Patrick Melrose

There were some strong performances - Patrick, his parents and his father's cohort were all played well. It is also a stylish series with good cinematography.

It was sometimes hard to grasp the time-line, especially in the later episodes - even though a date was put up now and then.

it kept me interested throughout, although I enjoyed the New York scenes the most.

First of all , I love Benedict Cumberbach This man can do alot of incredible things and every work for him is masterpiece ... This series is talking about toxic father son relationship and how it can affect on people years and years after sexual abuse or violence or any abnormal stuff The photography was amazing the shots were incredibly fantastic May be the first 3 episodes had a slow rhythm but eventually it's a good experience and I'll always be happy to watch Benedict Cumberbach acting

I can't remember the last time I saw a series this good. It is brilliantly made. Amazing acting. I was on the edge of my seat most of the time. Cumberbatch gives an outstanding performance.

I have just watched the first 2 episodes and felt the need to comment. I understand the complaints about the first episode, especially in regards to the self indulgent trip of substance and alcohol abuse. I'll be honest, it bored me, it became tedious and I almost gave up. Episode 2, however, is a different ball game. This goes on to explain his troubled childhood and puts the first episode into perspective. If you found the first episode difficult to watch, please stick with it, I have a feeling it will be worth it.

The Melrose books are five of the finest of modern times. Short, sharp and endlessly enriching. For the TV adaptation to be so perfectly in synch with the tone and mood and truth of the books is beyond impressive. All components combine to form a complete and entrancing whole. Superb direction by Edward Berger - that long tracking party shot in Ep 3 is of immense skill ans beauty - hits the subtly different style and heart and tone of each separate book, with the look of a Holbein painting and the unflinching eye of a Hockney. The result is exquisite and simply takes the breath away. Design and period detail is mesmerising, even down to the Prozac label written on a daisywheel printer. Casting is sheer perfection. Mix the wonderful Pip Torrens with Indira Varma, Holliday Grainger Harriet Walter, Amanda Root and the cream of a British and American supporting cast, and a sensitive child actor in Sebastian Matz,with a chilling Hugo Weaving and a fabulous Jennifer Jason Leigh and any other show would be sublime in itself. Add Benedict Cumberbatch as the eponymous Patrick Melrose and the whole series transcends into something far beyond sublime. We are now used to seeing the actor of his generation taking complex and unique characters and making them deep and humane, but this takes performance to a different level and standard. This is acting by inhabiting a role. This is acting at a dangerous level of self and self exposure far beyond mere performance; This is an acting consciously laying the soul on the line....and revealing that there is still more inside the heart of Benedict Cumberbatch to be revealed.. High intelligence,mordant wit, self knowledge and loathing, turning on a sixpence, great timing and awareness; not tricks, no weaknesses.. Whenever I watch a new Cumberbatch performance I marvel at his range and detail, physical and mental control, depth of understanding and even his eye placement. And this is what you get when heart, intellect and sheer technical skill combine with such fluent artistry. Something wondrous and joyous and with an indication that the tank is nowhere near empty, even when exposing his own soul like this. How sad that there are people on here who are scoring this amazing series as a 1 and proud of their myopia. As the man said:' when someone puts you down, it is because they have a need to feel taller.'.