IMDb-BEWERTUNG
5,6/10
2874
IHRE BEWERTUNG
Ein Teenager wird in einer kleinen australischen Stadt in den 1970er Jahren erwachsen, als ein 200 Tonnen schwerer Blauwal an einem lokalen Strand angespült wirdEin Teenager wird in einer kleinen australischen Stadt in den 1970er Jahren erwachsen, als ein 200 Tonnen schwerer Blauwal an einem lokalen Strand angespült wirdEin Teenager wird in einer kleinen australischen Stadt in den 1970er Jahren erwachsen, als ein 200 Tonnen schwerer Blauwal an einem lokalen Strand angespült wird
- Auszeichnungen
- 4 Nominierungen insgesamt
Kotan Jacob
- Andrew Hall
- (as Jacob Kotan)
Richard Roxburgh
- Narrator - Adult Jeff Marsh
- (Synchronisation)
Empfohlene Bewertungen
Simple yet brilliant accurate depiction of parenting/childhood during the 1970s. Any naysayers clearly were not brought up in this era. Wonderful fun, yet heartbreakly desperate teenage characters ground what could have been just a fluff piece. I could place every one of those characters into someone I knew from that era. The child actors were excellent. Hope to see a great deal more featuring Atticus Robb.
I am only watching this because of Kylie Minogue, Julian McMahon, and Guy Pierce. The movie being watchable (good script, nice jokes, cool acting) is icing on the cake or the cherry on top.
This Australian comedy takes place in the 1970's in a cul-de-sac in a suburb near a beach-front. Its knockabout story focuses on the three families who live there. Written and directed by Stephan Elliott, this film is an autobiographical account of his life as a kid back in the day, with a few inventions added for good measure.
This is a movie which will mainly appeal to those who can remember the 70's. It benefits from a colourful look which celebrates that decade's style and décor in all its gaudy excess. Just for its period detail alone, it is quite a good watch. The story is split 50/50 between the perspective of the adults and the kids. The comedy is often pretty broad and not in all honestly always fully funny, although it does definitely provide a few chuckles throughout. There is no narrative to speak of really and nothing of especial consequence happens more or less. Amongst other events, there is a beached whale, a swinger's party, kids making violent DIY movies, shag-pile carpets, K-TEL records, an Evel Knievel costume and unfortunate pets. Everything is a bit random and several scenes don't particularly lead anywhere. The concoction adds up to a sporadically amusing comedy which ultimately gets by on its fun 70' vibes.
This is a movie which will mainly appeal to those who can remember the 70's. It benefits from a colourful look which celebrates that decade's style and décor in all its gaudy excess. Just for its period detail alone, it is quite a good watch. The story is split 50/50 between the perspective of the adults and the kids. The comedy is often pretty broad and not in all honestly always fully funny, although it does definitely provide a few chuckles throughout. There is no narrative to speak of really and nothing of especial consequence happens more or less. Amongst other events, there is a beached whale, a swinger's party, kids making violent DIY movies, shag-pile carpets, K-TEL records, an Evel Knievel costume and unfortunate pets. Everything is a bit random and several scenes don't particularly lead anywhere. The concoction adds up to a sporadically amusing comedy which ultimately gets by on its fun 70' vibes.
As much as this movie looked like a solid offering filled with laughs and an all star cast it ultimately ends up a complete mess of story lines and underdeveloped characters.
It's filled with needless cutbacks that deliver nothing and scenes that should have been left on the cutting room floor. A lot of scenes I just wondered whether the director was doing favours for mates who wanted a small speaking role to camera.
While non linear story arcs are fantastic this one wasn't executed well and cut back and forth so many times whatever the story line is meant to be is not evident. What was the main plot line? Was it the whale, the swinging session, the young girl who would seem to be the focus of much of the movie but of whom we learn almost nothing, or the childhood movie that is apparently being made throughout the film? None of these otherwise acceptable plot lines went anywhere.
The parents are all hideous people except maybe Jeremy Sims' character but again there's no real purpose or explanation to any of their motivations. Kylie is wasted in her role of a blubbering mess that completely unexplored. The teenage girl is written off as he street 'bike' and the other children engage in bratty behaviour with a side of animal cruelty.
I was genuinely excited to see Julian McMahon in an Australian movie and really thought this would be an absolute treat but it just failed miserably. I gave it 4 stars but even that's probably too generous.
It's filled with needless cutbacks that deliver nothing and scenes that should have been left on the cutting room floor. A lot of scenes I just wondered whether the director was doing favours for mates who wanted a small speaking role to camera.
While non linear story arcs are fantastic this one wasn't executed well and cut back and forth so many times whatever the story line is meant to be is not evident. What was the main plot line? Was it the whale, the swinging session, the young girl who would seem to be the focus of much of the movie but of whom we learn almost nothing, or the childhood movie that is apparently being made throughout the film? None of these otherwise acceptable plot lines went anywhere.
The parents are all hideous people except maybe Jeremy Sims' character but again there's no real purpose or explanation to any of their motivations. Kylie is wasted in her role of a blubbering mess that completely unexplored. The teenage girl is written off as he street 'bike' and the other children engage in bratty behaviour with a side of animal cruelty.
I was genuinely excited to see Julian McMahon in an Australian movie and really thought this would be an absolute treat but it just failed miserably. I gave it 4 stars but even that's probably too generous.
If you were born like me in 73 you'll love this film.
From the evel knievel stunt kid to the fondue, it's all that was oz in the late 70's.
Hell we even had the same pool.
I laughed my head off.
Even the swinging bit was spot on for the time with all the parents getting pissed up and having a crack at the neighbours wife.lol
The mo's are spot on and the clothes are like looking at photo's of my parents.
Good to see the political correct 2000's didn't come into the making of this film, This is how it was back then, if you didn't do as your told you got a wack.
I'm all the better for it and it was a better Australia than the nanny state we live in now, take a ride down memory lane and relive the golden years of Oz.
Wusstest du schon
- WissenswertesThe whale removal scene bares striking similarity to a 1970 real life event that saw a local government in the USA (Oregon state Highway Department) attempt to remove a whale carcass by blowing it up with dynamite, which sent rancid chunks of whale raining down on spectators (also caught on camera).
- PatzerBecause of a massive loss of authentic clothes from the period, many background actors can be seen in clothing from modern-day brands, and in styles not available in 1975. A keen example is characters wearing underwear with brand-labeled waistlines, which was yet to be available in the 1970s.
- VerbindungenFeatured in Behind the Scenes: Swinging Safari (2018)
- SoundtracksYou're Moving Out Today
Written by Carole Bayer Sager, Bette Midler and Bruce Roberts
Performed by Carole Bayer Sager
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Details
Box Office
- Weltweiter Bruttoertrag
- 1.236.408 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Swinging Summer - Willkommen in den 70ern (2018) officially released in Japan in Japanese?
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