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Smart, funny, and unexpectedly tender, Roofman is a small but satisfying ride.
Roofman is one of those movies that sneaks up on you, not just because it's about a real-life robber who literally lived inside the store, but because it balances crime, comedy, and unexpected tenderness with surprising ease. Directed by Derek Cianfrance (Blue Valentine, The Place Beyond the Pines), this offbeat crime dramedy tells the story of Jeffrey Manchester, the "Roofman Robber," who famously escaped from prison and hid out for months inside a North Carolina Toys "R" Us.
Channing Tatum takes on the role with an easygoing charm that fits the character's odd blend of charisma and delusion. His version of Manchester, now going by an alias and trying to build a new life is part dreamer, part screw-up, and somehow, still someone you root for. Tatum gives one of his more grounded performances in years, toning down his usual bravado for something more human, and it works.
The surprise standout here is Kirsten Dunst as Leigh, who becomes entangled in Jeffrey's double life. I've never been much of a fan of Dunst, but here she doesn't elicit an eye roll every time she speaks and instead delivers a sincere performance. The chemistry between her and Tatum gives the movie its emotional spark, and their scenes together bring warmth and humor to a story that could have easily gone too dark or too silly.
The movie's pacing is steady and deliberate, maybe too much at times, but the story is well told and surprisingly heartfelt. It finds humor in human desperation and beauty in redemption without ever preaching about it.
Is it worth running to the theater for? Probably not. Roofman feels more like the kind of film you stumble upon one night while flipping channels or scrolling through streaming-and end up watching all the way through because it's oddly charming.
Roofman isn't a high-octane heist movie-it's a quirky, character-driven story about second chances, unexpected love, and the strange places people hide when they're running from their past. Tatum and Dunst make it worth the watch, and while it might not demand a big-screen experience, it's the kind of film that'll quietly grow on you once you've seen it.
Channing Tatum takes on the role with an easygoing charm that fits the character's odd blend of charisma and delusion. His version of Manchester, now going by an alias and trying to build a new life is part dreamer, part screw-up, and somehow, still someone you root for. Tatum gives one of his more grounded performances in years, toning down his usual bravado for something more human, and it works.
The surprise standout here is Kirsten Dunst as Leigh, who becomes entangled in Jeffrey's double life. I've never been much of a fan of Dunst, but here she doesn't elicit an eye roll every time she speaks and instead delivers a sincere performance. The chemistry between her and Tatum gives the movie its emotional spark, and their scenes together bring warmth and humor to a story that could have easily gone too dark or too silly.
The movie's pacing is steady and deliberate, maybe too much at times, but the story is well told and surprisingly heartfelt. It finds humor in human desperation and beauty in redemption without ever preaching about it.
Is it worth running to the theater for? Probably not. Roofman feels more like the kind of film you stumble upon one night while flipping channels or scrolling through streaming-and end up watching all the way through because it's oddly charming.
Roofman isn't a high-octane heist movie-it's a quirky, character-driven story about second chances, unexpected love, and the strange places people hide when they're running from their past. Tatum and Dunst make it worth the watch, and while it might not demand a big-screen experience, it's the kind of film that'll quietly grow on you once you've seen it.
Channing T's best work to date
First off, I really wanted to give a 7.5, as I think a 7 is a bit too harsh, but an 8 too high. There are many things this movie gets right - the feel of the true story, the selling of Jeffrey's character, and the bizarre nature of the events. Channing Tatum manages to sell us on the polite, nice, smart, yet ultimately vexed character of Jeffrey Manchester.
Where it doesn't quite make it to an 8 for me is the pacing. The film starts strong, unfortunately meanders a bit in the middle but does eventually stick the ending, albeit in a slightly rushed fashion.
Where it doesn't quite make it to an 8 for me is the pacing. The film starts strong, unfortunately meanders a bit in the middle but does eventually stick the ending, albeit in a slightly rushed fashion.
Middling
Directed by: Derek Cianfrance
Written by: Derek Cianfrance, Kirt Gunn
SUMMARY
After breaking out from prison, a convict hides out inside a Toy 'R Us store, surviving undetected for months. However, his secret life begins to unravel as he falls for a divorced mom. Ultimately, despite being given a chance to escape the country, he risks everything to say goodbye - and is caught in the act.
RATING
B
Roofman tells the true story of Jeff Manchester, who escaped prison and hid out inside a Toys 'R Us. The movie captures his ingenuity and resourcefulness with flair, but it falters emotionally, drifting into a middling family drama halfway through. Lacking a true moment of crisis, the story feels predictable and safe. In the end, Roofman is a very good film that never quite dares to be great.
SUMMARY
After breaking out from prison, a convict hides out inside a Toy 'R Us store, surviving undetected for months. However, his secret life begins to unravel as he falls for a divorced mom. Ultimately, despite being given a chance to escape the country, he risks everything to say goodbye - and is caught in the act.
