Unsichtbare Besucher

The Enfield Poltergeist was, to many of us growing up in 1970s Britain, a terrifying story. Between 1977 and 1979, a council house in Enfield, England, was supposedly the home to a poltergeist, the definition of which is noisy ghost. The main focus of the poltergeist activity was towards young Janet Hodgson, giving some credence to the experts belief that poltergeists hone in on pre-pubescent teenagers. The events at the house caused a media storm, enticing specialists, believers and sceptics to visit and fuel a fire that still simmers away today.

Interestingly the title of this British production has it right, in that calling it a haunting at least doesn't lie to the viewers. As with Tobe Hooper's 1982 film, Poltergeist, the presence of a poltergeist spirit is pretty much a side-bar to another story, where Hooper's film went off to another dimension, Kristoffer Nyholm & Joshua St Johnston's film here dials into grief and absent parents, then choosing to grab demonic possession and mediums for its big shocks.

Many liberties have been taken with the facts, with added outside interests brought in to flesh a story out. Though the core essence of the story, the suspicions of truth etc, remain. The Enfield Haunting is a grand and unsettling production, undeniably scary for those that buy into the possibility of a haunting of this type being real. The performances are led by quality thespians, Timothy Spall and Juliet Stevenson, both of whom play grief and distress with a shattering conviction, and young Eleanor Worthington Cox as Janet is a bundle of exciting promise. Period detail is first class, though the house used here is some way away from the actual house of the events, while the opening credits are superb, even if they only tantalise as regards the alleged events in the girls' bedroom and disappointingly don't form part of this story.

If this pic has longevity of interest in its own land, or even being capable of garnering interest away from the shores of the UK? Is tricky to say at this point. Because ultimately it plays out with familiar horror conventions, like it's cashing in on the recent cravings for Conjuring and Insidious kinks. Ironically, the team behind The Conjuring have reconvened to make a sequel - about The Enfield Poltergeist. Now I wonder if that one will actually be about a poltergeist... 8/10

It is not often you get to see a great poltergeist series. This short series kept you wanting to know what's going to happen next. It was like a horror and drama together. You felt the emotions each actor gave. All the actors did an amazing job! I do not think there was one part in this show I disliked. The only reason I did not give it a 10 is because I have seen better shows, but that's not a bad thing. For a 2015 film (8 years old) they did an incredible job. My favorite part is when the medium and Janet spoke at the same time! I would definitely recommend this show to everyone of all ages. I watched the show on Prime. Great job everyone!

Despite the raving of one reviewer, who doesn't seem to know that different people can have differing views about the same topic, this mini-series misses the mark. The acting was good and the story was quite engaging ... until the last 10 minutes. The scene at the very end is the epitome of corny and, frankly, let down an otherwise fairly interesting watch.

3 part british haunted house mini series made in 2015. Very well acted, and with a good amount of decent chills.

Based on a "true" story from the 70's. I also like that it is filmed as if it was made in the 70's. Well made for british tv.

The conjuring 2 was based on the same case.

I have seen this TV film quietly on my couch next to my wife, one of those Sunday afternoons without much to do and almost by chance, and I must say that I was very pleasantly surprised ... In fact, I truly believe that it is a small jewel and aspiring cult movie. The setting is surprisingly good, the script, based on a book by Guy Lyon Playfair (one of the Enfield investigators), is magnificent. It does not abuse of any special effects, and it does back to the typical horror- suspense movies of the 70's and 80's like "The Changeling" type. Now that all horror films are gore or a collection of special effects, that is thankful. In addition, the script is full of subtle comic moments, surreal even, perfectly matched with the suspense of the film, that far from falling into the "Scary Movie" manners, what it does is humanize the characters, make them closer to the viewer and endow them with a certain psychological depth; help to this the great performances (along with the great script), of practically all the actors and actresses of this, in my opinion, small great work of art. The girl who plays Janet (Eleanor Worthington Cox) and the actor who plays Grosse (Timothy Spall) are immeasurable, great. The background of the work transcends the simple entertainment cinema (which is, but with quality), and penetrates into areas such as the importance of attachment in relationships, love, youth and adolescence, the importance of family, etc ... Simply great, hopefully this type of cinema more personal (even if it is in the fantastic-terror terrain) popularizes and more works are done as well as this. It is not necessary to spend a million- euro in special effects in a movie so that it can turn out (this film is proof of it), in fact this film gains credibility by using the just and the just, sometimes very handmade. A film conceived for TV, very good and highly recommended!.