In den Tiefen des Infernos

This documentary does not try to scientifically explore volcanoes, it's about the emotional impact volcanoes have on human beings.

On a subjective level, looking into the red bubbling abyss was pleasant and terrifying at the same time.

Into the Inferno (2016)

*** (out of 4)

Werner Herzog narrates and directs this documentary, which takes a look at various volcanoes throughout the world.

I should probably start off by saying Herzog is one of my favorite filmmakers and he might be my favorite documentary filmmaker. INTO THE INFERNO was a rather interesting idea but I'm not quite sure how well the end product turned out. If you're expecting a straight documentary from the maverick filmmaker then I'm going to guess that you're unfamiliar with his work. He's created some true masterpieces but none of them play like you'd expect them to.

That's certainly true for this picture, which makes you believe that it's about volcanoes but you soon realize that the director is up to his bag of tricks and delivers more but I'll get into that in a bit. As far as the volcano stuff goes, it's extremely interesting to say the least. We're pretty much given a tour of the globe as we see various volcanoes as well as get to learn about their history and get to hear some stories about previous explosions. All of this stuff is brilliantly captured as the cinematography is downright terrific and the visual images of the lave are so beautiful that I could have easily watched them for hours.

With that said, the film is also about various thoughts on life and other issues. I freely admit that I didn't think this segment of the film worked and sadly there's a lot of this stuff and I think it really brought the film down. The sequences in North Korea are a prime example as we get to hear stories of how the people there are basically hostages to their leader. What does this stuff have to do with volcanoes? All of it really seems like it should have been left for a different documentary but, as I said, Herzog likes to mix things up but I just don't think it was a success here.

I enjoyed the volcano parts. The right turns into cultural ideologies made no sense. Pick a topic already.

You might think that this is a documentary about volcanoes… in which case you wouldn't be wrong. However you have to keep in mind that this is a Werner Herzog documentary about volcanoes. Herzog is not so much interested in the facts about volcanoes (I'm sure he'd tell you to read a book if you want facts) but what volcanoes can tell us about ourselves and about us as a species.

So how does he do it, you might ask. Herzog reaches very far back, very far, in fact right back to the dawn of man – through an archaeological expedition in Ethiopia that aims to uncover a complete skeleton of such an ancient human beneath the blazing sand. And indeed Herzog captures something prehistoric with this documentary; amidst our digital age which often tricks us to believe we've conquered nature, he renders man once again so incredibly small and fragile against the (in contrast) everlasting thermal forces of the earth.

Herzog explores this feeling of impuissance by traveling to tribal communities in the Pacific and by exploring the state of North Korea and the oppressive, propagandistic cult around their leaders (with some at times truly fantastic footage, you have to keep in mind that it's almost impossible to get a permit to film there). In both communities a volcano plays an important role and Herzog expresses multiple times his interest in how volcanoes "create new gods", once again questioning the permanence of our culture which we so often take for granted.

In the end what makes this movie so special is that it's surprisingly contemporary despite being about a phenomenon (volcanos) that is almost as old as the earth itself and that Herzog found new ways to once again render the Vanitas motif from medieval times vividly alive. Herzog reminds us that even today with all out technological progress, we are still small, fragile animals against the mighty forces of nature. Memento Mori, they said in the Middle Ages, remember that you have to die.

Some have commented that the film is really shattered; however I'd argue that it's actually really focused on its theme. Don't expect my review to follow the film chronologically though, it takes it's very own spins and turns. And don't expect the film to be sad, it's actually quite witty and filled with funny ironies. Likewise it assembles a large array of different great and fascinating footage from all around the world. However I'd still like to leave you with a famous old poem from one of Herzog's fellow countrymen (which I'm convinced he knows as well), here's Friedrich Hölderlin's "Hyperion's Song of Fate" (be sure to read it in its original German form if you speak the language):

Up there you walk through the light on delicate grounds, Elysian Spirits! Shimmering breezes of Gods touch you as softly as the hand of the harpist touches her sacrosanct strings.

Unencumbered by fate, like a slumbering newborn, are breathing the heavenly dwellers; chastely protected by a bud unassuming flowers for them eternal the spirit and their hallow'd eyes shine in serene clearness forever.

But to us it was given never and nowhere to rest: we suffering humans vanishing, falling blindly from one hour to the next are thrown like the water cliff down to cliff, yearlong into the unknown abyss.

A very beautiful documentary. Visually pleasing. The music is soothing and scary at times. Overall very entertaining as well.