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IMDbPro

El cuento de las comadrejas

  • 2019
  • 2 Std. 9 Min.
IMDb-BEWERTUNG
7,2/10
3976
IHRE BEWERTUNG
Graciela Borges, Luis Brandoni, Oscar Martínez, Marcos Mundstock, Clara Lago, and Nicolás Francella in El cuento de las comadrejas (2019)
Tráiler 2 [OV] ansehen
trailer wiedergeben1:03
3 Videos
99+ Fotos
DramaKomödie

Füge eine Handlung in deiner Sprache hinzuFour aged motion-picture veterans, who share a country estate, are visited by two underhanded real-estate developers who seek to make them homeless. But, though they are old, they still have... Alles lesenFour aged motion-picture veterans, who share a country estate, are visited by two underhanded real-estate developers who seek to make them homeless. But, though they are old, they still have their storytelling skills intact.Four aged motion-picture veterans, who share a country estate, are visited by two underhanded real-estate developers who seek to make them homeless. But, though they are old, they still have their storytelling skills intact.

  • Regie
    • Juan José Campanella
  • Drehbuch
    • Juan José Campanella
    • Augusto Giustozzi
    • Darren Kloomok
  • Hauptbesetzung
    • Graciela Borges
    • Oscar Martínez
    • Luis Brandoni
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    3976
    IHRE BEWERTUNG
    • Regie
      • Juan José Campanella
    • Drehbuch
      • Juan José Campanella
      • Augusto Giustozzi
      • Darren Kloomok
    • Hauptbesetzung
      • Graciela Borges
      • Oscar Martínez
      • Luis Brandoni
    • 10Benutzerrezensionen
    • 34Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 15 Nominierungen insgesamt

    Videos3

    Tráiler 2 [OV]
    Trailer 1:03
    Tráiler 2 [OV]
    Tráiler [OV]
    Trailer 2:31
    Tráiler [OV]
    Tráiler [OV]
    Trailer 2:31
    Tráiler [OV]
    The Weasel's Tale
    Trailer 2:23
    The Weasel's Tale

    Fotos154

    Poster ansehen
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    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 148
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    Topbesetzung20

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    Graciela Borges
    Graciela Borges
    • Mara Ordaz
    Oscar Martínez
    Oscar Martínez
    • Norberto Imbert
    Luis Brandoni
    Luis Brandoni
    • Pedro De Córdova
    Marcos Mundstock
    Marcos Mundstock
    • Martín Saravia
    Clara Lago
    Clara Lago
    • Bárbara Otamendi
    Nicolás Francella
    Nicolás Francella
    • Francisco Gourmand
    Luz Cipriota
    Luz Cipriota
    • Hostess
    Maru Zapata
    Maru Zapata
    • Recepcionista
    Anwar Yoma
    Anwar Yoma
    • Valet Parking
    Manuel Martínez Sobrado
    Manuel Martínez Sobrado
    • Omar Ghassan
    Ayelén Dotti
    Ayelén Dotti
    • Mara Joven
    Nicolás Fiore
    Nicolás Fiore
    • Pedro Joven
    Adriana Garibaldi
    Adriana Garibaldi
    • Estela
    • (as Adriana Marcela Garibaldi)
    Dana Gabriela Basso
    Dana Gabriela Basso
    • Elvira
    Marcela Cristina Morales
    • Mara 2
    Alex Scott
    • Pedro 2
    Gonzalo Abadie
    • Norberto 2
    Fabián Abecasis
    • Martín 2
    • (as Fabián Eduardo Abecasis)
    • Regie
      • Juan José Campanella
    • Drehbuch
      • Juan José Campanella
      • Augusto Giustozzi
      • Darren Kloomok
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    7,23.9K
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    Empfohlene Bewertungen

    9lotekguy-1

    Darkly comic drama of faded stars and young scammers

    This subtitled Argentine dramedy about a cluster of past-their-prime celebrities perfectly nails the sweet spot for presenting elderly protagonists as real, if eccentric, people. Most films or TV series starring seniors make them overly feisty or clever, presumably to attract younger viewers. For every Cocoon, there are scads of Grumpy Old Men or Golden Girls for laughs; or action films like Red that features retired spies who can still kick an outrageous amount of younger bad guy butts (twice, counting the sequel). Some of those have been entertaining, but the age-appropriate course of events here makes this one a rare treat.

