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The Field Guide to Evil

  • 2018
  • 16
  • 1 Std. 57 Min.
IMDb-BEWERTUNG
4,8/10
2657
IHRE BEWERTUNG
The Field Guide to Evil (2018)
A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind's darkest fears, these stories laid the foundation for what we now know as the horror genre.
trailer wiedergeben1:00
1 Video
47 Fotos
Folk-HorrorEntsetzen

Ein abendfüllender Anthologiefilm, der den dunkelsten Ängsten der Menschheit Logik verleihen sollte und den Grundstein für das, was wir heute als Horrorgenre kennen, legte.Ein abendfüllender Anthologiefilm, der den dunkelsten Ängsten der Menschheit Logik verleihen sollte und den Grundstein für das, was wir heute als Horrorgenre kennen, legte.Ein abendfüllender Anthologiefilm, der den dunkelsten Ängsten der Menschheit Logik verleihen sollte und den Grundstein für das, was wir heute als Horrorgenre kennen, legte.

  • Regie
    • Ashim Ahluwalia
    • Can Evrenol
    • Severin Fiala
  • Drehbuch
    • Robert Bolesto
    • Elif Domanic
    • Can Evrenol
  • Hauptbesetzung
    • Marlene Hauser
    • Luzia Oppermann
    • Karin Pauer
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,8/10
    2657
    IHRE BEWERTUNG
    • Regie
      • Ashim Ahluwalia
      • Can Evrenol
      • Severin Fiala
    • Drehbuch
      • Robert Bolesto
      • Elif Domanic
      • Can Evrenol
    • Hauptbesetzung
      • Marlene Hauser
      • Luzia Oppermann
      • Karin Pauer
    • 55Benutzerrezensionen
    • 41Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    UK Trailer
    Trailer 1:00
    UK Trailer

    Fotos47

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 43
    Poster ansehen

    Topbesetzung58

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    Marlene Hauser
    • Kathi (segment "The Sinful Women of Höllfall")
    Luzia Oppermann
    Luzia Oppermann
    • Valerie (segment "The Sinful Women of Höllfall")
    Karin Pauer
    • Trud (segment "The Sinful Women of Höllfall")
    Birgit Minichmayr
    Birgit Minichmayr
    • The Mother (segment "The Sinful Women of Höllfall")
    Katrina Daschner
    • Washer Woman (segment "The Sinful Women of Höllfall")
    Elfriede Schatz
    • Washer Woman (segment "The Sinful Women of Höllfall")
    Tanja Hausner
    • Washer Woman (segment "The Sinful Women of Höllfall")
    Fanny Hausner
    • Washer Woman (segment "The Sinful Women of Höllfall")
    Melis Hausner
    • Washer Woman (segment "The Sinful Women of Höllfall")
    Eva Kratochvil
    • Washer Woman (segment "The Sinful Women of Höllfall")
    Naz Sayiner
    • Songul (segment "Haunted by Al Karisi, the Childbirth Djinn")
    Süreyya Kücük
    • Mother-in-law (segment "Haunted by Al Karisi, the Childbirth Djinn")
    • (as Sureyya Kucuk)
    Andrzej Konopka
    Andrzej Konopka
    • Kindler (segment "The Kindler and the Virgin")
    Urszula Zerek
    • Virgin (segment "The Kindler and the Virgin")
    Dariusz Choros
    • Obese Deadman (segment "The Kindler and the Virgin")
    Bogdan Teliszewski
    • Judge (segment "The Kindler and the Virgin")
    Ireneusz Koziol
    Ireneusz Koziol
    • Officer (segment "The Kindler and the Virgin")
    Radoslaw Chrzescianski
    Radoslaw Chrzescianski
    • Peasant (segment "The Kindler and the Virgin")
    • Regie
      • Ashim Ahluwalia
      • Can Evrenol
      • Severin Fiala
    • Drehbuch
      • Robert Bolesto
      • Elif Domanic
      • Can Evrenol
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen55

    4,82.6K
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    Empfohlene Bewertungen

    3tiefirst

    Gore is not horror

    I'm no expert when it comes to myths and folklore, but the subject matter does interest me. I had never heard of any of these stories. That doesn't mean they aren't, but in eight tries I figured at least one would ring home.

    Now whether or not these are familiar tales doesn't have any bearing on the quality of the movie representing them. However, all of the elements in movie making certainly have something to say about the movie's quality.

