The Sparks Brothers

"All pop music is rearranged Sparks. And that's the truth."

The Sparks Brothers is a musical odyssey through five weird and wonderful decades with Ron and Russell Mael celebrating the inspiring legacy of Sparks. I had no idea who Sparks were going in. I knew by the end of the documentary I would have some reason to care about them, but it's hard watching a documentary about something you don't have much interest in- especially if it's about a person or people. Not that I didn't want to see this, but if I had no intentions to seek out this band before, I think it would be harder to get me to watch it. The one thing that actually got me to watch this is the fact that it was at Sundance earlier this year, and Edgar Wright was in the directors chair for this. Edgar Wright has yet to make a movie that is just decent. Everything he makes is fun and full of energy, and his first documentary is no exception. The Sparks Brothers is such a blast. It's the ultimate crowd pleasing music doc. Wright manages to incorporate his distinct style with every scene. He and Sparks were born to collaborate together. What we learn about the Sparks brothers is exactly what you'd want to know knowing Wright's previous films. They are a strange group and have a mysterious sort of quality. Watching their story unravel is just good fun.

The way the documentary is setup is sort of different from the rest. As usual, there's interviews and fun animations throughout like most. What's strange is how everything progresses. Usually we get stories of people trying to make it big, but they face challenges and defeats that make them grow as a group. The Sparks Brothers just focuses on their success. Sometimes things didn't always work out, but there's always a comeback and those defeats are still celebrated today. The film is always on a high and soars all the way through. I think the runtime could've been cut down a bit. With it running close to two and a half hours, it's pretty long for a doc. It never feels slow and the runtime doesn't feel long at all. But by the end, I looked at the clock surprised at the length. I think it's a bold move to make it this long and cover every album and a surplus of their songs. The Sparks Brothers is probably the most fun you'll have with any documentary. I left extremely glad to know just about everything there is to know about each Sparks album and how it all came to be. Also, you'll probably catch a few songs every now and then that you didn't realize was by them. If you get the chance to see this, I would highly recommend!

Edgar Wright always does great work, and when it was announced that he would be at the helm of a Sparks documentary, I was ecstatic.

I was of course excited to see the movie, but more than that I was excited that a big name director would be exposing the world and some of my fellow Americans (hopefully) to Sparks.

The band is not easy to find, and it is absolutely criminal. I myself only discovered the band 2 or so years ago and fell in love immediately, listening to the then 24 studio albums over a course of about a month for hours a day. I implore you to do the same, I really don't think you'll regret it.

The documentary really was true to Sparks sensibilities too, as Edgar promised he would try to do. The artists were not the center of attention, but rather the art was the center of attention. The dedication to their craft, along with an immense amount of wit and talent is what has sustained them as a band for 50 years.

The two are just so easily lovable guys, and immense talents with a one of a kind sound. As a fan, it made me happy to see the two in the limelight where they should be, taking a quick break to reflect after 50 years of innovating in the field. Here's to 200 more Sparks albums!

I've been a fan of Sparks for over 10 years now and just went I thought I knew everything there was to know about them, Edgar Wright beautifully illustrates their 5 decade career span. It's an excellent glimpse into their creative process with so much unseen footage and storytelling from Ron and Russell.

Great job to all involved.

I'm not too familiar with the pop-rock duo band Sparks, but I'm a fan of Edgar Wright and this documentary has received strong reviews. As a result, I jumped at the chance to see a virtual advance screening of this exuberantly quirky, playfully irreverent, and ambitious documentary that serves as a comprehensive profile of Sparks, whose career has spanned five decades. The film runs at a lengthy 2 hours and 20 minutes, but Wright's deep affinity for the band is apparent in every single minute of the film. As a result, the film never feels too long-even for those who are not committed fans-but rather a well-researched, thoughtfully idiosyncratic ride that viewers are invited to hop along on. What's fascinating here is that even viewers with no understanding of Sparks can not only be sucked in after watching the first 20 minutes or so of the film, but will also remain fascinated throughout as the analysis of the band gets deeper and deeper. Wright also makes it abundantly clear how inspirational Sparks has been for many other (even more) prominent musicians in the rock and pop genres.

The film discusses the two members of Sparks, Ron and Russell Mael. Opening with a discussion of their early history and influences (which included sports and genre films,) context about how this duo has gained such a significant cult following and cultural prominence is clearly absorbed by the viewer. Edgar Wright films, particularly "Hot Fuzz" and "Baby Driver," are usually very well-edited due to Wright's stylistic editing style. While the editing process is much different in a documentary than a narrative film, Wright still edits the film to perfection. The juxtaposition between music videos, concert footage, interviews, and other relevant context pertaining to Sparks is fast yet incredibly impactful on the viewer throughout. This editing clearly contributes to the ebb and flow of the film, which Wright should be commended for. The unique combination of interviewees represented in the film (ranging from the Maels themselves to die-hard fans and many others) come together to make the film's craft feel even more holistic. My only main criticism of the film is that the second act is not as well-structured or interesting as the first act (which is more contextual) or the third act (which is more specifically/directly focused on Sparks' music.) Other than that key structural flaw, I found this documentary to be a uniquely informative viewing experience. 7.5/10.

"How can a band be successful, underrated, hugely influential, and overlooked all at the same time?" Edgar Wright (director)

Although the cult art-pop band Sparks has been playing its idiosyncratic music for fifty years, you may never have heard about the two brothers or their music. Be prepared to remember them forever after seeing Edgar Wright's loving and comprehensive documentary covering their zany years of performance.

The two boys, Ron and Russ Mael, were born in California with the creative influence of the Beach Boys but a definite affinity for Brit bad boys like the Beatles and The Stones and touches of Queen. In fact, Ron and Russell Mael may have been a major influence on British synthpop.

Wright skillfully shows their emerging theatrics of Ron's culturally-sharp lyrics and Russell's stagey falsetto gyrations evocative of Mick and Freddie. They have their career careening from high on the charts to being absent from them, but never stopping the two from inventing themselves over and over again.

If you don't believe me, listen to persuasive talking heads who know what they're talking about, like Duran Duran, Weird Al Yankovic, Patton Oswalt, Sonic Youth, et al. However, just listen to their sometimes-inscrutable lyrics and watch Russell gyrate around the implacable Ron, and you will experience music in all its forms, wild and expressive.

As Ringo was alleged to say while watching Top of the Pops, "Marc Bolan is on the tele playing a song with Adolph Hitler" (Ron wore a Hitler-like stache much of the time). In the course of their half century, they went from glam-rock to orchestral art-pop to their take on Sgt Pepper and everything in between. It's exhausting just to try to catalogue their phases.

In Theaters.