    Think of Sunset Boulevard without a sycophant butler. Former screen diva Mara Ordez (Graciella Borges) lives in a rundown mansion, surrounded by reminders of her former glory, including her husband (Luis Brandoni), former director (Oscar Martinez) and screenwriter (Marcos Mundstock). The four have lived in seclusion for decades, coasting on the fumes of the achievements of their youths. All those years together created firm bonds, though with a considerable amount of chafing that shows up mostly in clever, snarky comments.

    That delicate balance is threatened when a young couple (Nicolas Francella, Clara Lago) drives up, supposedly by chance, and starts playing to the egos of the denizens. We soon learn that their fawning is a tactic aimed at convincing Mara to sell the place so they can make a killing from plans for the property. What follows is amusing, moving and uncommonly true to form for these characters, with a few surprises along the way.

    Juan Jose Campanella, who co-wrote and directed, delivers a story that's masterfully crafted to maintain realistic proportions for the actions of the players in an entertaining package. Even if you think you know what the ending should/will be, how they get there will still impress. Kudos also to the location scout(s) who found the isolated house and grounds, reeking of faded elegance and galas of yore, that serves as a fifth protagonist in the unfolding events, rather than a mere backdrop.

    Performances are exceptional across the board. Borges is as sympathetically and maddeningly delusional as Gloria Swanson's Norma Desmond in the aforementioned classic, Sunset Boulevard. The stories of the three men are also fleshed out to create empathy and understanding of why the foursome has existed as it does. The film, Borges and Campanella have racked up numerous awards and nominations in Argentina and beyond. If you watch, you'll know why.
    8thiago-chalon20

    Completely enjoyable

    It's not an absolute masterpiece of Juan Jose Campanella, but is indeed a good movie. The actors make a remarkable performance and the direction is really good too.
    6MajoGomez81

    A nice family movie

    I liked it. I do not like Campanella politically speaking. But i liked the movie, I saw it with my mother (67) and we both enjoyed it. It is well written and directed and the actors are solid. Fun movie.
    8the-original-of-laura

    Worth watching if you like black humour

    It is a remake of "Los muchachos de antes no usaban arsénico". Although the film offers some remarkable performances by all the leading actors, dialogues leave much to be desired for they are too grandiloquent, instructive, and invariably end up in a punch line. Characters seem to be English aristocrats flaunting their wit. Besides, seldom would one encounter in real life six cynical characters who are so much alike. An interesting fact is that the film was shot in Guerrero castle. That said, the film is overall very entertaining and, therefore, worth watching.
    9cjwatson-66259

    Funny and satisfying

    This should have been on the big screen (blast you COVID!) but I loved this even on a computer screen. Who doesn't love a movie where the bad guys get their just deserts? I usually can't stand films about films but this was so beautifully written and acted. A lot of fun.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Final film of Marcos Mundstock, who died in 2020.
    • Patzer
      When Martín plays pool, the last hit is visibly difficult. The shot is cut, but the camera does not move. The actors are motionless, but the audience is never shown the moment where the 8-ball is hit - only the ball that is going to hit the 8-ball, then the 8-ball moving to a pocket.
    • Verbindungen
      References El jefe (1958)
    • Soundtracks
      I'm Sorry
      Words and Music by Ronnie Self and Dub Allbritten

      Sung by Brenda Lee

      (1960)

    Top-Auswahl

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    FAQ16

    • How long is The Weasel's Tale?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 16. Mai 2019 (Argentinien)
    • Herkunftsländer
      • Argentinien
      • Spanien
    • Sprache
      • Spanisch
    • Auch bekannt als
      • The Weasel's Tale
    • Produktionsfirmen
      • 100 Bares
      • Televisión Federal (Telefe)
      • Viacom International Studios
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 2.674.635 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 9 Min.(129 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Surround 7.1
    • Seitenverhältnis
      • 2.35 : 1

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