Operation: Overlord

Perfect blend of WW2 action, zombies and gore. Don't go into this expecting Oscar nominations, and you'll enjoy the ride. It was exactly what I expected- I was entertained for close to 2 hrs. Got my money's worth.

I initially thought of that other movie (Frankenstein's Army) when I heard the story of this one.

It was quite enjoyable at times, but it still got stuck in the B segment.

This one looks a lot more serious and the film immediately starts off strong with the landing scene, which is very well executed and even after that the film doesn't really let up for a moment.

The tension is built up well, the camera work is very good and the gore is plentiful with good acting from almost everyone.

This is the second mix of army and horror and both were pretty good so bring on some more

100% better than expected and a successful mix between war and horror.

The opening scene has nuances a of B-Movie/Cult film, not from a lack of quality though but because of its gritty and raw feel.

You start to get your hopes up that this could be something special, but at the same time you are secretly praying that it doesn't nose dive; excuse the pun.

However, the moment you see the visual effects all doubts are washed away that this is going to be some low-rent waste of time and all throughout the film the effects are top grade and filled with realism. It's was no surprise to later discover the visual effects were by Industrial Light & Magic, among others.

The acting is excellent, no overdone or overly cheesy lines. Jovan Adepo demonstrated excellent control and great balance in his part that would have been easy to mess up, whilst Mathilde Ollivier excelled in her role. The whole cast was very well chosen and they played their parts admirably.

Locations and sets were realistic and coupled with excellent cinematography, it really did draw you into the film and the lack of "Hollywood" polish was a refreshing change; it brought a level of realism you rarely see these days in films.

There was the odd scene where you think that they would never have done this and it causes a little frustration, but it is quickly corrected by subsequent events going against the anticipated and you never quite know who is or isn't going to die.

The film overall is nicely broken up into various scenes and they are all well paced and retains your attention.

A very underrated film and I enjoyed every moment of it.

Overlord is one of those films that starts as one thing but then becomes something else. Following some Allied paratroopers as they land behind enemy lines toward the end of WW2, they come across a small town next to their target - a church with a radio tower on it. With the help of a local family, they must somehow get in there and take it down. However, they soon discover that the building also houses something far worse than Nazi soldiers...

I must say I was genuinely surprised by how good this film actually is. I was expecting the war aspect to be little more than a backdrop to the horror, but even during the build up this actually has a stab at being a decent war film in its own right. Then the horror starts and the film loses none of its intensity, action or pacing. The story is interesting, the characters are believable and the special effects are actually really good. Imagine if the modern Wolfenstein video games were made into a film - that is pretty much what this feels like and I thought it was far better than it has any right to be. Give it a go!

At one stage thought to be some form of Cloverfield sequel/prequel, thanks to the association with wonder producer J.J Abrams and his production company Bad Robot, Overlord is very much a film set in its own universe that takes us on a gore filled World War 2 set adventure to occupied France, as a small collection of American soldiers discover that German run labs are not the ideal place to spend time in.

Directed by upcoming Australian filmmaker Julius Avery whose previous film Son of a Gun showed much promise, Overlord does a lot with its relatively small budget of $38 million as we are thrust into the D-Day invasion and follow a collection of paratroopers on a mission to destroy a German radio bunker set up at the base of an old church building.

It's not being over the top when you say the first 10 - 20 minutes of Avery's film are some of the most thrilling and dazzling of the last 12 months, with the audience given barely a moment to breathe as the films stunning opening set-piece takes place and we launch out of an under fire carrier plane with Jovan Adepo's Boyce and his fellow soldiers.

If Overlord had somehow managed to keep this pace, intensity and style up, Avery's film would be a dead-set undeniable gem but sadly the film unleashes its best too early as the film around it, whilst often entertaining and gloriously over the top, just never quite delivers the thrills, spills and chills like you'd wished it had done.

Truly becoming the cinematic equivalent of the famous Wolfenstein video game series (which must've been a direct inspiration for this tale), Overlord's mix of war time action, sci-fi, straight up visceral horror (found within the Nazi's underground labs) and thriller doesn't always hold up, even if it's great to see a film of this ilk play it completely straight with Overlord forgoing laughs as there's no winking to the camera as the nefarious goings on begin to take hold.

It's a gore-filled and claret flowing exercise, with Avery clearly at home with the action side of things and a little less so at character building, with side players like Wyatt Russell's knuckle-duster loving Ford, John Magaro's stereotypical Italian solider and Mathilde Ollivier's token French female tomboy Chloe having fun but remaining fairly forgettable with Game of Thrones star Pilou Asbæk stealing the acting show with his turn as evil Nazi Wafner.

You never regret going along for this ride with enough imagination, impressive make-up and special effects and darkly imagined horrors such a soldiers traumatic return from death keeping things moving and ever watchable, you just can't help but feel like Overlord had the potential to become a genuine classic of its genre mash-up.

Final Say -

There's a lot to like about Overlord (an unfortunate box-office dud) that's likely to find a much a larger audience on home release but despite its many strengths and standout individual scenes, this Wolfenstein come to life is a mostly enjoyable but mostly forgettable affair.

3 bullet wounds out of 5