a Tony nomination for his performance. The acclaimed play ran 1,208 performances in New York and then toured for five years.
Rooney’s first professional recognition was a Juvenile Oscar the Academy bestowed upon him for his his work in “Boys Town” (1937), and he would receive four more nominations. Besides the Best Actor nominations for “Babes in Arms” and “The Human Comedy,” he received noms in the supporting category for “The Bold and the Brave” in 1957 and “The Black Stallion” in 1980, and in 1983, was finally presented an Honorary Oscar for 50 years of memorable characters in the film industry. He won two Golden Globe awards, for Best Male TV Star in 1964 for “Mickey” and for his moving performance in “Bill” in 1982. Rooney’s performance as the mentally disabled “Bill” also garnered him his only Primetime Emmy in 1982. He received nominations for a “Playhouse 90” episode “The Comedian” (1958), an “Alcoa Theatre” episode “Eddie” (1959), “The Dick Powell Show” episode “Somebody’s Waiting” (1962), and for the sequel to his win “Bill: On His Own” (1983).
Rooney’s personal life was as colorful as his professional. As happens with many child actors, he struggled with addiction, most notably a sleeping pill addiction he overcame in 2000 and a gambling addiction that led to two bankruptcies. He loved beautiful women, and was married eight times, the first being to starlet Ava Gardner in 1942, when she was only 19 years old. That marriage only lasted a year, and Rooney gained a reputation for being a ladies man and seemed to have trouble remaining faithful. His fifth marriage to Barbara Ann Thomason ended when she was killed in a murder-suicide by her secret lover. His last marriage to Jan Chamberlain lasted the longest, from 1978 to his death in 2014. However, they were separated in 2012 after he claimed his was a victim of elder abuse by her son. In March of 2011, Rooney appeared before a special U.S. Senate committee that was considering legislation against elder abuse. He spent his final years in the care of his stepson. On April 6, 2014, Rooney died at the age of 93 from natural causes. He left behind nine children and two stepchildren, 19 grandchildren and numerous great grandchildren.
It’s terribly difficult to sum up such a huge career and life into one small article. Many of his contemporaries considered him so: Laurence Olivier once declared Rooney “the best” and in his autobiography, Marlon Brando claimed that Rooney was “an unsung hero of the actors’ world. . . he could do almost anything.” Tough film critic James Agee wrote, ” I am quite sure about Mickey Rooney: He is an extremely wise and moving actor. . .” Director John Frankenheimer claimed Rooney to be “the best actor I ever worked with.”
Tour our photo gallery above ranking his 15 best movies, including several of the ones mentioned above.
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15. Night at the Museum (2006)
Critics didn’t love this movie, but audiences did, making it one of the top-grossing movies of 2006. It is a silly story – unemployed and divorced Larry (Ben Stiller) is employed as a night guard at the Museum of Natural History, where a magical Egyptian tablet causes all the figures to come to life after sunset, causing mayhem. Larry learns to control the antics of the figures, even making friends with the likes of “Teddy Roosevelt” (Robin Williams). However, the three old security guards whom Larry replaced return with the intentions of stealing the tablet, as they had discovered the tablet allowed them to feel more youthful and vibrant. Although the film starred some of the most popular comedians of the time, the real joy is those three security guards – played by veteran entertainers 86-year-old Rooney, 80-year-old Dick van Dyke and 72-year-old Bill Cobbs. What a delight is was to see Rooney and van Dyke, two of the greatest entertainers of the 20th century, show the younger generation how it’s done!
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14. Babe, Pig in the City (1998)
Surprisingly, the sequel to the highly successful “Babe” (1995) was a flop at the box office, but a big hit with the critics, with Gene Siskel claiming it as the best film of the year. The poor little sheepherding piggy ends up lost in the big city, and is kidnapped by the clown Fugly Floom (Rooney), who wants to use the pig in his act. The film is considered a hugely underrated fantasy, and Rooney’s creepy clown is one of his most memorable performances.
