Füge eine Handlung in deiner Sprache hinzuThe Soviet political collapse of 1991 is a background for dramatic events occurred with the characters in a Soviet government villa in the Crimea. The nightmare of their relationship reflect... Alles lesenThe Soviet political collapse of 1991 is a background for dramatic events occurred with the characters in a Soviet government villa in the Crimea. The nightmare of their relationship reflects present and future nightmares of the country.The Soviet political collapse of 1991 is a background for dramatic events occurred with the characters in a Soviet government villa in the Crimea. The nightmare of their relationship reflects present and future nightmares of the country.
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This slow thriller written and directed by Vladimir Prudkin and Lev Prudkin reads like a futuristic Cabaret. All the elements for pre WWII Berlin are in place here: the spies, the characters who are constantly performing, the depravity, the helplessness of its participants, shot with an unsympathetic understated metallic reserve.
Taking place on the precipice and then during the collapse of the USSR in 1991, the plot centers around the story of one family, also at war.
"If I lose today, I'll win tomorrow." One of the family members remarks tonelessly playing a game of cards with two women, one his fiance, and the other his Aunt (not by blood) as the world around them collapses.
The crux of the action takes place on the Crimean Peninsula where various members of the family gather in the Chekhovian countryside as the tanks also gather (unseen) on the city streets, one of the most powerful family members remarking in a monotone: "I am incognito."
The cinematography is impeccable, the set design as well, and the acting is strong. Overall the story, couched in metaphor, is almost too understated to be fully satisfying but it builds towards its final destination.
Taking place on the precipice and then during the collapse of the USSR in 1991, the plot centers around the story of one family, also at war.
"If I lose today, I'll win tomorrow." One of the family members remarks tonelessly playing a game of cards with two women, one his fiance, and the other his Aunt (not by blood) as the world around them collapses.
The crux of the action takes place on the Crimean Peninsula where various members of the family gather in the Chekhovian countryside as the tanks also gather (unseen) on the city streets, one of the most powerful family members remarking in a monotone: "I am incognito."
The cinematography is impeccable, the set design as well, and the acting is strong. Overall the story, couched in metaphor, is almost too understated to be fully satisfying but it builds towards its final destination.
No-One is an art house movie that does a lot of telling versus showing. The tone is set by the long opening narration that could be done with a series of photos and actual footage over the opening credits instead. I wanted to like the movie, but I just couldn't find anyone to root for. Ultimately, I never connected with anyone and couldn't tell if there was supposed to be a main character. At times, the cinematography was visually impactful, but it was inconsistent due to editing.
There were plenty of soliloquies while the actors stared into the camera to simulate experiencing a play. That added a little character to the film, but the dialogue wasn't compelling enough for me to enjoy the trick.
For the characters, there was a lack of growth; no arcs. Everyone does what was expected of them based on their introductions in the movie. The sleazy guy stays sleazy up through the end. The cheater cheats, the spy spies, the killer kills. There is a severe lack of emotion throughout that seems to be on purpose. Unfortunately, it backfires in the viewer not making any connections to the characters. And when the lack of emotion comes to a breaking point, the outbursts seem melodramatic by comparison.
There were plenty of soliloquies while the actors stared into the camera to simulate experiencing a play. That added a little character to the film, but the dialogue wasn't compelling enough for me to enjoy the trick.
For the characters, there was a lack of growth; no arcs. Everyone does what was expected of them based on their introductions in the movie. The sleazy guy stays sleazy up through the end. The cheater cheats, the spy spies, the killer kills. There is a severe lack of emotion throughout that seems to be on purpose. Unfortunately, it backfires in the viewer not making any connections to the characters. And when the lack of emotion comes to a breaking point, the outbursts seem melodramatic by comparison.
This movie is a modern adaptation of Shakespeare's work Othello framed amidst the downfall of the Soviet Union. The beginning of the film was hard to get into as it seemed slow and overdramatic. There are many monologues in this film which makes sense as an adaptation of a play but still they leave me waiting for the long scenes to move on.
As with other Shakespearean adaptions, there are many times where you can feel the struggle of transforming a play into a movie. The story picked up the pace about a third of the way through and I found myself laughing and holding my breath in anticipation during certain scenes. The wife is a compelling character and by the end of the movie I wondered if she was intended to be a metaphor for Russia. The husband's speech to his nephew towards the end about the wonderful nature of his wife and his disgust towards anyone who would use her for their own means held my attention and had me reflecting on this film long after it ended.
Overall, this isn't an incredibly entertaining movie for the general public but I do think it is a great film for certain audiences who can appreciate the modern retelling of an old classic. By the end of the movie I was anxious to learn the fate of the characters. I appreciated the use of foreshadowing that was highly impactful and satisfying at the end. I will probably never watch this film again but I would mention it to anyone I know that enjoys Shakespearean adaptations.
As with other Shakespearean adaptions, there are many times where you can feel the struggle of transforming a play into a movie. The story picked up the pace about a third of the way through and I found myself laughing and holding my breath in anticipation during certain scenes. The wife is a compelling character and by the end of the movie I wondered if she was intended to be a metaphor for Russia. The husband's speech to his nephew towards the end about the wonderful nature of his wife and his disgust towards anyone who would use her for their own means held my attention and had me reflecting on this film long after it ended.
Overall, this isn't an incredibly entertaining movie for the general public but I do think it is a great film for certain audiences who can appreciate the modern retelling of an old classic. By the end of the movie I was anxious to learn the fate of the characters. I appreciated the use of foreshadowing that was highly impactful and satisfying at the end. I will probably never watch this film again but I would mention it to anyone I know that enjoys Shakespearean adaptations.
This movie takes place at a time that was difficult for the Soviet Union. The main character is the wife of a high official and she seems to have been a lost soul. She is cheating on him and her lovers try to get revenge with her husband. There's a lot of sexuall activity in this movie. In the beginning there is a narrative about the time frame that the events are happening and then there is the the opening scene. The opening scene was an attention grabber. It caught my eye and I was ready to see what was next, but then it slowed down a bit. While it isn't the most exciting movie it has some interesting parts here and there. I was almost expecting something a little more educational but that was not the case. After the initial scene, it was slow, but then every now and then you'd get something to perk you up, some of the violent and torture scenes. I admit a lot of the dialogue was hard to follow at first, but the pieces started slowly coming together. Since it was in another language, I had to keep going back to catch some parts that I'd miss but that was not a deal breaker because of closed caption. The ending kind of made me think but I will watch it one more time to see if I can get more out of it the second time around. Overall, the movie was okay. You have to pay attention to really understand what is going on and when you do, it easier to see why things happen the way that they do.
No-One is an interesting indie film, and very different than most films you will see. To start, the cinematography is beautiful, and the shots are very well shot. The story itself can be a bit confusing at times, I got lost at times balancing the political and social complexities of the film but see how it tied together at the end of the film to illustrate the fall of the Soviet Union. I would argue that the film resembles what is happening today with the Russian invasion of Ukraine and the battle for Crimea. However, I'm not really sure what I was supposed to take away from the film, it appears that it was supposed to illustrate the fall of the Soviet Union, but I feel like I understand more about betrayal and scandals that didn't exactly add tons of value to my knowledge. The film could have touched much more on Russia in my opinion and why the Soviet Union fell instead of focusing so much on the social side.
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