Ein mysteriöser Mord erschüttert die Stadt Shadyside, Ohio. Spielfilmadaption der Buchreihe von R.L. Stine.Ein mysteriöser Mord erschüttert die Stadt Shadyside, Ohio. Spielfilmadaption der Buchreihe von R.L. Stine.Ein mysteriöser Mord erschüttert die Stadt Shadyside, Ohio. Spielfilmadaption der Buchreihe von R.L. Stine.
- Auszeichnungen
- 3 Gewinne & 9 Nominierungen insgesamt
Noah Bain Garret
- Skull Mask
- (as Noah Garrett)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn the opening scene, the book store shelves are filled with Fear Street books with the author listed as "Robert Lawrence". The letters "R.L." in R.L. Stine's name stand for Robert Lawrence.
- PatzerThe application Benjamin Flores Jr's character is chatting on uses the Calibri font. The plot takes place in 1994, yet this font was not introduced until 2007.
- VerbindungenFeatured in The Kill Count: Fear Street Part 1: 1994 (2021) Kill Count (2021)
- SoundtracksCloser
Written by Trent Reznor
Performed by Nine Inch Nails
Courtesy of Nothing/Interscope Records
Under license from Universal Music Enterprises
Ausgewählte Rezension
I didn't read the Fear Street books growing up, although I did read Goosebumps. Considering this was an R rated adaptation, I was cautiously optimistic.
I loved the opening scene. It felt like a nice call back to Scream. It wasn't nearly as iconic, but it did enough right to set my expectations high. Then the plot starts developing, and it goes downhill fast.
The characters are mostly annoying. I could argue I mildly liked two of them, but that's it. The protagonist is incredibly self absorbed, and treats her ex horribly. We've got the nerdy kid who knows literally everything. The comic relief who has maybe two lines in the movie that aren't jokes. Etc.
Then there's the tone. The best way I could describe it is the kid friendly feel of the Goosebumps movie mixed with a slasher film. Anytime someone isn't being murdered, it's really light in tone and kinda jarring. The profanity and innuendos are present during these scenes, but they still feel very kiddish, for lack of a better word. The closest example I could think of for a movie like this is "Summer of '84", but that wasn't nearly as light, and it was far more consistent.
The 90's music, while good, is heavily overused. The early parts of the film feel like someone turned on a malfunctioning jukebox that switches songs every ten seconds. Sometimes less is more.
The horror scenes are actually really good. The opening scene and climax are my favorites, but I enjoyed the rest as well. If the entire film was as good as the horror, I'd honestly consider giving this a 9/10, but I kept getting taken out of the film when there was downtime. There was very little tension or decent drama, just an overly quick pace with humor and exposition to bridge the scares.
It's on Netflix, so if you're interested I guess it's worth a shot. I'm disappointed, as it could've been an absolute classic, but if it sounds like your kinda thing you might like it.
I loved the opening scene. It felt like a nice call back to Scream. It wasn't nearly as iconic, but it did enough right to set my expectations high. Then the plot starts developing, and it goes downhill fast.
The characters are mostly annoying. I could argue I mildly liked two of them, but that's it. The protagonist is incredibly self absorbed, and treats her ex horribly. We've got the nerdy kid who knows literally everything. The comic relief who has maybe two lines in the movie that aren't jokes. Etc.
Then there's the tone. The best way I could describe it is the kid friendly feel of the Goosebumps movie mixed with a slasher film. Anytime someone isn't being murdered, it's really light in tone and kinda jarring. The profanity and innuendos are present during these scenes, but they still feel very kiddish, for lack of a better word. The closest example I could think of for a movie like this is "Summer of '84", but that wasn't nearly as light, and it was far more consistent.
The 90's music, while good, is heavily overused. The early parts of the film feel like someone turned on a malfunctioning jukebox that switches songs every ten seconds. Sometimes less is more.
The horror scenes are actually really good. The opening scene and climax are my favorites, but I enjoyed the rest as well. If the entire film was as good as the horror, I'd honestly consider giving this a 9/10, but I kept getting taken out of the film when there was downtime. There was very little tension or decent drama, just an overly quick pace with humor and exposition to bridge the scares.
It's on Netflix, so if you're interested I guess it's worth a shot. I'm disappointed, as it could've been an absolute classic, but if it sounds like your kinda thing you might like it.
- yoshinaruto
- 2. Juli 2021
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- La calle del terror (Parte 1): 1994
- Drehorte
- Produktionsfirmen
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- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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