Im heutigen Los Angeles beginnen zwei Jahrtausende, die durch eine von sozialen Medien getriebene Hookup-Kultur navigieren, eine Beziehung, die sowohl emotionale als auch körperliche Grenzen... Alles lesenIm heutigen Los Angeles beginnen zwei Jahrtausende, die durch eine von sozialen Medien getriebene Hookup-Kultur navigieren, eine Beziehung, die sowohl emotionale als auch körperliche Grenzen überschreitet.Im heutigen Los Angeles beginnen zwei Jahrtausende, die durch eine von sozialen Medien getriebene Hookup-Kultur navigieren, eine Beziehung, die sowohl emotionale als auch körperliche Grenzen überschreitet.
- Robert Cartwright
- (as Thomas Stokes)
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So ... do you think that works out well for them?
This movie has some things going for it. Hoult and Costa are really quite good ... Costa especially ... and neither will disappoint in the film's numerous and quite explicit sex scenes. The style, impressionistic with very close, hand-held jittery cam, makes the early sequences pretty exciting, and the film goes quite some way towards recreating the rush of physical attraction and first love.
This relationship is not very interesting though. The really quite charming actors are not given characters that ever have much of interest to say, so it's tough to invest much in their relationship. Once the open relationship starts going south and Danny Huston enters the film, you're almost routing for the Huston/Costa pairing to prevail since he's actually given decent things to say. The film reaches a conclusion, but it's not a very compelling one since you don't really care about this couple and the issues that drove them into an open relationship are never really resolved anyway.
That's the first ten minutes of the plot anyway. It appears that they constantly want newness in their love and sex lives. Yet, the story soon develops to another direction. It is clear that one of them is stuck in the past, while the other wants something but would not admit it. It is a brilliant portrayal of modern relationships. It even explores honesty to self and others. In addition, the lighting and the sets are consistently remarkable. Though the film is a little slow at times, it is still worth a watch.
The way this movie is shot, the high level of acting, it is as if you are watching your own life in some way. I think everybody can take moments from it and see what moments happen in their own life and how they react.
It is not intended as a movie to learn from, but just to hold a mirror up. It is not good or bad, just how we walk through life. To me, it is a good thing to keep realizing it.
If I had to pick one thing that stout out, I would say; that moment the bubble bursts. When you start to talk to each other and learn more about their way of thinking. At that point you are going to hear something you don't like and in an instant, your face changes and you need to deal with that emotion. That's when the euphoria stops and you try to get it back.
This review shows that this movie won't be for everybody, but watch past the first 10 minutes and get taken away by the emotions and reflect on yourself.
Wusstest du schon
- WissenswertesIn the end credits, director Drake Doremus dedicates the movie to Anton Yelchin who passed away in 2016 and co-starred in his movie Like Crazy (2011).
- Zitate
Gabi Silva: I think we're going to get bored of each other.
Martin Hallock: That's okay. You know, bored is okay.
Gabi Silva: We're going to resent each other, too.
Martin Hallock: We'll remind each other why we're worth it.
Gabi Silva: I will disappoint you.
Martin Hallock: I will disappoint you.
Gabi Silva: You promise?
Martin Hallock: Yes.
- Crazy CreditsThe dedication «for Anton "into the jungle"» might be related to actor Anton Yelchin who died in 2016 and was directed by Drake Doremus on Like Crazy (2011)
- SoundtracksCall it love (if you want to)
Performed by George Fitzgerald
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- Weltweiter Bruttoertrag
- 124.783 $