IMDb-BEWERTUNG
6,2/10
8177
IHRE BEWERTUNG
Eine Leichenschauhausmitarbeiterin reanimiert erfolgreich die Leiche eines kleinen Mädchens, aber um sie am Leben zu erhalten, muss sie biologisches Material von schwangeren Frauen sammeln.Eine Leichenschauhausmitarbeiterin reanimiert erfolgreich die Leiche eines kleinen Mädchens, aber um sie am Leben zu erhalten, muss sie biologisches Material von schwangeren Frauen sammeln.Eine Leichenschauhausmitarbeiterin reanimiert erfolgreich die Leiche eines kleinen Mädchens, aber um sie am Leben zu erhalten, muss sie biologisches Material von schwangeren Frauen sammeln.
- Auszeichnungen
- 3 Gewinne & 6 Nominierungen insgesamt
Empfohlene Bewertungen
It was pretty good.
It's a solid psychological horror movie with an interesting concept, strong direction and good performances from Marin Ireland and Judy Reyes. Throughout, the camerawork and production design is pretty good as it helps add the creepy atmospheric tones. The direction and writing from Laura Moss was pretty good as Moss was able to provide strong direction and interesting writing concepts into the narrative that were interesting and engaging to observe. Alongside some pretty solid uses of some horror gore and blood moments.
As mentioned, the performances are pretty good and even the child actor had some pretty good moments as well. The narrative definitely is influenced by Frankenstein or something from David Cronenberg as the narrative, while at times could improve, does explore some fun territories. The dialogue is pretty good as well and the characters were interesting to observe. Some of the pacing could have been improved and the characters were interesting although I wish there was a little more to the characters.
Overall, it's a good Midnight movie. There were some pretty good blood and gory looking moments.
It's a solid psychological horror movie with an interesting concept, strong direction and good performances from Marin Ireland and Judy Reyes. Throughout, the camerawork and production design is pretty good as it helps add the creepy atmospheric tones. The direction and writing from Laura Moss was pretty good as Moss was able to provide strong direction and interesting writing concepts into the narrative that were interesting and engaging to observe. Alongside some pretty solid uses of some horror gore and blood moments.
As mentioned, the performances are pretty good and even the child actor had some pretty good moments as well. The narrative definitely is influenced by Frankenstein or something from David Cronenberg as the narrative, while at times could improve, does explore some fun territories. The dialogue is pretty good as well and the characters were interesting to observe. Some of the pacing could have been improved and the characters were interesting although I wish there was a little more to the characters.
Overall, it's a good Midnight movie. There were some pretty good blood and gory looking moments.
There was the movie The Influencer from Shudder I watched recently and now this one. Its cool to see the streaming service evolve over a short time, and now producing some of the best horror movies coming out in recent years.
The two things which sold this movie to me, was one the medical research detail, and secondly the special effects. Although bringing someone back to life is pretty implausible, this movie goes as far as it can do to sell the idea to those (like my self) who are not medically trained.
The medical sequences do look very realistic, and the story does get dug in to the science and procedures, where most other dumbed down horror modern movies fear to tread.
The two things which sold this movie to me, was one the medical research detail, and secondly the special effects. Although bringing someone back to life is pretty implausible, this movie goes as far as it can do to sell the idea to those (like my self) who are not medically trained.
The medical sequences do look very realistic, and the story does get dug in to the science and procedures, where most other dumbed down horror modern movies fear to tread.
Laura Moss' engrossing medical thriller is an update on the regeneration of the dead theme. Pathologist Dr. Rose Casper (a determined Marin Ireland) has been experimenting with reviving dead tissue of animals. Opportunity knocks one day when a six year old girl Lila (A. J. Lister) is wheeled into the morgue. Dr. Casper springs into action making the dead child her biggest experiment yet. Things get infinitely more complicated when Lila's mother, Celie (a fierce Judy Reyes), finds out. Celie happens to be a nurse.
