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Der Herr der Ringe: Die Ringe der Macht

Originaltitel: The Lord of the Rings: The Rings of Power
  • Fernsehserie
  • 2022–
  • 12
  • 1 Std.
IMDb-BEWERTUNG
6,9/10
433.600
IHRE BEWERTUNG
BELIEBTHEIT
198
1
Morfydd Clark in Der Herr der Ringe: Die Ringe der Macht (2022)
Epic drama set thousands of years before the events of J.R.R. Tolkien's 'The Hobbit' and 'The Lord of the Rings' follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth.
trailer wiedergeben0:30
56 Videos
99+ Fotos
Abenteuer EpischEpischFantasy-EpischSchwert und ZaubereiAbenteuerActionDramaFantasie

Ringe der Macht, inspiriert von Tolkien ist eine TV-Serie, die während der 3.441 Jahre spielt, bekannt als das Zeitalter von Númenor, oder das zweite Zeitalter.Ringe der Macht, inspiriert von Tolkien ist eine TV-Serie, die während der 3.441 Jahre spielt, bekannt als das Zeitalter von Númenor, oder das zweite Zeitalter.Ringe der Macht, inspiriert von Tolkien ist eine TV-Serie, die während der 3.441 Jahre spielt, bekannt als das Zeitalter von Númenor, oder das zweite Zeitalter.

  • Creatoren
    • John D. Payne
    • Patrick McKay
  • Stars
    • Morfydd Clark
    • Charlie Vickers
    • Charles Edwards
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    433.600
    IHRE BEWERTUNG
    BELIEBTHEIT
    198
    1
    • Creatoren
      • John D. Payne
      • Patrick McKay
    • Stars
      • Morfydd Clark
      • Charlie Vickers
      • Charles Edwards
    • 5.6KBenutzerrezensionen
    • 75Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 7 Primetime Emmys nominiert
      • 22 Gewinne & 65 Nominierungen insgesamt

    Episoden17

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    The Lord Of The Rings: The Rings Of Power: Season 2: Celebrimbor Thanks Anatar
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    The Lord Of The Rings: The Rings Of Power: First Look (UK)
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    The Lord Of The Rings: The Rings Of Power: What Are The Limits

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    Topbesetzung99+

    Ändern
    Morfydd Clark
    Morfydd Clark
    • Galadriel
    • 2022–2024
    Charlie Vickers
    Charlie Vickers
    • Sauron…
    • 2022–2024
    Charles Edwards
    Charles Edwards
    • Lord Celebrimbor
    • 2022–2024
    Ismael Cruz Cordova
    Ismael Cruz Cordova
    • Arondir
    • 2022–2024
    Robert Aramayo
    Robert Aramayo
    • Elrond
    • 2022–2024
    Robert Strange
    Robert Strange
    • Glûg…
    • 2022–2024
    Markella Kavenagh
    Markella Kavenagh
    • Nori Brandyfoot
    • 2022–2024
    Daniel Weyman
    Daniel Weyman
    • The Stranger
    • 2022–2024
    Megan Richards
    Megan Richards
    • Poppy Proudfellow
    • 2022–2024
    Cynthia Addai-Robinson
    Cynthia Addai-Robinson
    • Queen Regent Míriel…
    • 2022–2024
    Lloyd Owen
    Lloyd Owen
    • Captain Elendil…
    • 2022–2024
    Owain Arthur
    Owain Arthur
    • Prince Durin IV…
    • 2022–2024
    Benjamin Walker
    Benjamin Walker
    • High King Gil-galad…
    • 2022–2024
    Sophia Nomvete
    Sophia Nomvete
    • Princess Disa…
    • 2022–2024
    Tyroe Muhafidin
    Tyroe Muhafidin
    • Theo
    • 2022–2024
    Peter Mullan
    Peter Mullan
    • King Durin III
    • 2022–2024
    Trystan Gravelle
    Trystan Gravelle
    • Pharazôn…
    • 2022–2024
    Maxim Baldry
    Maxim Baldry
    • Isildur
    • 2022–2024
    • Creatoren
      • John D. Payne
      • Patrick McKay
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen5.6K

    6,9433.6K
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    Zusammenfassung

    Reviewers say 'The Rings of Power' receives mixed reactions for its stunning visuals, intricate world-building, and ambitious storytelling. Critics point to deviations from Tolkien's lore, weak writing, and inconsistent pacing. Fans express disappointment in character portrayals and plot changes. Some viewers appreciate the fresh take and potential to expand Middle-earth. The show's production quality, special effects, and cinematography are often praised, while the script and character development draw less favorable remarks. Overall, it is seen as visually impressive but narratively uneven.
    KI-generiert aus den Texten der Nutzerbewertungen

    Empfohlene Bewertungen

    6vkgben

    It was worth the wait.

