Ava ist jung, attraktiv - und professionelle Auftragskillerin. Ihre Opfer: zumeist hochkarätige Zielpersonen auch höheren Kreisen, an die es auch wirklich nur ein Rankommen gibt, wenn man zu... Alles lesenAva ist jung, attraktiv - und professionelle Auftragskillerin. Ihre Opfer: zumeist hochkarätige Zielpersonen auch höheren Kreisen, an die es auch wirklich nur ein Rankommen gibt, wenn man zu den Besten gehört.Ava ist jung, attraktiv - und professionelle Auftragskillerin. Ihre Opfer: zumeist hochkarätige Zielpersonen auch höheren Kreisen, an die es auch wirklich nur ein Rankommen gibt, wenn man zu den Besten gehört.
Bruce-Robert Serafin
- Toni's Outdoor Guard
- (as Bruce Serafin)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDuring shooting, Ava's name was Eve. Presumably due to the similarity to Killing Eve (2018), the studio decided to change the main character's name after the film wrapped. This then affected the title. Since all scenes were filmed prior to this decision, this presumably required cast to do additional audio or shooting.
- PatzerAva goes into a bar and orders a double scotch. There are sounds of ice in glass, and the bartender asks, "Do you want it on the rocks?" and Ava says, "Sure." The bartender says, "Good, 'cause you got it on the rocks." He hands her the glass with ice in it, but there is no ice in it when she holds it up to her face.
- Crazy CreditsAva's life story is told in news clips during the opening credits
- VerbindungenFeatured in Projector: Ava (2020) (2020)
- SoundtracksHall Disaster
Written by Clovis Lemee
Courtesy of 5 Alarm Music
Ausgewählte Rezension
How and why would you take a hit-man (hit-"person" to be politically correct) genre that's been done so many times before, screw it up, AND turn it into a soap opera?
I mean this whole Michael thing is straight out of "Days of Our Lives". Why not create a heartfelt conflict between the sisters and their mom, instead of just seemingly-random cast Common as Michael. Like my heading says, a 5th grader could've written (and directed) this better. I get that actor/trying-to-become-a-writer Matthew Newton is a newb, but to have such an all-star talent line-up, you'd think he would've at least had a seasoned writer proofread the script to avoid embarrassment. His screenplay was riddled with plot and technical issues, it was convoluted, and borderline laughable. Only in the last approx. 15 mins did it grab and hold my attention.
To make matters worse, actor/trying-to-become-a-director Tate Taylor failed miserably in directing his cast, and certain scenes were horribly directed. Don't get me started on the lame action scenes. Right from the start, Jessica Chastain was unconvincing as an assassin, and I know in front of a seasoned director, she would've nailed it. Even A-list actors need direction in scenes. With Taylor, her fight scenes were phony, as was her character.
I feel really bad for the A-listers having this mess on their resume. This type of filmmaking is more suited for the Steven Seagal and Bruce Willis has-been B-movie type actors. Now, watch seasoned filmmaker Luc Besson's "Anna", who cast (as a lead!) never-heard-of amateur actress (in her first-ever acting role) Sasha Luss, and his writing, directing and action scenes will blow your mind, especially compared to this mess! The moral of this story here is, don't blow your money on A-list actors in hopes they will make your film a success; instead, put that money towards film school, then cast a Sasha Luss type newb actor, and you'll have a better chance for a successful film. It's a very generous 6/10 from me - mostly out of pity for the A-listers.
I mean this whole Michael thing is straight out of "Days of Our Lives". Why not create a heartfelt conflict between the sisters and their mom, instead of just seemingly-random cast Common as Michael. Like my heading says, a 5th grader could've written (and directed) this better. I get that actor/trying-to-become-a-writer Matthew Newton is a newb, but to have such an all-star talent line-up, you'd think he would've at least had a seasoned writer proofread the script to avoid embarrassment. His screenplay was riddled with plot and technical issues, it was convoluted, and borderline laughable. Only in the last approx. 15 mins did it grab and hold my attention.
To make matters worse, actor/trying-to-become-a-director Tate Taylor failed miserably in directing his cast, and certain scenes were horribly directed. Don't get me started on the lame action scenes. Right from the start, Jessica Chastain was unconvincing as an assassin, and I know in front of a seasoned director, she would've nailed it. Even A-list actors need direction in scenes. With Taylor, her fight scenes were phony, as was her character.
I feel really bad for the A-listers having this mess on their resume. This type of filmmaking is more suited for the Steven Seagal and Bruce Willis has-been B-movie type actors. Now, watch seasoned filmmaker Luc Besson's "Anna", who cast (as a lead!) never-heard-of amateur actress (in her first-ever acting role) Sasha Luss, and his writing, directing and action scenes will blow your mind, especially compared to this mess! The moral of this story here is, don't blow your money on A-list actors in hopes they will make your film a success; instead, put that money towards film school, then cast a Sasha Luss type newb actor, and you'll have a better chance for a successful film. It's a very generous 6/10 from me - mostly out of pity for the A-listers.
- Top_Dawg_Critic
- 5. Dez. 2020
- Permalink
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Trained to Kill
- Drehorte
- Gloucester, Massachusetts, USA(Wingaersheek Beach)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 497.747 $
- Eröffnungswochenende in den USA und in Kanada
- 170.349 $
- 27. Sept. 2020
- Weltweiter Bruttoertrag
- 3.293.783 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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