Contract to Kill - Zwischen den Fronten

Despite Steven Seagal having made a ton of movies over the decades, this movie is the first of his I've ever seen. And, I have a suggestion that you will likely find helpful....use the closed captions if you see it on DVD or Netflix. Seagal is a mumbly actor...and I had to struggle to understand all of his dialog. This is NOT an attack on him...just an observation from a middle-aged guy who is a bit hard of hearing. But now that I think about it...his delivery is a bit annoying and it was simply terrible.

The plot to "Contract to Kill" seemed both confusing and filled with a lot of cliches. Seagal plays an ex-CIA/DEA agent who assembles a team of three to take down an entire terrorist scheme! It seems that another ex-CIA guy is planning on activating a bunch of terrorist cells in the USA and he's working with drug cartels to bring it off. Whatever....it just seems like a pretect to do a whole lot of shooting, killing and bone-breaking...all during which Seagal somehow doesn't emote at all and mumbles. Particularly memorable is the long dialog with the bossman before the final boss battle....where he just talks and talks and talks. I also loved how Seagal would drive his car down twisty roads in a city...and never hit or got hit by anyone as he speeds through stop signs! And, how the baddies had guns but somehow were easily defeated by just some close-quarters martial arts.

As I've never seen another Seagal movie, I am naive. Perhaps in his earlier films (before he got too old for this) he actually KICKED someone....here he just uses a lot of wrist holds and punches. It's high quality martial arts...but also so limited that it felt silly....sort of like Martial arts from the waist up. The only kicks I remember were from his team members.

Overall, a silly film which simply provides a vehicle for a lot of violence. Not much depth here and not for anyone wanting anything approaching a good movie.

So in Contract to Kill Stephen Seagal travels to Turkey to take on some terrorist drug dealers, which I thought was interesting as I can't remember when the last time Istanbul was in the movie as the center for espionage and trafficking (No Wait it was Taken 2), but as it turns out, the Mexicans are still the drug traffickers and the Arabs are still the terrorist. Oh well, so much for something different. At least it's a different setting I guess.

Seagal plays...I don't know the character's name and let's be honest, it doesn't really matter, cause I can't remember the last time he did not play a retired CIA agent living in(Insert any foreign country) who was brought back into the game because his fat tired ass is somehow that good at stopping the crappy enemy he's going after.

I should have known where the movie was going, as Seagal's introduction included Steven spending 20 mins being interviewed by a CIA agent who's trying to convince Steven (And the rest of us) that only the big man with the keg can save the world or something. Then as an extra added bonus Steven sees two gringos who can't keep their hands off some waitress and goes over and some how beats them both while sitting on his ass, then he turns around and puts his hands all over the waitress who could be his granddaughter.

Seagal puts together a team that features dude from Vanishing Son, Russel Wong, who looks like he could have been more impressive in this film if he did not have to tone it down to make Seagal look better.

The third man on the team is some eye candy whose role as a covert black bag agent makes no sense instead for being eye candy. Seagal treats her like she's been in the game as long as him but she doesn't even look like she's past 30. Her one purpose is to make old fat Seagal look like he's still got it. There's one part where Seagal has a small love scene with this chick. Normally I'm a fan of needless nudity from hot girls, but it just puts more focus on the fact that Seagal is just an old man who wants the world to believe that he can still get the girl. Not only that but this "experience capable agent" gets kidnapped, so that Seagal can rescue her.

Some Seagal style action, but not much with Seagal repeating the same moves over and over and using multi angles and fast cuts to try to make it more exciting. It's starting to get lame now that it's 30 or so years in the action movie biz. Seagal has never come up to an opponent as skilled as him in Aikido to at least be able to make him stumble. Not bleed or fall down just push him Back a little, that's all. Yes, Seagal is a very big menacing dude, he still is, but come on.