What makes Moss and co-writer Brenden J. O'Brien's screenplay so involving is that it focuses more on parenting and morality than the experiment itself. The story sets up a fascinating dynamic between the two medical professionals. As Lila's mother, Celie, obviously has a maternal attachment to her daughter, but, there is also a symbiotic relationship that develops between the Creator and her Creation. Dr. Casper is fully committed to her work, even using her own body as a vessel for her experiments. Still, a mother's bond is inviolate. It becomes more than just a test of wills, everything is at stake for both women -- even at the expense of the Lila's unfortunate soul.
Moss' direction is gripping and the script plays out in an intelligent direction save for one miss-step which seems to be included as if to justify the "horror film" label. It does get gruesome, but never for it's own sake. The basic theme, of course, goes back to Mary Shelley's Frankenstein myth. There are no significant male characters. It's a powerful collaboration between Moss and her four main actresses (Breeda Wool plays an expectant mother who gets caught up in the crossfire). Ireland and Reyes are exceptional as the dueling women at the center of the tale.
BIRTH/REBIRTH updates an old tale. The storytelling isn't the most innovative, but it's smartly told and genuinely thought-provoking - not to mention disturbing.
What makes Moss and co-writer Brenden J. O'Brien's screenplay so involving is that it focuses more on parenting and morality than the experiment itself. The story sets up a fascinating dynamic between the two medical professionals. As Lila's mother, Celie, obviously has a maternal attachment to her daughter, but, there is also a symbiotic relationship that develops between the Creator and her Creation. Dr. Casper is fully committed to her work, even using her own body as a vessel for her experiments. Still, a mother's bond is inviolate. It becomes more than just a test of wills, everything is at stake for both women -- even at the expense of the Lila's unfortunate soul.
Moss' direction is gripping and the script plays out in an intelligent direction save for one miss-step which seems to be included as if to justify the "horror film" label. It does get gruesome, but never for it's own sake. The basic theme, of course, goes back to Mary Shelley's Frankenstein myth. There are no significant male characters. It's a powerful collaboration between Moss and her four main actresses (Breeda Wool plays an expectant mother who gets caught up in the crossfire). Ireland and Reyes are exceptional as the dueling women at the center of the tale.
BIRTH/REBIRTH updates an old tale. The storytelling isn't the most innovative, but it's smartly told and genuinely thought-provoking - not to mention disturbing.
Oh my word. This is the type of movie that you just stare at the screen after it's all done and ask yourself, what in the world did I just watched......but in a good way. The story for me was brilliant, original and surprising.
The bloody beginning got me really curious but after half way in, I was still wondering what this was movie about. Was it about illegal organ trade market? Was it about a mad doctor eating organs who does IVF on herself? It was just weird and naturally all fingers were pointing at this doctor, not knowing the person I thought would be the antagonist wasn't. It's a really smart but wierd story. I loved the acting and the characters.
Definitely not for the inpatient. This is a movie that requires your full attention inorder to truly appreciate what is going on. Give it a moment if you love drama/thrillers.
The bloody beginning got me really curious but after half way in, I was still wondering what this was movie about. Was it about illegal organ trade market? Was it about a mad doctor eating organs who does IVF on herself? It was just weird and naturally all fingers were pointing at this doctor, not knowing the person I thought would be the antagonist wasn't. It's a really smart but wierd story. I loved the acting and the characters.
Definitely not for the inpatient. This is a movie that requires your full attention inorder to truly appreciate what is going on. Give it a moment if you love drama/thrillers.
It's not often that the horror genre throws up an original idea these days, but this film is a rare example demonstrating that it is still possible. It is a twisted and disturbing tale that avoids falling into established genre cliches. Not an easy film to watch, especially for the squeamish, with lots of blood and body parts on display. But for those with strong constitutions, the story is gradually revealed, drawing the viewer ever more deeply into the twisted plot and the increasingly mad behaviours of the two lead characters. The acting is very good, somehow managing to engage the viewer whilst at the same time revealing the repellent nature of their actions.
Wusstest du schon
- WissenswertesSome may say that's a loose retelling of the 1974 Ecuadorian film Der Sumpf der Raben (1974).
- VerbindungenFeatured in Nightmare on Film Street: Top 10 Horror Movies of 2023! (2023)
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 138.617 $
- Eröffnungswochenende in den USA und in Kanada
- 45.707 $
- 20. Aug. 2023
- Weltweiter Bruttoertrag
- 138.617 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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