IMDb-BEWERTUNG
5,3/10
8039
IHRE BEWERTUNG
Ein Junggesellenabschied wird zu einem wilden Kampf ums Überleben, wenn die Trauzeugen unwissentlich ein sagenhaftes Raubtier auf die Feierlichkeiten loslassen.Ein Junggesellenabschied wird zu einem wilden Kampf ums Überleben, wenn die Trauzeugen unwissentlich ein sagenhaftes Raubtier auf die Feierlichkeiten loslassen.Ein Junggesellenabschied wird zu einem wilden Kampf ums Überleben, wenn die Trauzeugen unwissentlich ein sagenhaftes Raubtier auf die Feierlichkeiten loslassen.
- Auszeichnungen
- 1 Nominierung insgesamt
Brittany S. Hall
- 50n
- (as Brittany Hall)
- …
Empfohlene Bewertungen
Fantastic work ethic and detail went into this movie. Disturbing isn't quite the word the creature who in a way stalks the lead because she likes him. He freed her from some sort of cult supernatural club. Okay some of the acting is lacklustre the editing does your head in, the horror was more sex gone wrong and gore, although surely a film to jumpy and weird enough for a an okay score.
It's surprisingly great, fun movie! The actors were okay, but that "I like you." girl is always creepy, and she does a fine job. I love how they made this movie based on Greek mythology. I think it's a fine horror/fantasy movie. I was a fan of Hannah Fierman's character from segment 'Amateur Night', but after watching SiREN makes me love her even more.
I'd give it a solid 7/10.
I'd give it a solid 7/10.
The plot has no obvious continuity issues, and the scenes are carefully thought out, if a bit naive - but in a positive, honest way. It could even be called a spiritual sequel to the 'episode' with the demon girl in V/H/S, the influences are clearly there but the story is constructed separately, in a neat narrative. The actors are refreshingly on par, nice chemistry between the cast shows through which is always good. The movie is not a huge production, and it does not try to be. This is a good thing because it shows focus on what can work. And it is not lazy or jaded, nor does it look 'poor'. The few downsides it does have come naturally from a lack of budget, but they are not distracting. Other than that, it manages to feel like a properly engaging movie.
I am certainly not sorry for spending the time to watch it.
I am certainly not sorry for spending the time to watch it.
20 May 2017. Siren is one of those horror movies that might have been better, but really how could it? Too often other movies become so simplistically, stereotypical. The PBS television movie Dracula (1997) had similar polished authentic focus. Here the Siren is depicted quite well considering, without either the romanticized nor the glorified monster portrayal. Like in the Keanu Reeve's cult horror Constantine (2005) or perhaps even more like the more recent depictions of eerie characters like Anya Taylor-Joy's Morgan (2016) or Scarlett Johansson's Under the Skin (2013). In the lower budget tradition of Stanley Kubrick's last movie classic Eyes Wide Shut (1999), Siren really wasn't so much scary as it is absurdist horror with a more human inhuman twist. So really this movie while it isn't superb and a great classic, it is a solid horror movie that stands out from most other for its creepy factor, its more all American plot outline, and its more somber rather than typical gross out ending.
Let's get the bad out of the way first, in part because the movie did exactly that. The writing, especially in the first part of the movie, could be pretty bad. Whoever wrote the banter needs a lot more practice at that particular art. That plus some pretty bad acting was almost enough to make me turn the movie off. Luckily, just as I was deciding not to throw good time after bad, they reached the supernatural strip club (brothel? general sin palace? hard to tell) and that idea was itself intriguing enough to keep me watching. From there, with the exception of a bit of hammy acting (and persistently bad acting from the bachelor party guys), things improved a bit, not in the least bit because the opportunities for "banter" grew more infrequent.
But the central conceit -- the Lily figure from V/H/S -- was a good one to choose. It had potential, and provided a complexity to the standard slice-n-dice that most killer films don't have the room to explore. Mind you, this isn't a deep engrossing character study or anything -- we never learn much about the backgrounds of most of the characters (and Mr. Nyx absolutely could use a movie of his very own) -- but the basic premise and the complications provided by the nature of the titular Siren are solid enough to carry the film. The low budget shows (not in the least in the aforementioned poor writing and acting as much as the more visible products of low budgets) but the film is absolutely solid for the budget it does have. Since this is a standard film rather than found footage, the filmmakers couldn't operate on a microbudget but did manage to get their money's worth from the $300k IMDb says they had. I bumped my rating up a solid point in acknowledgement of managing to do so.
As with the V/H/S segment this movie came from, Hannah Fierman does the most with what little personalization is allowed to a character like hers. She certainly commits, and presents a compelling dichotomy between the Beauty and the Beast aspects of her character.
But the central conceit -- the Lily figure from V/H/S -- was a good one to choose. It had potential, and provided a complexity to the standard slice-n-dice that most killer films don't have the room to explore. Mind you, this isn't a deep engrossing character study or anything -- we never learn much about the backgrounds of most of the characters (and Mr. Nyx absolutely could use a movie of his very own) -- but the basic premise and the complications provided by the nature of the titular Siren are solid enough to carry the film. The low budget shows (not in the least in the aforementioned poor writing and acting as much as the more visible products of low budgets) but the film is absolutely solid for the budget it does have. Since this is a standard film rather than found footage, the filmmakers couldn't operate on a microbudget but did manage to get their money's worth from the $300k IMDb says they had. I bumped my rating up a solid point in acknowledgement of managing to do so.
As with the V/H/S segment this movie came from, Hannah Fierman does the most with what little personalization is allowed to a character like hers. She certainly commits, and presents a compelling dichotomy between the Beauty and the Beast aspects of her character.
Wusstest du schon
- WissenswertesEven though the studio was pushing for other actresses for the role of Lily, director Gregg Bishop insisted that Hannah Fierman reprise her role as Lily from the segment 'Amateur Night' in V/H/S - Eine mörderische Sammlung (2012).
- PatzerAt the start of the movie, "young" Lily has the device put on her left ankle. Later, when Lily is released and sticks her foot out the door, the device is on her right ankle.
- VerbindungenSpin-off from V/H/S - Eine mörderische Sammlung (2012)
- SoundtracksPressed for time
Performed by Greenfield Main
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Siren - Dämonische Verführung
- Drehorte
- Savannah, Georgia, USA(all locations)
- Produktionsfirmen
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Box Office
- Budget
- 300.000 $ (geschätzt)
- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Seitenverhältnis
- 1.78 : 1
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