Gloria ist ein arbeitsloses Partygirl und muss ihr Leben in New York City aufgeben und nach Hause zurückkehren. Als Berichte über eine riesige Kreatur auftauchen, die Seoul zerstört, erkennt... Alles lesenGloria ist ein arbeitsloses Partygirl und muss ihr Leben in New York City aufgeben und nach Hause zurückkehren. Als Berichte über eine riesige Kreatur auftauchen, die Seoul zerstört, erkennt sie allmählich, dass irgendeine Verbindung zwischen ihr und diesem Phänomen besteht.Gloria ist ein arbeitsloses Partygirl und muss ihr Leben in New York City aufgeben und nach Hause zurückkehren. Als Berichte über eine riesige Kreatur auftauchen, die Seoul zerstört, erkennt sie allmählich, dass irgendeine Verbindung zwischen ihr und diesem Phänomen besteht.
- Auszeichnungen
- 3 Gewinne & 9 Nominierungen insgesamt
- Waitress
- (as Melissa Montgomery)
- Expert #1
- (as Charles Raahul Singh)
Empfohlene Bewertungen
I found "Colossal" (2016) much more interesting, dark and deep then i thought i will be after reading a premise. This isn't your typical comedy staring Jason Sudeikis - it isn't funny movie, except if you are looking for some very dark comedy.
Premise here looks like from a mind of Spike Jonze of Charlie Kaufman. Although it isn't as brilliant as those two might have made this movie - i loved the story overall and movie itself.
Ovreall, "Colossal" is a kinda fresh take on a premise. There is a very dark humor down below, but i enjoyed it very much in a first place because of very solid writing, pacing (at running time 1 h 43 min this movie never dragged) and not by "a numbers" movie. Good, underrated movie.
At about the same time a gigantic monster begins stalking Seoul. Gloria discovers a connection between this monster, herself and her tragic relationships with men and the bottle.
Endearing qualities of the film include touching scenes, powerful underlying themes and independent charm. Yet the storyline is disjointed and lacks effective transitions. Gaps need to be filled in the writing/directing. Hathaway, Jason Sudeikis and Tim Blake Nelson are fun to watch, yet Nelson seems somewhat restrained. Seen at the Toronto International Film Festival.
Upon watching, the true underlining meaning becomes more apparent and it touches on a more dark subject matter, that apparently was lost on some viewers. It is a very real world dynamic in the relationship between Gloria (Anne Hathaway) and Oscar (Jason Sudeikis) that was well executed in this manner of storytelling.
It very difficult to say why this film is worth watching without "Spoilers", but I enjoyed this film; even the second time around, watching it on Netflix just recently.
Don't expect a moral payoff, any wisdom, any heartwarming feels. It's a perfectly good way to kill a couple of hours.
Without spoiling anything I'll just say that i thought the director (who also wrote the script) does an impressive job of keeping you into the story being told, and just slightly off track as to what's around the bend story wise. There were a couple times watching this where I thought i knew where the story was going to go, but ended up being somewhat off the mark. As the movie kept going I also started to wonder how the heck the director was going to bring this thing to a satisfying ending, and the answer to that question was with a fantastic climactic sequence that i very much liked watching unfold but didn't quite hit the mark in terms of satisfying to me, but somehow still felt quite right in keeping in tone with what we had been watching the whole time.
So basically i'm just saying--its worth checking out but with some slight reservations about the story as it unfolded. (I personally thought the big reveal about the origins of the monster's appearance was a little too symbolic and mystical and out of the blue, but other people might like how its explained)
All that said, the main concept of the movie i thought was pretty superb, and I thought Anne Hathaway in a kind of role we rarely if ever see her play was excellent and does a tremendous job in a very difficult role. If you don't like her, you'll end up hating the movie because she is a very large component of the movie. I thought even tho her character is aimless, she did a terrific job of keeping her likable throughout, even when you're kind of cringing at some of the decisions she makes on screen. Similarly, i thought the performance of Jason Sudekis was also surprisingly good. He starts out the film the way you normally see him in films, as the seemingly good hart-ed, wry, slightly bumbling slob, but as the story unfolds and he gradually starts to change those very qualities ever so subtly, it may not be til very late in the film or possibly thinking about it on the way home that you realize how strong a job he did as well playing opposite Hathaway. (Dan Stevens for the record has a very smallish part so if you're going to see this specifically for him, you might be disappointed)
In closing i'll just say that if you already know the premise to the film and are wondering whether or not its for you, I'll just say that if you like slightly out there premises, you should check this out because overall despite again some narrative choices I might not have been too crazy about, i thought it was a very solidly engaging movie, and for what its worth, I didn't think it was too strange to appeal to people who think that this may be too far out there for their comfort zones/slightly more mainstream tastes.
Wusstest du schon
- WissenswertesAnne Hathaway was in the second trimester of her pregnancy while filming the movie.
- PatzerIn the final flashback to Gloria and Oscar's youth, a comic book is shown falling from Oscar's backpack. The back cover of the comic features a partial quote from David S Goyer and mentions his films Batman Begins (2005) and The Invisible (2007). The flashback occurs twenty-five years before the present day of the film, so either Colossal is set in 2032 at the earliest -- which does not appear to be the case -- or the book is an anachronism.
- Zitate
Gloria: [throws the bar keys towards Oscar] Here! There are your keys; I'm not coming back to your shitty bar!
Oscar: [picking up the keys] Yeah you are.
Gloria: [panting] Oh yeah?
Oscar: Yeah.
[Throws the keys at Gloria with enough force to hurt her]
Gloria: [holding her stomach in pain] Ow!
Oscar: [calmly] You're gonna keep working at the bar, or I'm gonna come back here tomorrow, and destroy an entire neighborhood.
Gloria: [through her teeth, bringing her face close to Oscar's] Then I'll come back and I'll kick your fucking ass!
Oscar: [still calm] No you won't. I'm done being Mr. Nice Guy.
[Knocks her to the ground. Gloria grunts in pain as she hits the ground hard]
Oscar: [leans down, calm] see you at work?
[Gloria looks up at him speechless]
Oscar: I'll see you at work.
- VerbindungenFeatured in WatchMojo: Top 10 Anticipated Releases of April 2017 (2017)
- SoundtracksToda Est Energia
(Techno version)
Written by Joe Crepúsculo (as Joel Iriarte Parra)
Performed by Joe Crepúsculo
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Ella es un monstruo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.029.287 $
- Eröffnungswochenende in den USA und in Kanada
- 120.226 $
- 9. Apr. 2017
- Weltweiter Bruttoertrag
- 4.531.320 $
- Laufzeit
- 1 Std. 49 Min.(109 min)
- Farbe
- Seitenverhältnis
- 2.39:1