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13. Captains Courageous (1937)
Based on the Rudyard Kipling novel, this thrilling tale chronicles the adventures of spoiled rich child Harvey Cheyne (Freddie Bartholomew), who falls off the steamship on which he’s traveling and is rescued by Portuguese-American fisherman Manuel Fidello (Spencer Tracy). Harvey tries to get the crew to take him home, but they refuse to change their expedition, and he’s stuck at sea for months, but soon learns the value of hard work and ethics. Rooney is Dan, the son of the schooner’s captain, played by Lionel Barrymore. Rooney had not hit the height of his fame yet, so his was a minor role; however, he holds his own against a slew of established and respected actors. This was the first of Tracy’s back-to-back Oscar-winning roles, and Rooney costars alongside him in both films.
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12. It’s a Mad, Mad, Mad, Mad World (1963)
Teeming with many of the greatest comedic legends up to the time and packed with wacky action sequences and storylines, “Mad World” is arguably the most epic comedy ever made. Rooney and Buddy Hackett are paired as nightclub performers who are competing with a hodgepodge of characters in a race for money hidden by a criminal. With a run time of three-and-a-half hours, numerous cameo appearances by Golden Age legends and its good clean-fun humor, there is no other film quite like this one.
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11. Requiem for a Heavyweight (1962)
Prizefighter Mountain Rivera (Anthony Quinn) is forced to find a different path after he is deemed no longer safe to fight. However, his longtime manager Maish (Jackie Gleason), for his own selfish reasons, tries to bring him back into the world of fighting, while his world-weary trainer Army (Rooney) does all he can to keep him off a tragic path. Originally a teleplay written by Rod Sterling of “Twilight Zone” fame, “Requiem” is a gritty tale about the world of boxing, with a memorable cameo by Cassius Clay (later known as Muhammed Ali) and powerful performances by Quinn, Gleason and Rooney.
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10. Girl Crazy (1943)
This was the last Garland/Rooney vehicle (although they sang together in one more film – “Words and Music”). This time Rooney is spoiled rich kid Danny, whose father sends him to an all-boys’ agriculture school so he’ll concentrate on school instead of partying and girls. He, of course, immediately finds the one girl within miles – the granddaughter of the school’s dean, Ginger (Garland). After floundering through his first few weeks, Danny decides he actually likes the school and is dismayed to learn the school may close due to low enrollment. So, guess what they do? Put on a show! This time complete with Tommy Dorsey’s band and a Busby Berkeley dance number to “I’ve Got Rhythm”. This was to be the fourth of their movies directed by taskmaster Berkeley; however, the “I’ve Got Rhythm” sequence went way over budget and had guns and cannons firing, which spooked Garland and drowned out her voice, and Berkeley was replaced by Norman Taurog.
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9. The Bold and the Brave (1956)
This film chronicles the tales of three very different American soldiers in Italy during WWII: Fairchild (Wendell Corey) doesn’t believe in killing, Preacher (Don Taylor) sees everything in terms of Good and Evil only and Dooley (Rooney) is an extroverted gambler running a floating crap game who dreams of winning enough money to bankroll his dreams after the war. As a WWII Army veteran and a man who struggled with gambling himself, this was likely a role that Rooney completely related to, and later said he directed (without credit) and largely improvised the craps game scene for which the movie is largely remembered. Rooney’s performance steals the film, and led to his first nomination for Best Supporting Actor (and third nomination overall).
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8. Love Finds Andy Hardy (1938)
Garland and Mickey Rooney appeared in 10 films together, three of which were in the Andy Hardy series. “Love Finds Andy Hardy” was their second feature together, and her first appearance in this series. Andy Hardy (Rooney) is having a hard time trying to manage payments on a car and juggle three love interests (one of whom is played by Lana Turner). This film marks the first time MGM used stereophonic sound, and was selected by the Library of Congress for preservation in the United States National Film Registry in 2000. Garland and Rooney adored one another, and even though their films weren’t terribly original, their chemistry made each one enjoyable and were hugely popular at the box office.
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7. The Human Comedy (1943)
This film would be overrun with sentimentality if not for the understated performances by much of the cast, including Rooney in his second Oscar-nominated role for Best Actor. The deceased patriarch of the Macauley family narrates a series of vignettes showing the impact of WWII on a small community in Ithaca, CA, including his widow (Fay Bainter) and their four children: newly inducted Army man Marcus (Van Johnson), college-aged Bess (Donna Reed), young Ulysses (Jackie Jenkins) and teenaged second-oldest son Homer. Rooney gives one his his most subtle performances as Homer, who is going to school while working as a night messenger to help care for his family. Rooney says so much with just facial expressions, as Homer is tasked with delivering messages from the Justice Department, often containing unwanted news, while also dealing with the usual coming-of-age angst. The Oscar-winning screenplay beautifully captures small town America’s attempt to hang on to the normalcy of the past as the world changes around them, and is a must see for any Rooney fan.