    As a Lord of the Rings fan, I was eagerly awaiting the origin stories of Middle-earth. Of course, I have high expectations after Lord of the Rings, which is close to perfection in terms of time and fiction. Because they have a considerable budget and opportunities, that's why I gave my points by watching the first episode right away. Although it is the beginning part, I can say that I liked the first part very much. The character of Galadriel could have been more strong, but she is still successful. We will warm up to the characters better over time.

    Characters: 8 Story: 10 Decor and venue: 10 Costume: 10 Music: 10.
    7Rasalgheti_2000

    Surprisingly good

    A pleasant surprise, the cinematography is impeccable, the characters quite well done, the plot looks like a link between the stories of the First Age, the Silmarillion and the stories of the Lord of the Rings of the Third Age, the rhythm of narration is pleasant albeit a bit slow. If the outcome of the series will be to narrate how Sauron forged the Rings of Power, it will definitely be something to watch. Until this moment, I think that in general terms, at least the first chapter delivers. I think enough to be cautiously optimistic about what the next 7 episodes might turn out to be. I must add, again that I am pleasantly surprised.
    4Backwards710

    Two Episodes in and Genuinely Looking Forward to More.

    We all know liberties were taken with this series so my review is not based on faithfulness to the source material.

    A lot of the marketing for this show led people to fear it would be woke. I didn't see anything like that. I wasn't rolling my eyes or cringing at any virtue signalling.

    The pace is a little rough in parts but since it's the beginning of the series I almost expect a little dawdling. There's a lot going on, things to be set up and introduced etc...

    The characters and the story is engaging though, the cinematography was well done, and the score seemed to fit... so I'm honestly excited to see where this series goes.

    Definitely give this a shot and decide for yourself.
    3FreddyShoop

    Meh. Special effects and visuals do not make entertainment!

    Two episodes in, and I find it utterly uncompelling. No character has been developed enough to give a dang about. Please tell me they aren't going to hang this series on the uninteresting, stone faced Galadriel. You can't tell us who we're supposed to like. They've spent absolutely no time making us care about these stories or their characters. It's like saying, "this person wears a white hat...so they're good and you must like them. This person wears a black hat, so you have to hate them." No mythology has developed (beyond the basic LOR) The story and dialogue are subpar, stilted and uninteresting. As far as the acting, it is wooden. Durin isn't terrible. At this point in LOR, Gandalf, Frodo, Aragon, Samwise, etc. Were far more interesting, believable, and human than this lot. At this point I'm FAR more interested in the GOT sequel than this mess.
    2clawingthepsychosphere

    You can't even hate this.

    This show feels nothing like LotR, neither the book trilogy, nor Jackson's adaptation. If anything, this show more closely resembles all those epic fantasy copycats that started coming out in the 80s which were LotR fanfic in all but name with only a few elements changed around and renamed. Had you told me that what I was watching was Amazon's Wheel of Time rather than Lord of the Rings, I wouldn't have been surprised - the tone of this show is much closer to that and other poor, uninteresting boomer series like it.

    Anyway, this isn't very good, however, the blame is not evenly distributed. The writing is, BY FAR, the worst part about it. Not only is the script weak in how little it accomplishes given the runtime and how long it takes to set stuff up, but the scene-to-scene dialogue is excruciating. The lines meaningless drivel most of the time - they're stupid, borderline incoherent. Not to mention that this sounds like it was written by a person that has no idea what the kind of old-sounding English language should be like, so it comes across as unnatural, similar to when you watch a movie about the military written by someone that has no idea how soldiers talk to one another either in private or formal settings.

    Many of the things the characters said made me have to pause and go back to make sure I hadn't misheard. There's also some incredibly awkward use of language, like an en elvish king at one point saying: "... washing away the last remnants of our enemy like a spring rain over the.bones of a spoiled carcass." I don't know what it is about this line that crystallizes to me just how little these writers understand either elves or just writing in general. In what formal setting would a leader start talking about carcasses? And this is not just any king, but an elven king of old, a race that's known for their songs, their poetry, their love of beauty - do you seriously he'd use such a crude example filled with grim imagery to illustrate his point? That would be a fine line for a dwarf, maybe, but not for an elf. But the writers lack the sensibility to see how this would be a problem. This isn't even about being a fan of LotR, it's about having a certain level of artistry and common sense. If you can't imagine a president or a minister saying something, there's a very strong chance a king would never say that either, especially not an elf.

    I will concede that the show looks beautiful at times, but in a fake, plastic sort of way. You can tell it's the product of CGI artists and not a talented photographer finding the right place for a breathtaking shot, and in that sense it feels incredibly soulless. Another problem is that a lot of these beautiful shots feel unearned. If a character braves a dank mine and emerges on the other end to glimpse a heavenly valley, that makes for a satisfying scene. But here the grandiose scenery seems to be used without any rhyme or reason and isn't meant to further the storytelling, I think the point is to wow the viewer. But ultimately all you're being offered is a glorified desktop background with a couple of actors in greenscreen talking in front of it. Hardly the type of stuff to get your heart pumping.

