IMDb-BEWERTUNG
7,1/10
4616
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA three-part drama about serial killer John Christie and the murders at 10 Rillington Place in the 1940s and early 1950s.A three-part drama about serial killer John Christie and the murders at 10 Rillington Place in the 1940s and early 1950s.A three-part drama about serial killer John Christie and the murders at 10 Rillington Place in the 1940s and early 1950s.
- 1 BAFTA Award gewonnen
- 2 Gewinne & 6 Nominierungen insgesamt
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Empfohlene Bewertungen
Cannot believe anyone gave this less than 9/10! The suspense, mood, performances are the best thing I've seen for a very long time- including cinema, TV, or DVD. Samantha Morton & Tim Roth, whom I've long admired, are nothing short of superb in their understanding of the characters, their tenuous daily existence, the era in which they lived and their relationship. Samantha Morton's portrayal also speaks volumes about a 'woman's place' in society & in a marriage in those times. Tim Roth had me recognising the complete lack of emotion that Christie masked, READILY, with appropriate & socially accepted comments and lies; and the ability to portray himself as the victim, as employed by true psychopaths. This is deep and unnerving if you really think about it. Who lives next door to YOU?
They don't make many well acted murder series from the perspective the killer. This series is certainly interesting and well made. It makes a difference when you have actors who are at the top of their craft. I was not aware of the murders or Mr. Christie.
I have wondered for many years why there had been no attempt to retell the grizzly story of the goings on at number 10 Rillington Place. The fabulous 1971 version featuring the marvellous Richard Attenborough will live on as a classic forever. So once again, well done BBC for retelling a story in such a thorough and compelling way.
The three hour format worked well, it allowed the story to develop naturally, at no point did it feel rushed, each character was given time to deliver.
Tim Roth was sensational in the role of Christie, softly spoken, calm, yet monstrous and conniving, I believed utterly in the character he portrayed. He certainly looked the part also. It feels unkind to say that Samantha Morton is a safe pair of hands, but that she is, an actress of immense talent, who always seems to deliver the goods, a super performance as Mrs Christie.
This drama made me curious about the case, and I've picked up a book for some further reading.
If I was brutally honest, I'd say Part 1 was a little too slow, and felt like it had been padded out, twenty minutes into the second part though it takes a very sinister turn, and transforms into something nasty, but enthralling.
Harsh, unnerving, but very impressive. 9/10
The three hour format worked well, it allowed the story to develop naturally, at no point did it feel rushed, each character was given time to deliver.
Tim Roth was sensational in the role of Christie, softly spoken, calm, yet monstrous and conniving, I believed utterly in the character he portrayed. He certainly looked the part also. It feels unkind to say that Samantha Morton is a safe pair of hands, but that she is, an actress of immense talent, who always seems to deliver the goods, a super performance as Mrs Christie.
This drama made me curious about the case, and I've picked up a book for some further reading.
If I was brutally honest, I'd say Part 1 was a little too slow, and felt like it had been padded out, twenty minutes into the second part though it takes a very sinister turn, and transforms into something nasty, but enthralling.
Harsh, unnerving, but very impressive. 9/10
100U
Despite the reality based subject matter, this is not an exploitational movie. Viewers seeking violence and gore will be disappointed. For the rest of us, it's a study of evil - its existence, its manifestation, and its consequences for innocent and guilty alike. Superbly filmed with a first-rate cast. Roth's restrained delivery of a seemingly innocuous man who contains a monster will make your blood run cold.
The slow pace of this is like that of a snail leaving a trail of slime.
The lighting is dark. The setting dim and dirty. Squalid but normal given the time and place.
Tim Roth is so convincingly creepy and his speech, whispery and spare, so steeped in threat, it's a task just to undertake to watch each next horrible installment.
Horrible as in effective.
There is no actual violence and yet it is as if every single second of the entire production is violent.
I'd give it a higher rating, in that I think it is so evocative, but the subject matter is too dark and I prefer to save high marks for work that stimulates us to loftier places.
Still, simply as art, all the skills are wonderful. The actors excellent. The writing terrifying.
I wouldn't have undertaken to write a review at all, but at this juncture there are only two other reviews, neither of which seem, to me, to 'get it.' So here is another view.
The lighting is dark. The setting dim and dirty. Squalid but normal given the time and place.
Tim Roth is so convincingly creepy and his speech, whispery and spare, so steeped in threat, it's a task just to undertake to watch each next horrible installment.
Horrible as in effective.
There is no actual violence and yet it is as if every single second of the entire production is violent.
I'd give it a higher rating, in that I think it is so evocative, but the subject matter is too dark and I prefer to save high marks for work that stimulates us to loftier places.
Still, simply as art, all the skills are wonderful. The actors excellent. The writing terrifying.
I wouldn't have undertaken to write a review at all, but at this juncture there are only two other reviews, neither of which seem, to me, to 'get it.' So here is another view.
Wusstest du schon
- WissenswertesOne of the filming locations (West Princes Street, Glasgow) is a short walk from the location of another notorious murder, that of Pierre Emile L'Angelier who was poisoned with arsenic in 1857, as told in the David Lean's 1950 film Madeleine.
- PatzerThe phrase 'so help me God' was not part of the Oath in British courts.
- VerbindungenFeatured in Jeremy Vine: Folge #3.117 (2020)
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