Guillermo del Toro's Cabinet of Curiosities

Guillermo del Toro introduces a series of one off takes of horror.

Each episode offers something a little different, they are all beautifully presented, well made and superbly acted, there are some great special effects, with some impressive visuals.

It's hard to score this as an overall series, as the quality varies so much, I found the order of episodes a little curious, I'm not sure I'd have gone with the first two at the start.

If you're looking for an out and out horror series, you may be a little disappointed, some episodes have it, some are just strange, with implied horror, but no real scares.

The standout episode is Autopsy, it has everything, true horror, a strong atmosphere, and was everything I hoped this series was going to be. I also really rated The Murmuring.

The Witch's house was the biggest disappointment, it was the one I looked forward to most of all, for me it just didn't work.

It's watchable, and some of them I'd watch again, some I wouldn't. 7/10.

Guillermo del Toro is it master of visuals. I think of him as the Mexican Tim Burton of horror. He quite often get top a-listers to work for him and his films. But the acting talent and the visuals cannot overcome the terrible screenplays that were put into the show. Unfortunately, his production screenplays haven't been very good for some time. This anthology also doesn't have the best directing talent behind the camera. Many of the dialogue lines are just terribly written. It's not really the actors' fault. It's just the lines provided are bad because we have seen these actors do better work with other film directors. Guillermo del Toro should hire better screenwriters and directors and less on a-listers. The visuals alone don't make great entertainment. You really need a good screenplay to accompany it.

Like Jordan Peele's recent try in a newer Twilight Zone, Guillermo del Toro's Cabinet of Curiosities has good production, cinematography, lighting and on occasion great atmosphere. However, for me, after watching four episodes, each have been bogged down by story and payoff. What the 1950s Twilight Zone did in only 25 minutes was astounding, not that every one was top tier amazing, but still gave a relatively coherent and well done story with interesting characters. In this day and age however, with Netflix and Paramount+ and Amazon Prime, an hour and change is the norm and it just doesn't work and I guess I hoped Toro would avoid this problem.

Every episode has setup upon setup and when it finally does get to the actually meat, there's been so many appetizers I feel full. Or the climax is so short I sit thinking, "Wait, it's over?" Even my favorite so far "The Autopsy" has Toro introduce it, giving away a vital plot point that could have been revealed later on. There's then almost half an hour until we get to said autopsy, wherein when the big twist is revealed has a James Bond villain explanation for the ages (Thanks David S. Goyer, as always).

Not that I'm opposed to world building, character introduction, atmosphere creating tension, but where minutes-watched-algorithms have replaced ratings, 1 hour+ episodes that could be edited down significantly for our enjoyment would be and should be crucial. I'm still rooting for the show, because I love anthologies, but I also know LESS is MORE.

Edit: I've watched the next four and feel they too could have been edited down to avoid redundancy, but Pickman's Model might be the exception. It was a brilliant slow decent into madness that makes Lovecraft so special. After watching all 8 I noticed scenes that could have been combined or characters cut completely. Either way, I still hope there's a season 2.

Guillermo's long-awaited horror anthology series is a bit of a mixed bag, sadly. However I'm a huge anthology TV fan so I found I didn't lose patience with it entirely. Tonally everything is at least interesting, and while the strongest episodes for me (Prior's unbearably tense The Autopsy and Cosmatos's mesmerically specific The Viewing) didn't outstay their welcome, it's clear the main issue here was length. In stories like The Outside and The Murmuring, the drag becomes very real and plots that need only half an hour or less become almost tortuously over extended. Still, the casts are strong (although some of the accents, less so) and there are some decent scares. I hope it gets another series and we get as much variety in the runtimes as we do with the stories.

Gotta love seeing those inside bits eh.

A bit of an uneasy watching hodge podge. Each episode starts with del Toro visiting his cabinet and grabbing something that seemingly relates to the oncoming story.

Hitchcock he's not.

Every episode has something going for it. Originality, production and mostly fine acting...but most of the characters are just so unpleasant, one doesn't care what happens to them.

My 3 picks are "Graveyard Rats" (Good Fun), "The Inside" (beware those late night infomercials) and "The Murmuring" (classic spooky ghost story).

I watched this first series in the cold hard daylight which probably lessened the enjoyment effect somewhat.

Probably more a late night thing (Duh!!!).