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Mr. K offers a compelling setup with well-crafted visuals and an eerie atmosphere. You spend much of the film trying to decode what the hotel represents - is it a metaphor for life, death, mental imprisonment? Unfortunately, the film offers little clarity, and its abstract nature feels more hollow than profound.

The guests seem resigned to their fate, contrasting with Mr. K's restlessness. One character asks, "Why isn't my truth the right one?" - a question never truly explored. Despite its short runtime, the film drags due to a lack of rising urgency and thematic consistency. The hotel supposedly shrinks, but its dimensions seem to shift arbitrarily.

In the end, Mr. K frees a mysterious being - and perhaps himself. But is he truly free, or has he accepted his fate? The final scene, swimming toward a light, raises more questions than it answers. I wanted to like this film more, but it left me unmoved.

Mr. K had an intriguing concept and some cool, moody vibes. The setup made me think it was going to go somewhere really interesting, but the ending was underwhelming and left me a bit confused. The intro dragged on longer than it needed to, which made it harder to stay engaged early on. I could tell the film was trying to say something deeper, but it didn't really land for me because I just didn't get it. That said, the acting was solid and it looked great visually. Cinematically, no complaints. It had style and potential, but it just didn't fully connect for me in the end. I guess it's one of those "weird" movies.

First of all the way this movie is filmed is good. The acting of the main lead is good and of te side characters aswell.

Aside from that. This movie left me with an nasty feeling. The feels like the writer of this movie high on all kinds of drugs. The start was promising but the storyline after the first 5 minutes kept getting worse. The movie sums up in just weird and ridiculous situations that just make no sense. And when you think the plot will be explained later on in the movie, it won't. After all my friend and I thought this was wasted time of our very short life. This the first movie review from me because it was that bad. Sorry not sorry.

The opening transition and narration are clever, touching, and deftly done. Bravo. I'd like to say it sets the audience up for the rest of the viewing experience. But sadly the film does never again do anything like it.

The movie looks great and all the elements are there for a remarkable film experience, or at least a memorable one. But instead we get weak uninteresting quirky characters and an endless sequence of nonsensical scenes. At first I was hopeful and intrigued because, surely, there was going to be a pay off. The characters -- all except Crispin Glover's -- appeared to be in on the 'joke' and such elaborate costumes, sets, and staging must be going somewhere. Right? Nope.

More than once I was struck by the impression that I was watching a Tech Demo. I wasn't there for the story or the characters but rather to see this neat thing that the maker did. But not actually a film.

To be honest I stopped watching at some point before the end. I beyond caring about what was going on on the screen at that point that I don't think even the greatest movie ending ever filmed could have re-ignited my interest. But to be clear I have no idea how it ends. Or if it even does.

If it was an exercise in surreal wackiness that could at least be entertaining. But as another reviewer points out it never crosses over into that territory.

Mr. Glover is woefully underused. No doubt the makers were hoping to bring some of his 'character' to the role, but the writing never gives him a chance. They could probably have cast anyone that can muster a lost, bemused expression and the film would not have suffered.

The sets are great. The hotel feels like a place that's a few steps from reality right from the start. But not once was I convinced that any of the characters were an organic part of it. They were just props with the sole purpose of contributing to the atmosphere. This does not a film make.

As a Dutch filmmaker and actor, I was so proud when I first saw the trailer for Mr. K. It looked promising, and I couldn't wait to see it. But sitting in the theater, I can't remember the last time a movie left me feeling this irritated. While the meaning behind the film is intriguing and has potential, the execution completely pulled me out of the story. Here's where things went wrong for me: (apologies in advance for being this negative!):

-----An Ambitious but Confusing Story----- Mr. K attempts to tell a surreal, Kafkaesque tale of a failed magician entangled in an absurd hotel full of bizarre characters, searching for escape. While the idea sounds interesting, the movie lacks pacing and focus.

The protagonist feels shallow-we don't learn anything about his background, motivations, or emotions. This makes him feel like a spectator in his own story. His goals and desires are tot clear enough, and the film is inconsistent in showing what he wants. This makes it hard to care about his journey.

---Surrealism That Just Misses the Mark--- The film tries to create a surreal atmosphere but fails to land its punches. Many scenes have potential, but bad direction and weak acting ruin them. The timing is often off: scenes aren't funny enough, suspenseful enough, or weird enough to stand out. Sometimes the scenes are too stylized, to show off: LOOK HOW SUPER WEIRD THIS IS!!! Which makes it cringy and not actually weird. It's a shame because the hotel setting had a lot of potential.

---Get on with It!--- Repetitive scenes and sluggish pacing drags the film. It desperately needed more energy and urgency to keep the audience engaged.

---Weak Acting and Extras--- One of the film's greatest weaknesses is the acting. My frustration with this aspect was immense. While the protagonist occasionally delivers believable moments, he often seems lost, likely due to improvisation. The rest of the cast is characterized by overacting and poor direction. Surrealism does not excuse a lack of believability.

The extras, in particular, are an issue. At times, it felt like watching an improvisation class at Toneelschool Amsterdam (school of dramatic arts), but then with too eager and unskilled performers. One example is a dinner scene in the protagonist's room, where extras act as if they were childs told to "pretend to eat weirdly." Another instance is when a group of followers bangs on a door with small pans in an attempt to appear threatening but ends up delivering awkward and soft taps. These moments made me cringe a lot.

The kitchen scenes fare no better. A chef stands on a table directing his team, with extras circling the table in a cringeworthy display of overacting. Where was the director during these scenes? It often feels like only American productions know how to properly direct extras. They are leagues ahead in quality. But why? I don't understand.

---A Technical Bright Spot--- Despite its many flaws, the technical aspects of the film deserve praise. The art direction is particularly strong for a Dutch production. The hotel feels imaginative and stylized, although some sets come off as overly "studio-like." The cinematography has some nice moments with well-composed shots.

The CGI, however, is inconsistent. While I understand CGI it not budget friendly, the effects like the worm in the walls looks fake and low-budget. The last scene at the end, however, looks much better and is very well-done.

---Conclusion--- The strong art direction, music, and sound design can't save it from poor direction, bad acting, and slow storytelling. What could have been a surreal gem ends up as a frustrating experience full of missed opportunities. It's a film that evokes more irritation than wonder-a shame for a project with so much potential. A disappointing effort for the Dutch film industry.