Once Upon a Time In... Hollywood

It took Quentin Tarantino a lifetime of living, 5 years to write and a 2 hours 41 minutes watch. This is a love letter to a film industry that is no longer recognisable. Hippies, short skirts, westerns..... all have disappeared from our movie world. But worry not, Quentin Tarantino is here to remind us of old school film making from a once beloved industry which has been described as being on life support.

The performances are flawless. I was apprehensive about how the events of August 8, 1969 would be handled. But that is handled tastefully and respectfully, yet with the classic Tarantino flair.

Will be quite a bit for those under 40 who have no recollection of this Hollywood. Some will categorise this as an over indulgent nostalgia trip for movie geeks. And they are likely to be correct. But for those of us who complain that Hollywood is reduced to remakes and comic book films, QT delivers a unique and creative viewing experience.

Once Upon a Time in Hollywood is a film that is aesthetically appealing from start to finish. Quentin Tarantino's interpretation of 1969 Hollywood is a lush world with superb detail. This movie serves as a love letter to the place Tarantino presumably grew up with.

The cast features an All Star ensemble of actors. Whether supporting or main, every character in this film is portrayed with excellence. Leonardo DiCaprio continues to flex his acting prowess in his portrayal of Rick Dalton. DiCaprio's Rick Dalton is a classic take on the waning career of a once successful actor. His emotion as Rick Dalton is felt in a comical and rewarding sense. His anguish is felt prominently within this film. DiCaprio continues to be brilliant. Margot Robbie's portrayal of Sharon Tate is graceful and wholesome. Robbie's ability to emote with facials alone is true talent. Her on screen presence grants the film and audience with a sense of euphoria. Brad Pitt's character of Cliff Booth is a bad ass in every aspect. His portrayal of the character is presented with an enduring chip on the shoulder. When Cliff Booth is on screen, the film is given security. Pitt continues to exhibit why he is a name that should always be in the discussion of great actors. Pitt's chemistry with DiCaprio's Rick Dalton is excellent. Both men play off each other in a manner that makes you believe they are best friends in real life. On rare occasions will you get a chemistry more authentic than this. Rick and Cliff mirror that of Abbott and Costello, or Batman and Robin. Both men were made for these roles and are symbiotic to one another.

The dialogue in this film is up to par with the rest of Tarantino's filmography. Every word feels natural, and every encounter is perfect. Tarantino continues his streak of quotable One liners. Tarantino does an excellent job of flexing his knowledge of 1969 Hollywood within his dialogue and writing. The film is masterfully paced as well. The flashbacks don't step on the present story and they add incredible depth to an ever growing tale. The film is slow paced in that it adds background and detail to the characters and the world they live in. There are minor points of foreshadowing that tie in perfectly to the overall story. The payoff to this story is incredibly satisfying and unexpected. Tarantino is a master in storytelling at this point in his career.

The film is shot beautifully. Every shot matters and serves a purpose. Tarantino exhibits his appreciation for 1969 Hollywood through long shots of beautiful scenery and diegetic sound. Tarantino's angling of the camera is natural, serving as a film student's wet dream. Once again, the world is incredibly lush. The soundtrack exhibits some of the best usage of music in recent cinema. At times the film feels like a big music video, however this does not take away from anything within the film. The music serves as the mascot for Tarantino's 1969 Hollywood. The music and the setting of 1969 Hollywood are inseparable.

Overall, Once Upon a Time in Hollywood is another masterpiece in Quentin Tarantino's filmography. Whereas Pulp Fiction excels in storytelling and dialogue, this film excels in storytelling and cinematography. 1969 never looked so good.

Once Upon a Time... in Hollywood is maybe proof that Quentin Tarantino ranks alongside Stanley Kubrick. Both started to make overlong movies and were lionised by critics, many who were afraid to be critical of them.

This might be Tarantino's most self indulgent film so far despite being a glorious period piece.

Set in Los Angeles 1969. The film is an alternate history as it focuses on Rick Dalton (Leonardo DiCaprio) who was once a star of the hit television show Bounty Law. Now Dalton's career is fading. He drinks too much, he does not remember his lines and his regular work is guest starring as the villain of the week.

Accompanying Dalton is his stunt double Cliff Booth (Brad Pitt) who acts as his driver and gofer. Booth is also short of work as he has a bad reputation in the stunt industry.

Living next door to Dalton in LA is actress Sharon Tate (Margot Robbie) who has just moved in with her director husband Roman Polanski. Life for her is attending parties and going to the cinema to see her latest movie.

Dalton wonders if he should take up a suggestion to go and work in Italy and make spaghetti westerns which could kick start his career. Booth gave a pretty hippy a lift to a ranch which is full of strange people belonging to a cult. Booth seemed to have rubbed them up the wrong way.

Eventually the various people cross paths in this reimagining of what might have happened on a fateful night in 1969.

There is no doubt that that DiCaprio and Pitt give their all in this film as two middle aged men fading away at an uncertain time. Tarantino seems to have given this film a conservative hue, he really dislikes the counterculture. I wonder if he is angry with the #metoo movement which destroyed his friend Harvey Weinstein and raised questions over his own conduct in the past.

Clocking in at under 3 hours this film meanders until it reaches its explosive climax. Until then you wonder what exactly is the story. The movie is a series of vignettes that hints at a director/screenwriter who is past his prime and seems to be obsessed with bare feet.

I don't typically leave IMDb reviews but this film deserves so much praise for its risky screenplay in such a dark true crime setting.

For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.

I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.

I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.

I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.

Another great Tarantino film, though I do agree there are times where it feels a little indulgent and meandering. The climax of the film is fantastic though, and it does make it feel like it was all worth it for the most part. There isn't really a defined narrative, which may put some people off but Tarantino's sublime dialogue and the great performances make all of the scenes at least entertaining. It's no Pulp Fiction, but it definitely is one of the most original films I've seen in a while.