Lovejoy Quotes

“Fraud is the daughter of greed.”
― Jonathan Gash, The Great California Game

“I am going to sit here in the river. If you go home to sleep, I will sleep in front of your house. And if you go away, I will follow you--until you tell me to go away. Then I'll leave. But I have to love you for the rest of my life..”
― Paulo Coelho, By the River Piedra I Sat Down and Wept

“Friendship is a strange animal. It only thrives in voluntary enjoyment of each other's company, in the pleasure of nonobligatory connection. I repeat: You owe me nothing.”
― Kate Christensen, The Astral

“When two people love each other, they do not comply and does not dominate, only complement each other.”
― Jacqueline Kelly, The Evolution of Calpurnia Tate

“Woods are grim places. Farmers shoot squirrels, crows, magpies, and hang them up on trees to warn Mother Nature to get it together or else. Much notice she takes, being in league with God. They're a right pair, more carnage than the rest of us put together.”
― Jonathan Gash, The Rich and the Profane

“The Theory of Sexual Understanding is mine. I created it. It works between a man and a woman. It's this: Everything's up to her.”
― Jonathan Gash, The Great California Game

“Women are odd. I really mean that. A woman doesn't know the effect she has on a man. Any woman affects every man with instant global tonnage every single time. But women all go about teaching each other it isn't true. God knows why. They reach for doubt, where we blokes go for hope. This accounts for much of their behavior.”
― Jonathan Gash, The Great California Game

“That day, I started taking an interest in the bar's television. We always kept it on. As the hours slid by in a cacophony of talk I kept watch, throwing in the occasional comment about politicians, bankers, show biz personalities as they appeared on screen. I wasn't being nosy, you understand. Just human.”
― Jonathan Gash, The Great California Game

“The risks in antiques fraud are relative. Other criminals risk the absolute. You've never heard of a fraudster involved in a shoot-out, of the "Come and get me, copper!" sort. Or of some con artist needing helicopter gunships to bring him. No, we subtle-mongers do it with the smile, the promise, the hint. And we have one great ally: greed. And make no mistake. Greed is everywhere, like weather.”
― Jonathan Gash, The Great California Game

“Affluence isn't affluence at all. Hong Kong is the benchmark; everybody else's affluence is mere tat. Until you've experienced that perfume-washed air as polarized glass doors embrace you into a luxury hotel's plush interior, you've only had a dud replica of the real thing.”
― Jonathan Gash, Jade Woman

“Every inch of space was used. As the road narrowed, signs receded upwards and changed to the vertical. Businesses simply soared from ground level and hung out vaster, more fascinatingly illuminated shingles than competitors. We were still in a traffic tangle, but now the road curved. Shops crowded the pavements and became homelier. Vegetables, spices, grocery produce in boxes or hanging from shop lintels, meats adangle - as always, my ultimate ghastliness - and here and there among the crowds the alarming spectacle of an armed Sikh, shotgun aslant, casually sitting at a bank entrance. And markets everywhere. To the right, cramped streets sloped down to the harbor. To the left, as we meandered along the tramlines through sudden dense markets of hawkers' barrows, the streets turned abruptly into flights of steps careering upwards into a bluish mist of domestic smoke, clouds of washing on poles, and climbing. Hong Kong had the knack of building where others wouldn't dare.”
― Jonathan Gash, Jade Woman

“The Metropolitan Museum of Art claims to be the largest in the western hemisphere. It's right, but I'm not too sure about the arts bit. Don't misunderstand me. It's got tons of genuine art. It's also got tons of stuff that is hard to classify. I can't come to grips with a massive cube with a grandiose title. I allow that it's art, but not my sort. I need the big stone block to tell me something about the bloke whose name's on the caption, and it doesn't. That off my chest, I admit that any place with 3.3 million works of art truly is a wonder.”
― Jonathan Gash, The Great California Game

“The exhibition gobsmacked me. I'm not ashamed to admit it. Here was quite a small building, not many people about, getting little attention. And inside they'd pulled together a staggering display of Regency furniture. I've seen most of the stuff that matters. I simply stood there, gaping.”
― Jonathan Gash, The Great California Game

“Remember preconceptions? Even though I'd landed hoping simply to somehow scrape the transatlantic fare home, I'd been an arrogant swine, imbued with that Old World toffee-nosed attitude: The United States of America's got no culture, not deep down.”
― Jonathan Gash, The Great California Game

“America's phones are bliss. Their habit of actually working is very disconcerting: Put in a coin, and speak to whoever answers. I truly hope it catches on everywhere.”
― Jonathan Gash, The Great California Game

“I began to enjoy myself: being apoplectic's quite invigorating.”
― Jonathan Gash, The Rich and the Profane

“The problem: If you've an antique for sale, then, sad to relate, the world isn't your oyster. It's not that easy. Even if somebody gives you the National Gallery, your options are still very, very limited. Okay, you can sell the Old Masters, set up a trust, buy your favorite brewery. But that's strictly it. You're limited by honesty on one hand and law - that hobble of sanity - on the other.”
― Jonathan Gash, Jade Woman

“The Mologai. The sun shines less in the Mologai, but heat gathers there in the shade and smoke. Steep cramped dwellings, shops oldish. Oddly, smoke pervading the whole area. The streets cling to contours. You clamber up steps from one narrow alleyway to the next, among the stalls. It's an antique hunter's paradise - or rather purgatory, because the promise of heaven takes time to realize.”
― Jonathan Gash, Jade Woman

“Forgery, being the weirdest form of creativity there is, like antiques, costs lives. Why is it that antiques demand sacrificial victims? Dunno, but if they don't get enough, forgery does. You want proof? Here it is: Once a faker's found out, he dies. Truly. It always happens.”
― Jonathan Gash, Jade Woman