Still Flowin': The Movie

As you might or might not know, rapper RAED, who chronicles the story of his rapcareer in this movie, is somewhat of a cult phenomenon, having attracted hundreds of thousands of Youtube-views for his atrocious songs, each one of them a sonic mess of barely intelligible off-beat rapping and very crude electronic beats.

What's wondrous about him is that he still persists to make music despite thousands of people shitting on it. He just can't stop. Drugs play a part in this. He posts video's on Facebook of him smoking a crystalmeth pipe with some scruffy other fellow. In the movie he and his friends start snorting cocaine for no reason, guess they had enough budget for this ' movie'.

' Movie' is a big word for this document. RAED, who directed the thing, frames the story of his rise to (dubious) fame in one of the weirder documents you'll see on this planet, a wreck plagued by bad camera- work, inaudible dialogue, terrible music and unexpected sound effects that sound like a robot experiencing psychosis.

Go see for yourself, you have been warned. It's just a mess beyond belief, a sight to behold. I know i belong to a minority in this regard but this movie actually made me laugh more than most big-budget comedies. A very good bad movie.

"He raps appreciatively, it's real. The lack of sonic clarity sounds intentional. Fine Art. 10/10" - Director Melbourne Centre of Performing arts

"10/10 TALENT" - Rolling Stones

"10/10 Still flowin the movie, I would recommend. The director has something magical. Rap beats and ungainly rhymes into rough magic, and dazzle his audience in the process" - Ego Trip magazine.

Still Flowin: The Movie" is a cinematic masterpiece that seamlessly blends the art of storytelling with the pulsating rhythm of rap. The main character (Raed Melki), portrayed with incredible depth and authenticity, becomes the heartbeat of this compelling narrative.

The script is a lyrical symphony, weaving a tale of triumph, struggle, and self-discovery. Raed Melki's journey through the competitive rap world is both relatable and inspiring. The character development is impeccable, allowing the audience to connect emotionally with Raed's aspirations and challenges.

The cinematography is nothing short of breathtaking. Each frame is a visual spectacle, capturing the energy of the rap battles and the quieter moments of introspection with equal finesse. The use of lighting and color adds layers to the narrative, enhancing the overall viewing experience.

The soundtrack, featuring Raed Melki's infectious rhymes and beats, elevates the film to another level. The collaboration between the fictional character and the filmmakers (literally just Raed) creates a synergy that immerses the audience in the world of hip-hop. The music not only complements the story but becomes an integral part of the storytelling itself.

"Still Flowin: The Movie" is not just a film about rap; it's a celebration of artistic expression, resilience, and the pursuit of dreams. The pacing is impeccable, keeping viewers on the edge of their seats while allowing moments of reflection. The film strikes a perfect balance between entertainment and thought-provoking themes.

In conclusion, I think "Still Flowin: The Movie" earns a solid 10/10 stars. It's a cinematic triumph that transcends the genre, leaving a lasting impact on anyone fortunate enough to experience Raed Melki's unforgettable journey.

There are 12-year-olds with downs syndrome uploading cell phone home movies to YouTube that are better qualified to call themselves filmmakers than anyone involved in this atrocity. Someone should convene a war crime tribunal in order to bring some semblance of justice to the victims of "Still Flowin".

You can't even understand around 80% of the dialogue in this due to the total lack of audio mixing and lack of any attempt to isolate the "actors" (I use this term very loosely) from random background noise, and yet, from the 20% I could hear, missing out on the rest may be more of a blessing than anything else.

IMDb needs to institute ratings of 0 and below specifically for movies like this. Rating it 1 is an insult to every other 1-rated film on the site.

There is nothing - literally nothing - even mediocre about this movie. From the soundtrack to the pacing to the editing to everything else, it is all unmitigated garbage vomited out from the deepest reaches of hell's septic tank.

10/10

Blakewmorrisuk March 1/ 2021 4:44 am

At 47 years old, Songwriter Hall of Fame Inductee, Sean Carter entered his third decade in the industry with a project reminiscent of his past - in both story and sound. 4, produced by , is truly characterized by it's samples. From the laid back grooves off Nina Simone's 'Baltimore' to the thrill inducing cries of Hannah Williams & The Affirmation's 'Late Nights and Heartbreaks' one may find themselves asking, "Did I click on a Bond movie soundtrack by mistake?" Though only 10 tracks, the samples provide Carter's 13th studio album the fullness of a two-disc release; with each sample providing a stroke of pain, pride, power, and regret on the canvas of fortune.