IMDb-BEWERTUNG
7,2/10
2297
IHRE BEWERTUNG
First Call A-Listen-Musiker teilen ihre unglaublichen Geschichten über ihre Tourneen und die benötigte Hingabe, an der Seite der ikonischsten Musiker der Welt zu spielen und die meistgefeier... Alles lesenFirst Call A-Listen-Musiker teilen ihre unglaublichen Geschichten über ihre Tourneen und die benötigte Hingabe, an der Seite der ikonischsten Musiker der Welt zu spielen und die meistgefeierten Rock-Songs zu erschaffen.First Call A-Listen-Musiker teilen ihre unglaublichen Geschichten über ihre Tourneen und die benötigte Hingabe, an der Seite der ikonischsten Musiker der Welt zu spielen und die meistgefeierten Rock-Songs zu erschaffen.
- Auszeichnungen
- 4 Gewinne & 1 Nominierung insgesamt
Corey Britz
- Self
- (Nur genannt)
Kara Britz
- Self
- (Nur genannt)
Kenneth Crouch
- Self
- (Nur genannt)
Bevan Davies
- Self
- (Nur genannt)
David Ellefson
- Self
- (as Dave Ellefson)
Robert Ezrin
- Self
- (as Bob Ezrin)
Mike Froedge
- Self
- (Nur genannt)
Joe Giancarelli
- Self
- (as Sal G)
- (Nur genannt)
Empfohlene Bewertungen
Absolutely incredible! if you are a fan of music you MUST see this film. Ideally on the big screen! I have seen the film 3 times, at SXSW, in the theater, and on DVD, and I well up every time. The "Hired Guns" featured are the most talented musicians in the world and each of their stories are incredible. Highly recommended.
This documentary focuses on what's called "hired guns", especially in the rock and heavy metal genre. Basically a "hired gun" is a super talented musician who can, at a moment's notice, play as a studio musician or actually join a band and tour with them. However, in the often cold and brutal musical world, they will have no tenure, receive low pay, and often get no credit for their contributions.
As one sees in the film, some of the "hired guns" will emerge and prosper from their stints while others will not and even eventually experience tragic consequences. The film, directed by Fran Strine, jumps from one interviewee to another, and initially seemed disjointed, since I really wasn't familiar with most of the musicians and record execs. However, the power of the individual stories overrode all else, in my opinion, and I certainly not only was inspired by these tales but also learned a lot about a genre I knew little about.
As I've read in some reviews this documentary can certainly fall into the category of such other movies as "20 Feet From Stardom", "The Wrecking Crew", and "Standing in the Shadows of Motown", except this doc centers on rock and heavy metal bands and players.
As one sees in the film, some of the "hired guns" will emerge and prosper from their stints while others will not and even eventually experience tragic consequences. The film, directed by Fran Strine, jumps from one interviewee to another, and initially seemed disjointed, since I really wasn't familiar with most of the musicians and record execs. However, the power of the individual stories overrode all else, in my opinion, and I certainly not only was inspired by these tales but also learned a lot about a genre I knew little about.
As I've read in some reviews this documentary can certainly fall into the category of such other movies as "20 Feet From Stardom", "The Wrecking Crew", and "Standing in the Shadows of Motown", except this doc centers on rock and heavy metal bands and players.
Forget about the guy who bitched about Steve Vai and wrote a whiny review. This documentary doesn't look at the most famous session players (Like Vai), it follows people you may have never heard of (but whose talents you may have heard). The depth and honesty of the documentary is palpable. The players it does focus on show just how high the highs and how low the lows are when you dedicate your life to playing someone else's music. A couple superstar artists come out looking like douche bags for the way they treat their side men, but for the most part, the documentary steers clear of drama.
Really enjoyed watching this and learned a lot about the lives these guys had.
What struck me in the end was nobody was overly bitter (at least in this film) or resentful other than the lack of communication when their time was up.
They seemed to know the precarious edge that chose to live on and what that meant in job security.But happy to have been part of something big and creative.
What struck me in the end was nobody was overly bitter (at least in this film) or resentful other than the lack of communication when their time was up.
They seemed to know the precarious edge that chose to live on and what that meant in job security.But happy to have been part of something big and creative.
1/11/18. What a cool bunch of professionals. This is a great documentary to watch in which session musicians get to share their love of playing for the sake of playing. Though many have gone nameless, playing in the shadow of big personalities, they are so grateful for the chance just to play in that kind of environment. These are the true artists in the music world! Worth catching.
Wusstest du schon
- WissenswertesRock band Art of Dying's frontman Jonny Hetherington wrote and performed the theme song, also called 'Hired Gun' with Five Finger Death Punch guitarist Jason Hook. The song plays over the closing credits in the film.
- PatzerIn the end credits for the Ted Nugent songs, Derek St. Holmes' name is incorrectly listed as Derek St. James.
- Zitate
Nita Strauss: As a hired gun, you have to be on point all the time.
- SoundtracksDrum Solo
By Christopher Johnson (as Chris Johnson)
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Details
- Laufzeit1 Stunde 38 Minuten
- Farbe
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