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Spielberg

  • Fernsehfilm
  • 2017
  • TV-MA
  • 2 Std. 27 Min.
IMDb-BEWERTUNG
7,7/10
8718
IHRE BEWERTUNG
Steven Spielberg in Spielberg (2017)
BiographyDocumentary

Füge eine Handlung in deiner Sprache hinzuA documentary on Steven Spielberg, filmmaker. Includes interviews with relatives, film critics, peers and people who have worked with him.A documentary on Steven Spielberg, filmmaker. Includes interviews with relatives, film critics, peers and people who have worked with him.A documentary on Steven Spielberg, filmmaker. Includes interviews with relatives, film critics, peers and people who have worked with him.

  • Regie
    • Susan Lacy
  • Hauptbesetzung
    • Steven Spielberg
    • Martin Scorsese
    • Richard Dreyfuss
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    8718
    IHRE BEWERTUNG
    • Regie
      • Susan Lacy
    • Hauptbesetzung
      • Steven Spielberg
      • Martin Scorsese
      • Richard Dreyfuss
    • 32Benutzerrezensionen
    • 29Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Primetime Emmy nominiert
      • 3 Nominierungen insgesamt

    Fotos34

    Poster ansehen
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    Topbesetzung99+

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    Steven Spielberg
    Steven Spielberg
    • Self
    Martin Scorsese
    Martin Scorsese
    • Self - Director
    Richard Dreyfuss
    Richard Dreyfuss
    • Self - Segment "Close Encounters of the Third Kind"
    Bill Butler
    Bill Butler
    • Self - Cinematographer, Jaws
    John Williams
    John Williams
    • Self - Composer
    David Edelstein
    David Edelstein
    • Self - Film Critic
    Michael Phillips
    Michael Phillips
    • Self - Producer
    Nancy Spielberg
    Nancy Spielberg
    • Self - Sister
    Anne Spielberg
    Anne Spielberg
    • Self - Sister
    Janet Maslin
    • Self - Film Critic
    Sue Spielberg
    • Self - Sister
    Leah Adler
    Leah Adler
    • Self - Mother of Steven
    Arnold Spielberg
    Arnold Spielberg
    • Self - Father of Steven
    J.J. Abrams
    J.J. Abrams
    • Self - Director
    Sid Sheinberg
    Sid Sheinberg
    • Self - Former President, MCA Inc.
    • (Archivfilmmaterial)
    • …
    James Brolin
    James Brolin
    • Self - Segment "Marcus Welby, M.D."
    David Geffen
    David Geffen
    • Self - Co-Founder, Dreamworks SKG
    Roger Ernest
    • Self - College Friend
    • Regie
      • Susan Lacy
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen32

    7,78.7K
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    Empfohlene Bewertungen

    8zkonedog

    Shines Because Of The Personal Interviews/Material

    In the year 2017, it must be kind of difficult to produce a compelling documentary about a figure such as Steven Spielberg. I mean, in all honesty, what more can be said about the man that hasn't been already?! Where "Spielberg" really manages to shine, then, is in its coverage of Steven's personal life and background.

    As per the usual, "Spielberg" covers all the "usual subjects" (Jaws, Indy, Schindler, Saving Private Ryan, etc.) and all the old stories get told yet again. Fortunately, the production values of this doc are good enough (that's what happens with the backing of HBO) that it never really feels old or stale.

    Like I said, though, the real highlights are the personal interviews with Spielberg himself (or family members and those who know him closely). I learned many new things about his personal life, and I loved the home videos with wife Kate Capshaw and his seven children. We all know him as a fantastic filmmaker (which he surely is), but this doc does a really good job of portraying him as a person as well.

    So, while perhaps not the most ground-breaking documentary of all-time, "Spielberg" is still entertaining (due to the production value) and information (personal information) and never failed to hold my interest during the almost 2.5 hour runtime.
    7robobalboa

    "Speilberg" Documentary.

    What's confusing about this documentary is not what they decided to show, but what they decided to leave out. Maybe its too early for a full retrospective as the subject is still alive and working and creating, but then what exactly is the point of this documentary, other than it comes out on the 40th anniversary year of "Close Encounters"? After Spielberg shuffles off this mortal coil the interviews gained in the process of making this film will serve admirably in the making of what will probably have to be a series of documentary films that follow Steven Spielberg's life and career, but as it stands this seems like a Blu-Ray special feature. There are many years and films that are completely skipped or glossed over, there is barely a mention of all the success he's had as a producer, and there's no real build up or glory to his triumphs or his failures. It's surface-level and polite. it doesn't pose tough questions or try to answer anything either. I get that this is a puff piece, that in no way would anyone sign off on a documentary that paints them in a bad light, but this doesn't even make Spielberg *complicated*, even his relationship with his father is immediately forgiven and then brushed aside. What would be more interesting, and perhaps more revealing, would be Behind the Scenes documentaries that we already have that feature Spielberg, strung together with new interviews, and footage that presents context, and present his life this way. As it stands what this Doc offers is a quick overview and celebrity cameos that isn't all together uninteresting if only hindered by it's inability to commit to deep dives of the subject's career.
    6jellopuke

    How much can everyone pucker up?

