Das Leben einer Gruppe von Teenager Freunden wird auf den Kopf gestellt durch die Wunder und Schrecken der Pubertät.Das Leben einer Gruppe von Teenager Freunden wird auf den Kopf gestellt durch die Wunder und Schrecken der Pubertät.Das Leben einer Gruppe von Teenager Freunden wird auf den Kopf gestellt durch die Wunder und Schrecken der Pubertät.
- 4 Primetime Emmys gewonnen
- 12 Gewinne & 58 Nominierungen insgesamt
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Writing a review based upon your own preferences of comedy isn't really being true or fair to a show. So unlike what other people have posted, I'll give it to you straight, this show is not for everyone. But, provided you have an open mind to comedy and are not easily offended it does offer a few laughs and a good little show to pass the time.
I think this is pretty funny, I identified with the characters struggles of going through puberty when I was young. I like the voice acting, I like the subject matter, and I like that they aren't afraid to address a subject that is uncomfortable for poorly adjusted adults.
It's crude but not for no reason like Brickleberry, it's crude because it's about teenagers and preteens and the monsters are hilarious embodiment of teen angst.
If you liked the league you might like this as well because it has Nick Kroll (Ruxin) and RAPHY!
It's crude but not for no reason like Brickleberry, it's crude because it's about teenagers and preteens and the monsters are hilarious embodiment of teen angst.
If you liked the league you might like this as well because it has Nick Kroll (Ruxin) and RAPHY!
I hate Big Mouth. I don't want to like this show. It is everything I think isn't funny on television, but makes me consistently laugh more than almost anything else I've seen. The entire basis of its humour is crass sexual jokes, some of which are so blatant and undisguised its almost a slap in the face to watch them. The basic premise (high schoolers going through puberty alongside their "hormone monster" partners) is the ideal vessel to allow these jokes to flow freely, and provide the groundwork for some quality comedy to also shine through.
Do not be confused - this is not a show for children, even though the animation style would suggest so. The cartoonish graphics mean that the more conceptual storylines can really come to life, which is where Big Mouth earns its money. Unafraid to break the fourth wall or joke about current events/Netflix/anything else controversial, the best of the humour really shines through in these spots, propelled by the exemplary voice acting. Nick Kroll is the mastermind, but other talents include John Mulaney, Jessi Klein, Jason Mantzoukas (who plays Jay, my personal favourite character) and Jenny Slate, all of whom are excellent. Another draw is the parallels the writers have made with the real experience of growing up; even small similarities with the experiences of others makes Big Mouth so much easier to sympathise with.
Strangely enough, the music for Big Mouth is also top-notch: rarely do you find Frank Ocean, The Ramones and Biggie Smalls all feature in a television show without the creative direction being severely misaligned, but this show strikes the balance really well. The in-jokes that develop throughout the show are also worth paying attention to, and more perceptive fans will see so many more niche references as the series progresses.
Do not be confused - this is not a show for children, even though the animation style would suggest so. The cartoonish graphics mean that the more conceptual storylines can really come to life, which is where Big Mouth earns its money. Unafraid to break the fourth wall or joke about current events/Netflix/anything else controversial, the best of the humour really shines through in these spots, propelled by the exemplary voice acting. Nick Kroll is the mastermind, but other talents include John Mulaney, Jessi Klein, Jason Mantzoukas (who plays Jay, my personal favourite character) and Jenny Slate, all of whom are excellent. Another draw is the parallels the writers have made with the real experience of growing up; even small similarities with the experiences of others makes Big Mouth so much easier to sympathise with.
Strangely enough, the music for Big Mouth is also top-notch: rarely do you find Frank Ocean, The Ramones and Biggie Smalls all feature in a television show without the creative direction being severely misaligned, but this show strikes the balance really well. The in-jokes that develop throughout the show are also worth paying attention to, and more perceptive fans will see so many more niche references as the series progresses.
This cartoon is seriously going to split opinion. Some will call it filth and try to convince you not to watch it. Those like myself will see it for what it is, an enormously funny cartoon specifically made for us adults. "Big Mouth" has a simple premise of a group of preteens entering that crazy time called puberty. It reminds us of our own escapades at that age and throws in some of the best and crazy adult comedy you've ever seen. Watch it!
Open your eyes. Open your hearts. This is us. This is the world we live in and the world our kids live in. It may be crude but it's true.
Keep going.
Nick Kroll Regrets Nothing About "Big Mouth"
Wusstest du schon
- WissenswertesMissy's parents, Cyrus and Monica, are played by Jordan Peele and Chelsea Peretti, who are married in real life.
- Zitate
Several characters: [Repeated line to Jay] Stop quoting your dad's law commercials!
- VerbindungenFeatured in WatchMojo: Top 10 Best TV Shows This Fall (2017)
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