IMDb-BEWERTUNG
6,4/10
12.005
IHRE BEWERTUNG
Ein zänkisches schwules Paar muss sich mit der unerwarteten Aufgabe befassen, einen zehnjährigen Jungen aufzuziehen.Ein zänkisches schwules Paar muss sich mit der unerwarteten Aufgabe befassen, einen zehnjährigen Jungen aufzuziehen.Ein zänkisches schwules Paar muss sich mit der unerwarteten Aufgabe befassen, einen zehnjährigen Jungen aufzuziehen.
- Auszeichnungen
- 2 Gewinne & 2 Nominierungen insgesamt
Susan Feniger
- Susan
- (as Susan L. Feniger)
Empfohlene Bewertungen
Steve Coogan and Paul Rudd are both wonderful. If you aren´t scared of gay men and you like a good laugh, then see this. What else is there to say? :)
In an inspired piece of casting, pairing Steve Coogan and Paul Rudd as a bickering gay couple is Ideal Home's bright spark. The two veteran actors bring their impeccable comedic timing to the roles of Erasmus (Coogan), a TV chef with an inflated ego, and his TV director partner Paul (Rudd) who spend their days on set together trading snippy remarks. After all, they say you shouldn't mix work with pleasure.
The two find their lives uprooted when Erasmus' ten-year old grandson arrives at their door looking to stay in their custody. The message soon becomes clear for these two estranged lovers: If they can learn to love the boy maybe they can learn to love each other again?
Directed by Andrew Fleming, who previously directed Coogan in the musical comedy Hamlet 2, Ideal Home is genuine but never preachy in its depiction of a gay couple bringing up a child. The film prioritises humour over offering any real insight into the challenges of parenthood with two fathers. Besides, it's not hard to surmise from the synopsis alone where the story is heading and it's the humour that makes the film when the story lets up.
Luckily Coogan and Rudd are genuinely funny and they share real romantic chemistry allowing the film to tap into a fountain full of humour and heart. Packed with witty one-liners, the film is consistently funny. In one scene, after offering alcohol to a man who responds that he's sober, Paul retorts, "I'm also sober but I'm planning to do something about it." If you're in the mood for a laugh, Ideal Home is an ideal piece of light entertainment.
The two find their lives uprooted when Erasmus' ten-year old grandson arrives at their door looking to stay in their custody. The message soon becomes clear for these two estranged lovers: If they can learn to love the boy maybe they can learn to love each other again?
Directed by Andrew Fleming, who previously directed Coogan in the musical comedy Hamlet 2, Ideal Home is genuine but never preachy in its depiction of a gay couple bringing up a child. The film prioritises humour over offering any real insight into the challenges of parenthood with two fathers. Besides, it's not hard to surmise from the synopsis alone where the story is heading and it's the humour that makes the film when the story lets up.
Luckily Coogan and Rudd are genuinely funny and they share real romantic chemistry allowing the film to tap into a fountain full of humour and heart. Packed with witty one-liners, the film is consistently funny. In one scene, after offering alcohol to a man who responds that he's sober, Paul retorts, "I'm also sober but I'm planning to do something about it." If you're in the mood for a laugh, Ideal Home is an ideal piece of light entertainment.
I am stunned by some of the negative reviews - someone actually wrote they did not laugh once. All I can assume is they must have been watching a different movie.
While there were some cliched moments and I could have predicted some parts, I really enjoyed this movie. All of the main characters were extremely likable and I found myself rooting for them. There were many moments, while understated, that were absolutely hilarious - No cheap laughs at the expense of the characters.
One last thing, and I hope I'm not overstepping as a heterosexual, but I thought the gay relationship between Paul and Erasmus was treated with respect and not demeaned in any way. I'm not sure how often this occurs, but I would guess not often enough (I hope I'm wrong).
While there were some cliched moments and I could have predicted some parts, I really enjoyed this movie. All of the main characters were extremely likable and I found myself rooting for them. There were many moments, while understated, that were absolutely hilarious - No cheap laughs at the expense of the characters.
One last thing, and I hope I'm not overstepping as a heterosexual, but I thought the gay relationship between Paul and Erasmus was treated with respect and not demeaned in any way. I'm not sure how often this occurs, but I would guess not often enough (I hope I'm wrong).
What a truly enjoyable, heart warming movie this is. It's bound to have its critics in a world still obsessed with old fashioned ideals.
Coogan and Rudd have worked together in some fine films, and combine incredible well, with real chemistry. Coogan at times sounding like a relative of Edina Monsoon.
The kid obviously undergoes a transformation, and the outcome is perhaps a little predictable, but it's the journey that's important here, not the destination.
A well meaning funny film, that sets out a message that the rules of convention have changed. 8/10
Coogan and Rudd have worked together in some fine films, and combine incredible well, with real chemistry. Coogan at times sounding like a relative of Edina Monsoon.
The kid obviously undergoes a transformation, and the outcome is perhaps a little predictable, but it's the journey that's important here, not the destination.
A well meaning funny film, that sets out a message that the rules of convention have changed. 8/10
This movie makes you feel good. It IS funny from the Eramus' ridiculous coffee cup and pink T-shirt to the over the top birthday party and the f----ing rainbow. Two self indulgent gay men suddenly are tasked with the responsibility of a 10 year old grandson who has a loser of a father. This was never in their plans. What was so endearing is that the child is understandably rebellious and insulting at times but these two men are nothing but kind and patient, trying very hard to be good parents. You should watch this film several times before you review it. Like Laurel and Hardy movies, each time you do you'll catch something else. The verbal under his breath barbs from Paul to Erasmus are funny. Typical good cop bad cop comedy. Glass is half full, glass is half empty personalities. It makes you feel good to see the love, patience and yes indulgence towards the child, to make him happy and be good parents for him. I love this movie.
Wusstest du schon
- WissenswertesThe film's story comes from director Andrew Fleming's life: he was in a 23-year relationship with a man who had a son from a previous marriage and they all lived together.
- PatzerIn the very beginning of the film Erasmus talking to 'producer' Paul as the camera pans back and forth; in one in back of Paul he wears his sunglasses, but not in the rest of the shots.
- Zitate
Paul: You know that if you were dying... I would cut the heart out of my chest for you. I would die so that you would live. That's how much I love you. That's how much I worship you. And I think that you actually know. You know that. And it doesn't matter to you.
Erasmus: It does matter to me.
Paul: It doesn't matter. And I can't stand it anymore.
- VerbindungenReferences Star Wars: Episode IV - Eine neue Hoffnung (1977)
- SoundtracksFor The Widows In Paradise, For The Fatherless In Ypsilanti
Written and Performed by Sufjan Stevens
Courtesy of Asthmatic Kitty Records
by arrangement with Ghost Town, Inc.
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- Erscheinungsdatum
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- Budget
- 10.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 147.784 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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