Die Morde des Herrn ABC

OK here's my problem with this series. First it is an excellent mystery but they should not have made that an Agatha Christie mystery. The backstory of Hercule Poirot is a complete fabrication. The actor does an excellent job portraying the role given him. The problem is it is a complete variance with the true Agatha Christie character.

If you do not know anything about Poirot and Agatha Christie this is enjoyable. But if you are a purist you will be disappointed and maybe even angry.

An excellent production in terms of photography and direction but it wavers in the overall writing and what ends up being stunt casting. Malkovich is barely trying to play Poirot as we know the character because he knows better than to imitate Ustinov or Suchet. So if this wasn't billed as Christie or Poirot it would probably have gotten a better response although it probably wouldn't have been made then.

Since I am not familiar with this particular Christie story I came into it with a different viewpoint. The three episodes are very well thought out until the last episode where it gets all muddled and it seems sort of pointless. Malkovich is mostly playing Malkovich which can be interpreted as acting laziness but he is so good at it, it could be forgiven if this wasn't supposed to be an older Poirot. If this was a PBS Masterpiece Theater mystery offering with a new character it would be all very entertaining but that's it.

Dear Sarah Phelps, please provide me with details of where to send you a copy of THE ABC Murders, as it was clear that you didn't read the text, perhaps you read the Wikipedia page, and got the idea for the story from a few lines. Why put the name of Agatha Christie on something, and give us a Detective that isn't Hercule Poirot, instead of Poirot, we had Officer Crabtree. I studied The ABC Murders at College some years back, and the flavour of the story was simply not there, I would love to know what your thinking was. Where was Captain Hastings? Agatha Christie, I'm sure you are turning in your grave.

Thanks to David Suchet, people have a specific ideal for Hercule Poirot. He must be arrogant and suave. He must be calm and unruffled, like a deaf partridge. And he must be above all of the petty little squabbles around him. Because he is Poirot.

To be fair, this is also the Hercule Poirot that Agatha Christie designed.

But this is not the Hercule Poirot that Sarah Phelps wrote. If she had gotten the character of Poirot right, I could have overlooked the unfortunate hyper-sexuality, but she didn't, she got him wrong. There has never been a more depressed, morose, or tragic incarnation of Poirot than the one in this miniseries. Now, I could blame John Malkovich, but he did not write the screenplay. Therefore, not his fault. It's not his fault that Sarah Phelps decided to rewrite Poirot's history and turn him into a decades old liar. That offended me the most. The very idea of Poirot lying about his history is even more preposterous than the fabricated background she created for him.

So no. Alas, no. If she'd gotten Poirot right, like I said, the other millstones could have been overlooked and I might have rated a 7 or 8. But when the screenplay writer shows no respect for the origins of a literary character and its creator, that's when I get off the boat.