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Dalida

  • 2016
  • 12
  • 2 Std. 7 Min.
IMDb-BEWERTUNG
6,9/10
3826
IHRE BEWERTUNG
Dalida (2016)
Bande-annonce [OV] ansehen
trailer wiedergeben2:00
3 Videos
45 Fotos
BiographyDramaMusic

Die Geschichte der ägyptisch-italienischen Sängerin Dalia und wie sie mit ihren Problemen umging, als sie die am meisten gefeierte Künstlerin in der Geschichte Frankreichs war.Die Geschichte der ägyptisch-italienischen Sängerin Dalia und wie sie mit ihren Problemen umging, als sie die am meisten gefeierte Künstlerin in der Geschichte Frankreichs war.Die Geschichte der ägyptisch-italienischen Sängerin Dalia und wie sie mit ihren Problemen umging, als sie die am meisten gefeierte Künstlerin in der Geschichte Frankreichs war.

  • Regie
    • Lisa Azuelos
  • Drehbuch
    • Catherine Rihoit
    • Orlando
    • Lisa Azuelos
  • Hauptbesetzung
    • Sveva Alviti
    • Riccardo Scamarcio
    • Jean-Paul Rouve
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    3826
    IHRE BEWERTUNG
    • Regie
      • Lisa Azuelos
    • Drehbuch
      • Catherine Rihoit
      • Orlando
      • Lisa Azuelos
    • Hauptbesetzung
      • Sveva Alviti
      • Riccardo Scamarcio
      • Jean-Paul Rouve
    • 21Benutzerrezensionen
    • 47Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos3

    Bande-annonce [OV]
    Trailer 2:00
    Bande-annonce [OV]
    Dalida
    Trailer 1:04
    Dalida
    Dalida
    Trailer 1:04
    Dalida
    Dalida US Trailer
    Trailer 1:03
    Dalida US Trailer

    Fotos44

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 39
    Poster ansehen

    Topbesetzung59

    Ändern
    Sveva Alviti
    Sveva Alviti
    • Dalida
    Riccardo Scamarcio
    Riccardo Scamarcio
    • Orlando
    Jean-Paul Rouve
    Jean-Paul Rouve
    • Lucien Morisse
    Niels Schneider
    Niels Schneider
    • Jean Sobieski
    Alessandro Borghi
    Alessandro Borghi
    • Luigi Tenco
    Nicolas Duvauchelle
    Nicolas Duvauchelle
    • Richard Chanfray
    Valentina Carli
    • Rosy Gigliotti
    Patrick Timsit
    • Bruno Coquatrix
    Vincent Perez
    Vincent Perez
    • Eddie Barclay
    Laurent Bateau
    Laurent Bateau
    • Le Psy
    Brenno Placido
    • Lucio Sanieri
    Ercole Alviti
    • Garde du corps 1
    Philippe Blondelle
    • Ami Dalida 1
    F. Haydee Borelli
    • Giuseppina Gigliotti
    • (as Haydee Borelli)
    Marieke Bouillette
    • Chanteuse cabaret Drap d'Or
    Rose Caprais
    • Présentatrice Drap d'Or
    Bertrand Chamerois
    • Ami du dimanche
    Virgile Daudet
    • Ami du dimanche
    • Regie
      • Lisa Azuelos
    • Drehbuch
      • Catherine Rihoit
      • Orlando
      • Lisa Azuelos
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen21

    6,93.8K
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    Empfohlene Bewertungen

    9rdeeb

    Worth watching

    Great Movie i went to see the movie in Egypt Cairo last week..and guess what i watched it Twice..same day two times back to back ( the cinema was packed with Dalida fans from older and younger generation) it was worth the time and money spent... those who are find of the great singer ..her music her songs her voice or those who lived that era would defiantly like the film..i wont repeat what was written in previous reviews..ill just add that one the film strength elements is that places it was shot in...they reflected her reality places..Although her childhood part was Filmed in Morocco which is not the case..not in Egypt Shobra Neighbor Hood where she was born and Raised..Nor Alexandria city when she lived as well...therefore even the Arabic Language in this part of the film is with a strange accent that is Moroccan not Egyptian..i wished they filmed in in her original places. i give the actress a high mark for the effort in Imitating every single gesture hair and makeup,,perfect... one of the Goofs is that they missed adding the most important Egyptian Song ( Kela Helwa W Kelmetain- a nice word or two) which she sang right before her suicide and was a major Hit worldwide.i was disappointed they omitted that song in the film. recommend to be watched and i w'd defiantly watch it again for a third time
    Kirpianuscus

    elegance as the first virtue

    Every biopic is a risk for the viewer. because he has his version about the life of the lead character. maybe memories. and a lot of impressions. "Dalida" is one of rare biopics who escapes from the circle of clichés and full of good intentions sketches. maybe, because it has the right director and the ideal lead actress. maybe for the beautiful elegance for present a chain of tragedies, hard work, fragility and need of happiness. maybe for the science to give to you the feeling to see a docu-drama. the admirable thing - it is not a film for the fans of Dalida. it is not exactly story of a precise existence. it is far to be a bitter fairy tale. it has the magnificent gift to be a film about chance and the price of it, about choices and about a woman looking for herself. all in a manner who, I believe, is more than inspired.
    7didemavsar

    Nice to know Dalida more

    I remember Dalida's songs from my childhood. This film is a good biopic and worth to watch to learn about her more.

    At first, I found it a little bit too tragic as a film but at the end her real life is unfortunately tragic. The music was obviously great. Sveva Alviti and Riccardo Scamarcio who act as Dalida and her brother/manager Orlando was great.

