Hammer

One of the best character-driven films of 2019/2020 with subtly layered irony, haunting performances and great music. Emotional realism is at its best when easy transactions go sour and emotions erupt arriving at the point of no return. Graphic realism, which the Brits and Americans are allowed to capture so appallingly well, never makes it to our Canadian final cuts. Canadian censorship simply won't allow artists to work their magic, so their talent is tethered to a prescribed hemline mentality. Do we need hyper-graphic detail? Some viewers need it to satisfy their armchair blood lust. But in watching "Hammer" I was too busy sinking in the characters' terror, desperation, hopelessness and revenge to miss gory details. Incomparable performances.

This movie really exposes some hard truths that many families face in a world where everyone is struggling to connect while trying to stay true to themselves. The beauty lies in those well placed calm moments, were we actually see parallels In our own lives and get to reflect on how the choices we make affect the ones we love.

Exceptional acting and directing make this a must-see indie crime thriller. It's proof that every good film starts with a good script regardless of budget size. Will Patton was superb. The other unknowns all turned in riveting, believable performances. It's definitely Hammer time.

Very surprised by this film. Wasn't expecting much, but really have respect for Will Patton and his ability to morph into any role. The story was very believable and the acting was involved and pretty driven. The standout role was by Mark O'Brian as Chris. Will Patton plays his father that gets dragged in to a dangerous situation that his estranged son has brought home. Good thriller that really has you rooting for the "good guys."

Many of the sequences and plot gyrations are unbelievable with a slurry of loose ends which leave you guessing.