Es ist der Wilde Westen, um 1870. Samuel Alabaster, ein wohlhabender Pionier, wagt sich über die amerikanische Grenze, um die Liebe seines Lebens, Penelope, zu heiraten. Während seine Gruppe... Alles lesenEs ist der Wilde Westen, um 1870. Samuel Alabaster, ein wohlhabender Pionier, wagt sich über die amerikanische Grenze, um die Liebe seines Lebens, Penelope, zu heiraten. Während seine Gruppe den Westen durchquert, wird die einst einfache Reise tückisch und verwischt die Grenzen z... Alles lesenEs ist der Wilde Westen, um 1870. Samuel Alabaster, ein wohlhabender Pionier, wagt sich über die amerikanische Grenze, um die Liebe seines Lebens, Penelope, zu heiraten. Während seine Gruppe den Westen durchquert, wird die einst einfache Reise tückisch und verwischt die Grenzen zwischen Held, Bösewicht und Jungfrau.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
- Anton Cornell
- (as Gabe Casdorph)
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It's not to say Damsel is a roaring success, as its slowly paced and rather emotion-free experience is often far too ponderous and cold for its own good, but the twisting, turning and non-conforming tale the Zellner's have created is an odd beast that is sure to find its fair share of fans amongst the many likely detractors.
Filmed in the eye-capturing surrounds of the American wilds, Damsel is a pretty sight indeed that's anchored by creative actors Mia Wasikowska and Robert Pattinson, as the two young lovers reunite after years apart, as the Zellner's take us on a zany journey through a time and place that was filled with more than its fair portion of colourful and cuckoo characters, all on a quest to find meaning and purpose in a harsh unforgiving land, filled with much promise and even more dreaming.
We never really get much of a backstory or foundation of where Wasikowska's competent Penelope or where Pattinson's more dim-witted but well-meaning Samuel Alabaster come from or what shaped them into the people they are as we meet them but it's quite clear we can gather Samuel has been on some type of journey (with a miniature pony in tow), it's just a shame we couldn't get to partake in any of it, as the Zellner's choose not to relay any of this in Damsel's near two hour run-time.
It's a runtime that at times draws to a near halt as the story at the heart of it flows rather slowly and despite the good work of Wasikowska and Pattinson, Damsel struggles to maintain an energy and vibe to keep it going and you do wish that someone like the aforementioned Coen Brothers could've lead the charge here as Damsel feels as though it had the potential to be quite special.
There's brief moments where darkly attuned humour and hilarious encounters (Adams apple comparisons and town hangings) happen throughout Damsel, while David Zellner's side character Parson Henry and other oddball creations add spark to proceedings at certain times but it's not enough to enlighten the film as a whole as you feel as though Damsel missed the opportunity to maximize its unique tale.
Final Say -
Damsel is a curious entry into the western genre with some nice moments of black humor and well-staged strange happenings but overall the Zellner's film ends up being a rather forgettable feature.
2 ½ miniature ponies out of 5
It was written and directed by the Zellner brothers, and each has a featured role in the movie. The basic story is a man, Robert Pattinson as Samuel, heads west to find his damsel who he thinks has been kidnapped. He plans to rescue her and ask her to marry him. The damsel is Mia Wasikowska as Penelope.
The opening scene sets the tone, David Zellner plays a man new to the west, fascinated by the prospect of meeting real Indians, and waits for the stagecoach with an old pioneer (Robert Forster) who is tired and headed east. The stagecoach doesn't show up but the old man gives away his belongings including a tattered bible, so the new man takes on the name Parson Henry.
There is no advantage in describing the story in greater detail, suffice to say Samuel has a total misunderstanding of the situation and it doesn't turn out well for him. When the movie was over we were both a bit puzzled as to why this particular story was put to film and what the filmmakers were really trying to accomplish.
I cannot recommend it to anyone I know.
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- WissenswertesRobert Pattinson first read the script, but passed it on because he thought a movie like this would never get financed because he couldn't really categorize it. A few weeks later, he randomly watched the directors previous film Kumiko, the Treasure Hunter (2014) at the cinema and loved it. Wanting to know who the directors were, he asked his agent about them and found out that he read the script for Damsel a few weeks earlier.
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Samuel Alabaster: Regular horses don't have names, they're just, uh, you know, regular.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 305.136 $
- Eröffnungswochenende in den USA und in Kanada
- 20.291 $
- 24. Juni 2018
- Weltweiter Bruttoertrag
- 323.235 $
- Laufzeit1 Stunde 53 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1