This may not have been such a problem, but for the most part, fat Seagal spends a lot of time sitting down in the movie. I mean literally sitting in a car, sitting at a desk, and sitting while doing some of the fight scenes. It tells me something about how lazy the filmmakers are putting this together.

Man, there was so much talking, and it was all though guy talk, too. By the good guys, by the bad guys. I think Seagal, I think action and in an action film tough guy talk should be minimal to one liners, not these over glorified speeches about how awesome they are. I'll give credit that one speech that Seagal himself had with one of the bad guys that was pretty good, but it was only one in a sea of really really bad ones, so it did nothing to make the film better.

Half way through you realize it's an espionage movie. Not really Seagal's cup of tea and not what I came to the movies to watch him do, and unfortunately for Seagal, he did nothing to change my mind.

Overall Contract to Kill feels like it's screaming Steven should retire. I don't think any one loves Seagal so much, you are cool wasting 90 mins watching him sit and talk with the enemy than go for it. They're better Fat Seagal action movies than this one. Find that one over Contract to Kill.

An American action thriller; A story about a CIA/DEA enforcer investigating a plot to bring deadly weapons and terrorist organisation leaders into the USA over its border with Mexico. To prevent an attack on American soil, he must turn two savage forces against each other. The chase and surveillance sequences play out well even if the plot is a bit protracted and exposition is heavy-handed. The dialogue is a bit of a letdown, full of expletives for reasons that will mystify. Seagal has a good presence as a man cool under pressure, his demeanour laid back and enigmatic when not ruthless. His fighting scenes are less impressive, though, in close-up camera angles, because Seagal is not limber enough for the athletic character he purports to be. Finally, the production quality: CGI rendering is below par, and sound falters early on with some of Seagal's spoken dialogue.

Steven Seagal has done some good, or at least watchable, films. Particularly 'Under Siege'. He has also done a lot of mediocre and less films, indicative of laziness and that Seagal was well past his sell by date, and a good deal of them are even very bad.

'Contract to Kill' is one of the very bad ones. Awful even, and for me if ranking Seagal's filmography from best to worst it would be towards the bottom. Did not expect much, but watched it because Seagal has shown signs that he can be halfway decent and as said not all his films are bad. Also do appreciate the action genre and there are good films out there in the genre, classics even. 'Contract to Kill' is far from that, more closer to a waste of time that shows little signs of trying.

Seagal himself gives another lazy and wooden performance that shows that he was not interested and wanted to be somewhere else. His reading-from-an-autocue-like and robotic line delivery in particular betrays that. The rest of the cast are just as poor though in all fairness have little to work with.

The characters are ones we know very little about and don't care what happens to happen, so unengaging and one-dimensional they are. The dialogue is risible, with a lot of cheesiness, awkwardness and far too much talk delivered with little emotion or momentum and bordering on the near-incomprehensible.

Its excessively talky nature affects severely the pacing, which never comes to life. There is no urgency, let alone tension, intrigue or suspense. The action doesn't feature enough in comparison and suffer from pedestrian choreography and bacon-slicer-like editing. The story is by-the-numbers, dull and not always easy to follow.

Direction is flat and ill-at ease, while the sound/soundtrack are one-note and obvious as well as poorly recorded and the whole film looks cheap. And it's not just the editing, the slapdash special effects, drab photography and laughably bad green screen (that was too obvious and jarring) are just as bad.

Hate to say it, but to me nothing works in 'Contract to Kill' and it is an awful mess in every way. 1/10 Bethany Cox

Anyone claiming that this is a good movie should have their head examined. It's obvious and clear as day that Steven Seagal as an 'action star' is over... And it's been over for more than a decade. He is far too fat and old to continue making these straight to video trash movies. Wearing the same glasses in every single movie and the same suit to try and hide his extremely obese frame, (and it's not working) the fight scenes which involve Seagal are a joke. So much editing which translate to the fact the man cannot even raise his hands properly anymore. It's time for him to give this up and go on an Atkins diet. If I could give this 'movie' -10 rating, I would.