João Canijo(I)

Canijo emphasizes that his style is constantly evolving, adapting his "process" according to the nature of each project. This dynamic, almost experimental method seeks to give the viewer the freedom to interpret and imagine what is off-screen. In a scene where one character is going to wake another, for example, the filmmaker prefers to focus only on the foot of one of them, inviting the audience to imagine what is hidden in the other's invisible expression. In his work, Canijo does not provide easy answers about family dramas; he provides an open window so that each viewer, when spying on the characters, finds something of themselves.

On the concept behind the movie Fátima - I was looking for a situation where a group of women were forced to be together 24/7 and were pushed to their emotional limits. And suddenly the idea of ​​the most Portuguese thing came to me, which is a pilgrimage to the sanctuary of Fátima on foot. This brings together the human nature of women with the paradox of being on a path in which they seek God, in which they demonstrate the need for God.