    Most disappointing of all might be the score, for which I have no explanation. Bear McReary is a very talented artist. Whether it's Battlestar Galactica, God of War, Black Sails, or even smaller series like Da Vinci's Demons, he always delivers. Here, the music is just... so bad. If you told me it came out of some early 2000s RPG and was made by a teenager without real musical training I would've believed you. I cannot fathom what happened between him and the showrunners. Granted, I wouldn't have thought of Bear McReary's style as a great fit for LotR, but still... How can it be this generic and off? Just how much time did Amazon give the man to work on it? Because given their history, if I have to lay blame on either party, there's no way I'm going to assume it's Bear that screwed up rather than Amazon. Disastrous outcome.

    Ultimately, this show is a huge wasted opportunity. I think everyone that loved the movies and books was dreaming of the day the Silmarillion would get an adaptation. And nobody could've even hoped it would come from the most powerful company and wealthiest man in the world. And what did we end up with? Some subpar show that barely even feels related to the source material, based on the appendices, written by a group of people that quite frankly shouldn't even qualify as professionals in their field. I'd be amazed if these guys can write good YA novels, let alone fantasy epics. Given the results, it feels like a lot of the people that worked on this were: a) totally unqualified b) a very bad fit for this IP, or C) soured on the project long before it aired. You can't be handed over what's almost infinite money and come up with something this insultingly mediocre and inauthentic. It just shouldn't be possible. Some of the outfits these characters wear look more like they were ordered off of Amazon for a cosplay. That they don't fit Jackson's LotR is acceptable; but that they feel like they're made of plastic and wouldn't be worn by any normal human being in real life is not. These showrunners seem to think that grittiness doesn't in any way connect to authenticity, and that the way you make some gripping and realistic is by slapping lairs of makeup made to look like grime and dirt on actors' faces. That's simply not the case, and any look at the behind the scenes of LotR or any quality, longlasting movie would've taught you this simple lesson.

    Do I recommend this? No, I don't. It's just not worth your time, and if it ever does become good, social media will let you know. I think it might appeal to younger teenagers that have no vested interest in the LotR movies, but that's about it. No adult would find these characters believable or engaging, and there's nowhere near enough action where you can just watch this for the spectacle and turn your brain off. So far, it doesn't even feel like the show has a plot, it's just a series of barely connected vignettes.

    A billion dollars on this. Wow.

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    Drama
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    Fantasie

    Handlung

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    • Wissenswertes
      Amazon's original pitch for the television rights to J.R.R. Tolkien's 'The Hobbit' and 'The Lord of the Rings' novels was to make the series a new adaptation of the latter (effectively a retelling of Der Herr der Ringe: Die Gefährten (2001), Der Herr der Ringe: Die zwei Türme (2002) and Der Herr der Ringe: Die Rückkehr des Königs (2003)), but the Tolkien estate rejected this proposal. Amazon finally obtained the rights under the conditions that the series be distinct from Peter Jackson's earlier adaptations, and that they couldn't contradict anything that Tolkien had previously written. Early ideas that were proposed included prequel stories featuring characters such as Aragorn, Gimli and Gandalf, but the showrunners preferred to focus on important untold events from the novels' lore rather than simple side stories, so they settled with the studio that the series would take place during the books' Second Age. Since they didn't have the rights to Tolkien's 'The Silmarillion', 'Unfinished Tales' and 'The History of Middle-earth' (which explore the First and Second Ages), they checked the Lord of the Rings novels and appendices for passages about any references to the Second Age in which they could set their story. They consulted with the estate and several Tolkien lore experts (including grandson and novelist Simon Tolkien) about the inclusion of new characters and plot elements.
    • Patzer
      The dubbing credits for several languages mistakenly list King Durin III as "Durin II".
    • Crazy Credits
      The opening titles is a musical sequence of matter forming various shapes, based on the "Music of the Ainur" creation myth from J.R.R. Tolkien's "The Silmarillion".
    • Verbindungen
      Featured in The Critical Drinker: The Rings of Power - War For A Fandom (2022)

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    "The Rings of Power" Cast Through the Years

    "The Rings of Power" Cast Through the Years

    See the cast of "The Lord of the Rings: The Rings of Power" in all their most iconic roles from Morfydd Clark in Saint Maud to Benjamin Walker in Abraham Lincoln: Vampire Hunter, and more.
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    Details

    Ändern
    • Erscheinungsdatum
      • 2. September 2022 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Neuseeland
      • Kanada
    • Offizielle Standorte
      • Official Twitter
      • Prime Video: The Lord of the Rings: The Rings of Power
    • Sprachen
      • Englisch
      • Sindarin
    • Auch bekannt als
      • El señor de los anillos: Los anillos de poder
    • Drehorte
      • Auckland, Neuseeland(series 1)
    • Produktionsfirmen
      • Amazon Studios
      • Cause and FX
      • Harper Collins Publishers
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    Technische Daten

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    • Laufzeit
      • 1 Std.(60 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • Dolby Atmos
    • Seitenverhältnis
      • 2.39 : 1

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