Ob wir schlafen oder wachen

Asako falls in love with Baku, and they live an intense love, until he disappears without a trace. Years later, Asako meets Ryohei, who looks exactly like Baku. I usually like this kind of tragic romance, however, Asako I & II is not consistent enough to leave a mark. The main character, Asako, is very superficial throughout the film, with attitudes that disconnect her from real life events, making hard to the viewer to bond with her. If the goal was to address the moving on issue in relations, and seeing true love through different perspectives, it fails completely. The best that comes out of the film is Masahiro Higashide, who plays both roles (Baku and Ryohei) very competently.

Sleeping or Waking was an odd movie.

The story was good and the romance was really intense. I liked how they presented the relationship and its course. The two had great chemistry and that helped a lot with the progress of the drama. However, the ending twist was really not good. It felt out of the blue and kind of unexpected. Also, it annoyed me how the character did what she did and they didn't explained it properly.

So, six and a half out of ten for sleeping or waking, because of the wierd ending and the not so great twist about the character who went missing.

Little strange, weird, lovely, humble, sweet and gentle movie like Koreeda films. Fell in Love. Must watch.

Interesting premise, but flat characters making infuriating decisions made this one tough to fully appreciate. It's a film that had its moments in the interplay between the friends, but felt too simplistic at the core of its love triangle, and dragged on too long. I liked the idea of exploring the compromises usually necessary in a stable relationship vs. The wild ride our hearts might lead us on, but this didn't feel much like an exploration, perhaps because the central character (Erika Karata) is so weakly drawn.

Maybe if you've been left in the past by a partner you truly loved, someone who if they showed up out of the blue might cause you to throw everything that's good in your life away, it may resonate more for you, but for me I couldn't buy it. Solid performance from Masahiro Higashide in the dual role, and I liked the character of Maya (Rio Yamashita) here - if only her fate had been a little more intertwined with that of Ryohei's.

The opening scenes reflect the rest of the movie, simultaneously very down-to-earth and readily truculent, resulting in a mix of stark still shots (very well composed) allied to a mise-en-scène that's quite surprising at times. The resolution of the final twist continues after a stylized seascape that could have been the start of the end credits, and offers a sequel to the events in a way that is as concrete and plausible as it is tender. This dichotomy between slice-of-life narration and impromptu events is at the heart of the story, and many parallels can be drawn with this same dynamic:

• the two identical men in Asako's life,
• Tokyo and Osaka,
• water and its inopportune rain, the earth and its powerful quakes,
• Asako in contrast to her two much more outgoing and vivacious friends,
• insane freedom, liberating but destructive compared to stability and deep love built over the long term.

The actors are all very convincing, the friendships are powerful and the dialogue well-written. Although I'm not bothered by Asako's character, as she seems to me to stem more from the Japanese archetype of an irrepressibly shy, diaphanous woman who can nonetheless demonstrate unsuspected strength, it's undeniable that she's not entirely compelling enough to carry the story; her few unpredictable antics are interesting, but when she's in her more mute state, the actress struggles to convince that she's in the grip of Cornelian torments in her innermost being. Her characterization is too disjointed in general, and not by design.

The balance isn't perfect, the romantic relationships are rather conventional (Baku is almost non-existent for most of the film and is devoid of the slightest personality) and we're often far more interested in seeing the lives of the secondary characters. Perhaps a slight overindulgence in unexpected scenes takes precedence over the coherence of the narrative. A fine job with the atmosphere, though. Decent soundtrack, unconvincing out of context.

Very keen on seeing what else Hamaguchi has up his sleeve.