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6. The Black Stallion (1979)
Rooney received his fourth and final Oscar nomination, this time for supporting, playing a role he had come to know well – a jockey. Based on the classic children’s novel, it tells the story of the two lone survivors of a shipwreck, young Alec and a wild Arabian stallion. Stranded on a desert island, the two become friends before eventually being rescued and taken back to New York, where they are soon befriended by retired jockey and horse trainer Henry Dailey (Rooney). Alec is determined to prove that the majestic but untamed horse is the fastest in the world, and Dailey brings the young orphan under his wing, helping him train “The Black.” The visually stunning film gave a boost to Francis Ford Coppola’s struggling studio, and has been preserved in the National Film Registry and is included in the American Film Institute’s list of most inspirational films. The popularity of the film led to The Family Channel series “The Adventures of the Black Stallion,” in which Rooney reprised his role as Dailey for its entire three season run.
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5. A Midsummer Night’s Dream (1935)
Filmmaking was still in its pioneering days, and special effects were still pretty primitive – but they were also imaginative. This visually beautiful take on the Shakespeare play has such a surreal and magical quality, that it’s easy to believe in fairies. And if there were ever an actor suited to a part, it’s Rooney playing Puck, the mischievous fairy who doles out his love potion to the wrong people, gleefully causing havoc among the mere mortals. With equally magnificent performances by the likes of Olivia de Havilland in her first film and “gangster” James Cagney doing Shakespearean comedy, this film is a must-see for any cinephile.
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4. National Velvet (1944)
Although it’s largely remembered for being the vehicle to launch a young Elizabeth Taylor to fame, it was Rooney who was the major star of the picture and remains one of his most enduring roles. Rooney’s turn as embittered ex-jockey Mi who overcomes his fear of horses to help young Velvet train her horse for the Grand Nationals is one of his most moving performances. It was also his last film before being inducted into the Army, leading to a rare two-year break in his impressive 90-year career. The classic film holds a 100% rating on Rotten Tomatoes and a place in the National Film Registry.
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3. A Family Affair (1937)
This film was intended to be a one-off “B” picture, with the still-relatively-unknown Rooney in a secondary role. However, the story of moral-upright Judge Hardy (Lionel Barrymore, later played by Lewis Stone) fighting corruption during his reelection campaign, while also dealing with the antics of his two grown daughters and teenaged son Andy, became a huge hit, largely due to Rooney. His portrayal of a girl-crazy teenager who often finds himself in some sort of dilemma involving a girl or a money situation, and is guided by his kind but stern father, is the standard many sitcoms have followed. The film was so hugely successful that it skyrocketed Rooney to fame, and launched the popular Andy Hardy film series, which included 15 films between 1937 and 1946, and a final film in 1958.
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2. Boys Town (1938)
“There is no such thing as a bad boy.” Loosely based on a true story, Spencer Tracy plays Father Edward Flanagan, a Catholic priest moved to build a sanctuary for wayward boys called “Boys Town,” and Rooney is one of the more rebellious boys, Whitey Marsh, a tough-talking, cigarette-smoking hoodlum whom Flanagan is determined to reform. The film was one of the top movies of the year, with Tracy winning his second consecutive Best Actor Oscar, and Rooney winning a special Juvenile Academy Award. MGM head Louis B. Mayer claimed this was his favorite film out of the thousands produced during his years at the studio, and it remains a favorite from the Golden Age of Hollywood.
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1. Babes in Arms (1939)
Another “kids put on a show” film, “Babes” was MGM’s highest grossing film of 1939, a year known for more classic movies than any other, and scored Mickey Rooney an Academy Award nomination for Best Actor (19 at the time, he remains the second youngest actor to receive a nomination in this category). Boyfriend and girlfriend Mickey (Rooney) and Patsy (Garland) are the children of vaudevillians who are struggling to keep vaudeville alive. Although their parents think they should find more practical careers, Mickey writes a show for him and Patsy – but they must overcome their parents objections, a local busybody trying to get them back into school, and a former child star who wants to make her comeback – in Patsy’s role in the show and as Mickey’s girlfriend.