    Did you know that Speiberg is the greatest, most natural and intuitive genius of all filmmaking? This movie can't stop telling you that! Even when he parrots backs things Hitchcock said and claims them as his own, it acts like he's the only one who thought/did these techniques. While it's a nice overview of his career, it's also completely lacking any critical faculties and is filled with endless bending over for him. And I like him for the most part! But this was a bit much.
    9Quinoa1984

    the "George Gerswhin" of American cinema (as per Coppola's compassion) in this very good profile and truly in-depth look at an oeuvre

    With Spielberg, we have another profile of yet another hugely influential American filmmaker on the heels of De Palma and By Sidney Lumet. And... when it's this filmmaker and this story and this group of films, I don't think for at least some of them (yes, even Jaws and lessor known ones like Empire of the Sun) enough can be spoken about them. It takes often a miracle for a movie to come out good let alone great, and Steven Spielberg has at least nine or ten masterpieces to his name.

    I'm glad this one on Spielberg via Susan Lacy (a veteran go-to for American Masters docs) goes the full route on the career and the man in as much depth as possible. Though it lacks much about Hook, Lost World and Always (the latter's not here at all, the former is mentioned for five seconds as an example of 'sometimes he has failed'), I think I need what is presented here as the man's own words on his work, and his colleagues, AND especially the critical community, from Hoberman to AO Scott. You actually get a sense of not only Spielberg's growth or... No, wait, growth is the wrong word since he was already doing what he did so well in 74 and 74 & 75 and even Duel (that shot of the truck going off the bridge is a gorgeous monster movie moment in all cinema), more like a maturity and an expanding sense of what a movie can be. He has his complexities - who else can have Jurassic Park and Munich in his resume - but the critics point that out along with the objective fact that he is to film the major force in Hollywood in the past 45 years.

    But it would be one thing if it is all "its the greatest guy ever" etc. This shows that Spielberg hasn't always known what to do on every film; seeing him making Schindlers List and Saving Private Ryan, his two Oscar wins, one gets the sense he had to figure out what to do day to day, and yet that also came out of many years of *doing* it, of understanding and getting even deeper than he already was. This doc does a great job is giving to the audience, whether they've known this about Spielberg before or not, that making ET and Schindler's List were no more or less exceptional efforts on what humanity is all about in all of its highs and lows, its just that an audience will take Nazis more seriously than aliens.

    Or... Who knows? But through every anecdote and story from Spielberg, his sisters and parents, his fellow (now elder) "movie brats" who were as Lucas describes their version of Paris in the 1920s (and I think hes right), there's a full portrait of everything with this man. And that's what is the same and yet done unique unto itself as the De Palma and Lumet films. It's not *too* glossed over about what hes been in life (as someone admits about him, "hes a nerd. A lovable nerd, but still a nerd") and yet it cant help but be inspiring and I hope will be an inspiration for future filmmakers who didn't live through seeing Jurassic Park or Ryan or Minority Report or even Lincoln (one of those films that is still somehow underrated despite being a commercial and critical hit) in a first run. It didn't all come out of nowhere ultimately; the message that one comes away with is that passion and inspiration is crucial, but hard work and not showing fear in the process (though one may have it) is key.
    8larrys3

    An Ode to the Master Filmmaker

    This HBO documentary, directed by Susan Lacy, at nearly two and a half hours long , is really an ode to one of the master filmmakers of all time Steven Spielberg.

    For movie buffs, like myself, the film can be mind boggling as the incredible list of Spielberg movies over the decades is documented. He will give his personal view of what went into each movie, and there are many behind-the-scenes details offered by his fellow artists and collaborators.

    As other reviewers have noted, the praise heaped upon him in the doc can get to be overdone as the film progresses. Also, I would have liked to have heard what Spielberg thought of the many actors who, over the years, helped make his films so special, but there's virtually none of that here.

    Overall though, to get to relive some of these great movies and to get lots of insight into what makes this genius of the cinema tick, was certainly worth the price of admission for me.

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    Handlung

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    • Wissenswertes
      Around 30 hours of interviews with Steven Spielberg were shot.
    • Patzer
      A clip of "Wayne's World 2" (1993) that parodies "Jurassic Park" is incorrectly labeled as "Wayne's World" (1992). The first "Wayne's World" film could not have included a parody of "Jurassic Park," since "Jurassic Park" had not yet been filmed when "Wayne's World" was released in 1992. The end credits, however, correctly identify the clip as being from the sequel.
    • Zitate

      Herself - Film Critic: He speaks cinema as if it's his native language.

    • Verbindungen
      Features Today (1952)
    • Soundtracks
      Original Score Excerpt from the Motion Picture 'The BFG'
      Music Composed and Conducted by John Williams

      Courtesy of Amblin Partners

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    Details

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    • Erscheinungsdatum
      • 7. Oktober 2017 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Spilberg
    • Produktionsfirmen
      • HBO Documentary Films
      • Pentimento Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 27 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 16:9 HD

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