    Some of these shorts were very lean on dialogue. That's not always a deal breaker though. There are a lot of great movies out there that use very little dialogue. The difference is that the good ones still manage to tell a clear story and captivate their audience. The silent shorts in this anthology were just confusing and distant. One segment traded dialogue for a baby crying sound effect on a loop. Hey movie maker, we get it. The baby is crying. Make the point and get off it. A constant baby crying is as distracting as when they have a phone ringing or a car horn going off for way too long. It just becomes an annoying noise.

    I didn't realize how bad the acting was in this until the American segment played out. Wow, was that bad. That one played like a student film. The parents were just the worst. No chemistry with each other or their son. The boy was everything wrong with child actors all wrapped up in one.

    And lets not leave out the gore. Why do inexperienced filmmakers and viewers, for that matter, think that gore and horror go hand in hand? Why? Being frightened, startled, psychologically tormented, or just creeped out are all valid aspects of horror. I don't know where or why gore seems to think it has a place here. If its done right and done with purpose, it can be very effective (Bone Tomahawk comes to mind). This entire anthology never once used gore to an advantage, but it used it in every segment. Just trying to gross someone out isn't horror.
    3miami1925

    It was a neat idea

    It was a cool idea to have a collection of folklore/horror stories from different countries made by and in those countries, but dear god, the execution on the majority of these short films is awful. For about 2/3s of these stories, the plot and acting is so poorly done that they're almost hard to watch. I wouldn't call it a complete waste of time, but don't go into it with any higher expectations than an extremely low-budget student film.
    eaardaturan

    I enjoyed

    Good movie south by southwest, interesting concenpt bringing shorts together. Worked really well
    4Fernando-Rodrigues

    Malignant Minds

    Even though it has an interesting concept of entering other countries' folklore, this movie was badly written and weakly executed, to a point where we can't even understand the storyline of some segments. They completely wasted this movie's potential.
    4paul_m_haakonsen

    A lot of wasted potential...

    Well, for an anthology, then the 2018 "The Field Guide to Evil" wasn't a particular masterpiece. Not even while brandishing eight different stories based on real myths and folklore.

    What went wrong here? Well, for starters the fact that most of the stories weren't really all that compelling or interesting. Might be a bit harsh to say, but it is the truth. While the visuals in the various segments definitely are interesting and mostly good, the contents of the stories just mostly fail to capture my interest and it felt mediocre at best. And with such an output, it became somewhat of an ordeal to sit through eight different stories.

    Now, don't get me wrong, some of the stories actually are fairly good, but in overall, the anthology just failed to be all that interesting.

    I do like the fact that they went around the world to put different folklore and myths from different countries into the anthology, because it definitely added variety.

    The acting in the different segments was definitely good enough, just a shame that the actors and actresses didn't have an enticing script to work with in most of the stories, because it made the anthology drag behind and suffer.

    If you do make it through this feature length anthology, and I do sincerely applaud you if you can endure that, chances are slim to none that you will ever return to watch "The Field Guide to Evil" a second time.

    It felt like you never really got to submerge deep enough into the various tales to fully understand or get into the myth and folklore. The storytelling and narratives just felt way too superficial, given the limitations of time to tell each story.

    This anthology definitely had potential, but it just ultimately failed where it mattered the most. As such, my rating for "The Field Guid to Evil" becomes a mere less than mediocre four out of ten stars.

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    Handlung

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    • Wissenswertes
      The first movie to use equity crowdfunding (Reg CF, Title 3 of the JOBS Act) where a revenue share was offered to investors.
    • Patzer
      In the eighth story, "The Cobbler's Lot", a seam is visible on the leg of one of the nymphs when they are cavorting underwater with Tivadar, showing they are wearing nude bodysuits rather than actually being nude.
    • Verbindungen
      Featured in Woodlands Dark and Days Bewitched: A History of Folk Horror (2021)

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    FAQ16

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    Details

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    • Erscheinungsdatum
      • 19. Dezember 2019 (Griechenland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Griechenland
      • Indien
      • Neuseeland
      • Ungarn
      • Österreich
      • Türkei
      • Polen
    • Offizieller Standort
      • Official Facebook
    • Sprache
      • Englisch
    • Auch bekannt als
      • Şeytanın El Kitabı
    • Drehorte
      • Istanbul, Türkei(segment "Al Karisi")
    • Produktionsfirmen
      • Aurum Film
      • EchoWolf Productions
      • Faliro House Productions
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    Box Office

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    • Weltweiter Bruttoertrag
      • 7.860 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 57 Min.(117 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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