RATING
B
Roofman tells the true story of Jeff Manchester, who escaped prison and hid out inside a Toys 'R Us. The movie captures his ingenuity and resourcefulness with flair, but it falters emotionally, drifting into a middling family drama halfway through. Lacking a true moment of crisis, the story feels predictable and safe. In the end, Roofman is a very good film that never quite dares to be great.
One of the best surprises of 2025
The feeling is that of having watched something genuine and comforting. A film that entertains, but also moves; that talks about escapes and lies, but above all, about the desire to start over.
The Good Bandit may not explore all the themes it presents, but what it delivers is done with such care and balance that it is impossible not to be captivated.
With inspired direction and Channing Tatum at his best, the film confirms that the best films of the year are not always the most grandiose-sometimes they are simply those that know how to tell a good story with heart.
The Good Bandit may not explore all the themes it presents, but what it delivers is done with such care and balance that it is impossible not to be captivated.
With inspired direction and Channing Tatum at his best, the film confirms that the best films of the year are not always the most grandiose-sometimes they are simply those that know how to tell a good story with heart.
An easy watch
The movie has a lot to offer. Channing Tatum makes a fantastic and charming lead, and his acting his top-notch on several occassions. His reaction when he gets sentenced to 45-years in jail is impressive, with the tears welling up in his eyes ... The movie is based on a criminal who commits robberies. A common issue with these sort movies is that the protagonist doesn't come off as likable. But that's not the case at all here ... The most fun parts of the movie are clearly the opening and finale. Those parts focus on his criminal exploits, which are so paradoxly simple yet ingenious. If the movie weren't based on a true story, I would have called it unbelievable that someone could escape from prison and hide at a Toys R' Us in the manner depicted in the movie
The movie has a nice soundtrack. There's some elegant cinematography, such as one scene involving a Christmas balloon near the end. There is a late-1990s to mid-2000s vibe in the movie: you might nostaglia over seeing pay-phones, Toys R' Us, Blockbuster, and 1990s-style baggy pants.
The movie isn't perfect. The big flaw is that the blending of the genres isn't always done so smoothly . It's a crime movie at its core, but the movie also becomes part-comedy, part-romance, and part-family drama. Infact, the latter 2 - the romance and family drama - get so serious. Those parts become awkward contrast with the scattered comedy.
Related to that criticism, I have to admit that I didn't completely enjoy the middle portions, which focus on Tatum + Kirsten Dunst's romance as well as the domestic situation involving Kirsten Dunst's daughters. Though Tatum and Dunst have good chemistry, the movie basically becomes a straight Lifetime-ish romantic drama for a bit; and I found myself yawning
8.0/10.
The movie has a nice soundtrack. There's some elegant cinematography, such as one scene involving a Christmas balloon near the end. There is a late-1990s to mid-2000s vibe in the movie: you might nostaglia over seeing pay-phones, Toys R' Us, Blockbuster, and 1990s-style baggy pants.
The movie isn't perfect. The big flaw is that the blending of the genres isn't always done so smoothly . It's a crime movie at its core, but the movie also becomes part-comedy, part-romance, and part-family drama. Infact, the latter 2 - the romance and family drama - get so serious. Those parts become awkward contrast with the scattered comedy.
Related to that criticism, I have to admit that I didn't completely enjoy the middle portions, which focus on Tatum + Kirsten Dunst's romance as well as the domestic situation involving Kirsten Dunst's daughters. Though Tatum and Dunst have good chemistry, the movie basically becomes a straight Lifetime-ish romantic drama for a bit; and I found myself yawning
8.0/10.
How Channing & Kirsten Found Their Superpowers
How Channing & Kirsten Found Their Superpowers
Channing Tatum, Kirsten Dunst, LaKeith Stanfield, Juno Temple, and writer/director Derek Cianfrance discuss finding their artistic superpowers on the set of Roofman.
Wusstest du schon
- WissenswertesDirector Derek Cianfrance interviewed Jeffrey Manchester four days a week for four years getting as much information as possible. He was blown away by the stories he heard and simply could not believe them. When asking the arresting officers if the stories were true they said "Yeah, that's what happened".
- PatzerThe Harry Potter Lego set Jeffrey and Dee are constructing did not come out until 2023 though the events of this story took place predominantly in 2004.
- Crazy CreditsNews clips about the real Jeffery Manchester and interviews with real-life counterparts of movie characters run alongside the closing credits.
- VerbindungenFeatured in WatchMojo: Top 10 Must Watch Movies and Shows of October 2025 (2025)
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2025 TIFF Festival Guide
2025 TIFF Festival Guide
See the current lineup for the 50th Toronto International Film Festival this September.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Roofman
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 19.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.739.882 $
- Eröffnungswochenende in den USA und in Kanada
- 8.108.861 $
- 12. Okt. 2025
- Weltweiter Bruttoertrag
- 33.036.665 $
- Laufzeit
- 2 Std. 6 Min.(126 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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