    I wish, I would find more than Dalida's love affairs in the film such as; her dreams, her motives, her relationship with the music.

    As a result, I can recommend the film to learn more about one of the best female singers in history and also it was a nice film to watch.
    8Davor_Blazevic_1959

    Biopic so well rooted in reality, fitting easily even as a docu stand-in

    With her powerful performances and dramatic emotional investment to her singing, unmatched even today, Egyptian born singer and actress, named by her Italian parents Yolanda Cristina Gigliotti, better known as Dalida, undoubtedly holds a unique place in the history of European and wider--including Middle East, Russia, Japan, Canada--popular music.

    By the time I reached my teens (in early 1970's) a middle-aged gentleman from the neighbourhood has already accrued a good collection of Dalida's records, and that's how I was introduced to her singing, and remained her fan ever since, for four and half decades already. Contributive to that is the circumstance that last ten years I've been living and working in Lebanon, with Dalida's strong presence in its musical scene, and with her faithful audience, very much alive even three decades after her untimely demise.

    That's why I have been very enthusiastic to see the movie based on her life, but also a bit concerned about it. Now that the movie is out and I have seen it, I'm very pleased to say that it has met my expectations to the greatest extent.

    A number of elements are greatly contributing to the solid success and good quality of the French produced biopic, simply titled "Dalida" (2016). Based on my earlier findings and details known, story follows Dalida's life meticulously and faithfully, life filled with professional successes and personal torments and unhappiness. Actors have done an extraordinary job, which is especially important in the case of the leading actress, Sveva Alviti, who has brought to screen the title character--portrayed at the right measure, faithfully, decently and respectfully--but also actors impersonating key players in Dalida's life, her brothers (the younger one, Bruno-Orlando, plausibly depicted by Riccardo Scamarcio, performing as her career manager since 1966) as well as her professional companions, and partners in her private life. Finally, identification achieved thanks to the fascinating physical resemblance of the leading actress, as well as her successfully accomplished impression of Dalida's on-stage (and otherwise) presence and mannerisms, is certainly not disadvantageous.

    According to her biographers, Dalida performed and recorded in more than ten different languages, while being fluent in at least half of that number. However, due to the fact that her career has shot to stardom in France, and her success has been most persistently maintained across the French-speaking music scene, lyrics of her songs are mainly in French. Therefore, to me, a non-French speaker, her songs were appealing primarily because of the power of her performance, ranging between its modest intimacy and dramatic intensity. Henceforth, only after watching this movie subtitled in English I have realized how much lyrics used in her songs were matching the on-goings in her own life. As if song makers and lyricist were retelling her life in real time. Having her screenplay based on the book written by Dalida's already mentioned brother Orlando, and thanks to proper choice of such songs with real life-relating lyrics, and their excellent timing, screenplay writer and director, Ms. Lisa Azuelos, has offered to the viewers most dramatic and suggestive revelations, easily implying such exciting, and--within the context of Dalida's private life troubled by failed relationships and personal difficulties, mishaps and tragedies--often touching connections between the songs and reality.

    Though shot as biography feature film (biopic), meant primarily to entertain, then to inform, by appearing so well connected to reality, true to the facts, naturally gaining from the circumstance that the main actress is almost a dead ringer for Dalida, further inspired by clearly Dalida's own voice performing all included songs, it almost feels like watching a biography documentary.

    To Dalida's faithful long-time followers, this is a great chance to reconfirm their fandom, to all others--including a co-spectator at the movie screening I attended, my wife Minnie--an excellent opportunity to get acquainted to this most gifted, duly celebrated singer, whose life was tragically cut short, but whose legacy, primarily her songs (but also, her high ranking as a personality, e.g. personality who had the greatest impact on French society), still lives and remains for posterity, as a pleasant reminder of her impressive and memorable talents.
    6khalid_hussam

    6/10

    Her early life in Egypt was totally dropped from the movie although she lived in Cairo for almost 21 years.

    And HOW COULD THEY MISS ONE OF HER MOST ICONIC SONGS FOR THE EGYPTIANS AND ARABS "Helwa Ya Baldi".

    This movie would have been much better.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The project was initially announced in 2011, with Nadia Farès in the title role. In 2012, director Mabrouk El Mechri came aboard, with the film shoot set to begin that year in France, Italy and Egypt, but ended up being pushed back several times. In 2014 co-writer Lisa Azuelos took over as director and decided to cast a relative unknown in the role, and Morocco ended up substituting for Egypt during production.
    • Patzer
      The use of lip-syncing during the singing scenes is obvious throughout the movie.
    • Verbindungen
      Features Oscar (1967)
    • Soundtracks
      Un Po' d'Amore
      (Nights in White Satin)

      Written by Justin Hayward

      French lyrics by Hubert Ithier

      Performed by Dalida

    Top-Auswahl

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    FAQ17

    • How long is Dalida?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 10. August 2017 (Deutschland)
    • Herkunftsland
      • Frankreich
    • Offizielle Standorte
      • Official site (Germany)
      • Official site (Japan)
    • Sprachen
      • Französisch
      • Italienisch
      • Englisch
      • Arabisch
    • Auch bekannt als
      • Tôi Là Dalida
    • Drehorte
      • San Remo, Imperia, Liguria, Italien
    • Produktionsfirmen
      • Bethsabée Mucho
      • Pathé
      • TF1 Films Production
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 15.000.000 € (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 3.465 $
    • Eröffnungswochenende in den USA und in Kanada
      • 3.170 $
      • 4. Sept. 2017
    • Weltweiter Bruttoertrag
      • 5.623.134 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 7 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby SR
    • Seitenverhältnis
      • 2.35 : 1

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