Füge eine Handlung in deiner Sprache hinzuA coming-of- age story that follows a 17-year- old doomsday prepper in Oklahoma, who turns out to be right and prepares for everything except being lonely.A coming-of- age story that follows a 17-year- old doomsday prepper in Oklahoma, who turns out to be right and prepares for everything except being lonely.A coming-of- age story that follows a 17-year- old doomsday prepper in Oklahoma, who turns out to be right and prepares for everything except being lonely.
- Auszeichnungen
- 2 Nominierungen insgesamt
Justin Dwayne Hall
- Addison
- (as Justin Hall)
Keston John
- Additional Voice
- (Synchronisation)
Norm Johnson
- Additional Voice
- (Synchronisation)
Menah Carter
- Additional Voice
- (Synchronisation)
Grace Elizabeth Andrews
- Additional Voice
- (Synchronisation)
- (as Grace Andrews)
Empfohlene Bewertungen
Very minimal plot which I really enjoyed. It kind of had that Napoleon dynamite of the Apocalypse movies. Not a lot of hundred mile an hour zombie action undulating emotional roller coaster type of thing which is also good sometimes... But like some of the other reviews said kind of like what would you do in this situation kind of deal and some good character development. It inspires me to watch more of the Director and his other films. And also inspires me to read more about some of the doomsday prepping. If anything I would really have loved to see snapshots of more of the worldwide scope of what happened and maybe some more global view just to give it more than apocalyptic feel.
Agree with other reviews, acting was good, cinematography was most excellent, plot, dialog and some sequences were reeeeeally bad.
If you go in thinking it was a high school film project, you will be impressed. If you pay to see it your inner Karen will likely come out.
If you go in thinking it was a high school film project, you will be impressed. If you pay to see it your inner Karen will likely come out.
Yeah this was a weird one - started off very slow, snails pace would be unfair to a snail. The acting wasn't perfectly natural but the lead didn't have much to work with so did his best (perhaps when rocking out to a song they've got license to, he could've listened to it a little more). The other actors look the part, except for the one playing the mother, who's not a natural motherly actor so I'm not sure why the gender swap.
The film rushes it's last act, and as the below interviewer pointed out, the chase at the end is patently absurd and unbelievable. At times things just happened to keep the script moving.
The film did look beautiful though - would've worked better as a nature doco.
The film rushes it's last act, and as the below interviewer pointed out, the chase at the end is patently absurd and unbelievable. At times things just happened to keep the script moving.
The film did look beautiful though - would've worked better as a nature doco.
The filmmakers cared a lot about how things looked - both in terms of cinematography and two main actors. Unfortunately, they cared about visuals much more than they cared about the script, which is riddled with contrivance and occasionally outright nonsense.
Survival teen is smart/informed enough to subsist on his own but is apparently blind because he can't see he's riding his bike into a 20-foot-diameter pit. The plausibility of his actions just decline from there.
Bad guys show up and end up magically tracking down survival guy and his new friend who are riding away on bikes for days while bad guys meander at a snail's pace through the countryside. It's absurd.
I won't, uh, "spoil" the ending, but after a *very* briefly promising twist, the resolution is just patently stupid/unbelievable.
I normally read reviews before taking a chance on stuff like this, but for various reasons, I skipped the reviews this time. Lesson learned.
Survival teen is smart/informed enough to subsist on his own but is apparently blind because he can't see he's riding his bike into a 20-foot-diameter pit. The plausibility of his actions just decline from there.
Bad guys show up and end up magically tracking down survival guy and his new friend who are riding away on bikes for days while bad guys meander at a snail's pace through the countryside. It's absurd.
I won't, uh, "spoil" the ending, but after a *very* briefly promising twist, the resolution is just patently stupid/unbelievable.
I normally read reviews before taking a chance on stuff like this, but for various reasons, I skipped the reviews this time. Lesson learned.
This late Sunday night, I chose this movie due to being a post-apoc fanatic. For a low budget, film, I enjoyed it more than most of the Prime movies I've seen over the years. After a long and slow start, I was HOOKED once the plot shift occured. Instead of having all my questions answered, I feel the director did a SUPERB job of controlling the flow of the story, leaving PLENTY of room for prequels and sequels if desired. I don't want to sound bias at all, but with the lack of over the top special effects, I am very satisfied with my choice, and highly recommend if you like great finales.
This is a gem that deserves it's place among movie lovers' "I've Seen That" list.
This is a gem that deserves it's place among movie lovers' "I've Seen That" list.
Wusstest du schon
- PatzerRiding bikes down the road, Ava has the gun attached to a pouch on the front wheel axle and she's using it to help steer. As she continues her conversation with Addison, the gun is nowhere to be seen and she has both hands on the handlebars, and a couple moments later, she is back steering with the gun, having not stopped or been out of shot long enough to have altered her handling of the bike.
- SoundtracksGoing it Alone
written by Joshua V. Scher & Ford Oakley
performed by the Proprietors of the Earth ft. Lacy Saunders & Fred Bidwell
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Details
- Laufzeit1 Stunde 30 Minuten
- Farbe
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