Holler

For making yet another good drama about the dark and dreary shadowlives of american poverty, in the year of the lord 2021. And thanks to the casting crew that has made a marvellous job finding the keyactors to this film, heir heir...

do i sound like an insider or related to the production crew, you might feel so but no, im just a grumpy old man living in norway, drowning myself into yet another pure drama of american socialrealism in situ. Its a film thats so utterly depressing, and so detailed on every spot that youll forget time and place, and with acting far over the limit of expectations, top notch musical soundtrack, and looking upon all the striving people that pays with a broken back and cut away fingers to buy a buck for one and a half because the 1 percenters decides what the price is anyway, and what shall the people of the heartland united states lean on when the corner stone factory disappears to make a nickel and a dime extra when outsourcing abroad, often moving machinery and infrastructure with it, and just leaving the skelletons back of an era that used to be good and proudly spoken of , just not where you and you live.

Its also a film about a teenagers opportunity to enter the litterates of a higher education that has become such a class diviser in the american society. The film example about scrapyarding and eventual looting valuable metal from elsewhere in the dark hours of the diurnal clock, just to survive and try to hold together and put aside money to afford the giant leap for mankind that college/university is. Call me a socialist and i may approve, but im far more reflected than that and may be quite goppy too, but thats far too advanced to elaborate for a man that hasnt got english as birth language...

but this is yet another must see film from the ''slumdistricts'' of USA, its darn realistic, its top notch acting, and just as repressive and depressive as you like it to be. Its not a rollercoaster of action, no, its just pure sensible drama, that the onepercenters deny and defy, even though its adressed to the all with capital letters. Poverty isnt the end my friend, its just a hurdle to climb across on your way to wisdome and freedome... a well made film at all levels, hereby recommended.

As "Holler" (2020 release; 90 min.) opens, a teenage girl is running away with two large bags of empty cans. We soon learn that she is Ruth, a high school student in rural southeastern Ohio. She and her brother Blaze are barely getting by, delivering scrap metal to the local scrap yard. Their mom is serving time in the Jackson County jail on unspecified drug charges. On top of all that, the house where Ruth and Blaze are staying at has no running water and several eviction notices... At this point we are 10 min. Into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the feature-length debut of writer-producer-director Nicole Riegel, adapting her 2016 short film of the same name into a feature length. The story is as familiar as it is depressing: working class people in the Midwest who are barely getting by and are literally hanging on by a thread, both economically, socially and emotionally. The difference with this film, as opposed to, say the god-awful 2020 film adaptation of "Hillbilly Elegy", is that you pretty quickly are invested in these characters, in particular Ruth and Blaze, fighting astronomical odds to make it through. A movie like this wouldn't be complete without a Trump reference, and he appears in several TV clips, talking about how he, and only he, can turn this around. Except of course that once in office, he didn't lift a finger for people like the Ruth and Blaze characters and absolutely nothing changed during his term in office. Politics aside, this movie is indeed riveting and depressing at the same time. The no-name cast performs admirably, in particular British actress Jessica Barden in the lead role of Ruth. We surely have not seen the last of her.

"Holler" was supposed to premiere at the 2020 SXSW festival, yes almost a year and a half ago. But then a little thing called COVID-19 changed the world. The movie finally received a low-profile select theater release this past weekend. The Sunday early evening screening where I saw this at in my local art-house theater here in Cincinnati, was attended poorly: exactly 3 people, including myself. To be honest, I cannot see this playing much longer in theaters. For that the movie is too bleak and too depressing, if riveting. If you have any interest in watching a tough movie about hoe people deal with economic depression, I'd readily suggest you check it out, be it in a theater (if you still can), on Amazon Instant Video or another streaming service, or eventually on DVD/Blu-ray, and draw your own conclusion.

Depressing topic but just right for everything and so real and good drama and leading actress just awesome ! Nothing huge about this movie but just got its charm.

A film about a young girl living in a town with few opportunities. Just to get by she has to help her brother steal trash that they go through for scrap metal. Which seems to be the only way of making any money in the town. This is probably the story of so many small towns in America. Manufacturing has definitely led to a dead end despite it's seemingly infinite promise throughout the 50s - the 2000s. The industry of industry is dying out. Jobs are sold to other countries because of globalization. Eventually they too will be writing stories like this one when capitalistic manufacturing reaches the end of it's road. Some other countries are just now experiencing their capitalist boom.

It tells the story of so many people these days. Poor. Addicted. Downtrodden. All of the actors did a fantastic job. There were a few parts that stuck out to me so the movie is "salvageable." I learned a little bit about what scrapping actually means and the film did a good job of metaphorically telling the tale of people who barely get by and must turn to the scraps.

One or two lines really stuck out for me and I wouldn't really call them spoilers but I'd love to share them: ("Talking to the guys in this town is all the birth control I'll ever need.")

("You'd scrap anything." ..."Yeah, so would you.") That was my favorite moment of the film.

Ruth Avery (Jessica Barden) is a teenager living in a dying industrial American town. With her older brother, they steal recyclables to sell to a junkyard owned by Hark. Their home is under eviction threat. Their mother Rhonda is in jail and struggling to find rehab. She herself is struggling to graduate from high school since she keeps skipping to go work. She gets an opportunity to attend college, but there are overwhelming hurdles.

This movie paints a compelling picture of a place and a social class. It sets up for a compelling story. Although this story misses some opportunities for greater drama. I'm just looking for a bigger story. I actually thought the brother was the one killed during the incident. That would have been dramatic. Jessica Barden is great, but she is getting a little too old to play a teenager. All in all, this sets up for something good, but the potential is not fully realized.