A Working Man

For full disclosure, this was the third film I watched at the cinema and having already sat through "A Minecraft Movie" I was flagging. A film this perfunctory and pedestrian was not what I was hoping for.

Levon Cade (Jason Statham) is an ex-Royal Marines commando, now working construction for the Garcia family. When their daughter, Jenny (Arianna Rivas) is kidnapped from a bar, Cade decides to rescue her. His quest takes him from low level drug dealers, all the way up to Russian mafia bosses, as he kills his way closer to his goal.

The problem is, whilst there's nothing particularly wrong with "A Working Man" there's also nothing particularly good, or perhaps better said, nothing particularly interesting about the film either. It feels like it's made on autopilot with a staid 'kill your way to the top' storyline and mostly rote characters. I say mostly because, as you might imagine, David Harbour is capable of making something relatively interesting out of a supporting role as a blind solder, who served with Cade, and helps him on his mission.

I wasn't surprised to see that the film was made in the UK. Jason Flemyng is particularly unconvincing and massively underused as a Russian mobster, you have Emmett Scanlan is a fairly major role and there is a key turn for British TV stalwart Kenneth Collard. Perhaps the most depressing aspect of the film is that David Ayer now seems to have settled into a rut of mid-price, mid-ambition, mid-quality action films.

Again, doesn't do anything notably bad - but less than 24 hours later and I can already barely remember it.

Jason Statham plays the same character that he does in every other one of his movies, of course, but A Working Man is more of a Steven Seagal-like straight-to-video effort, i.e. An extra dumb plot, big plot holes, cartoonish characters, over-the-top acting, and of course Statham has to say things like "I don't want any trouble" before beating the crap out of everyone. I could probably write a book about all the dumb things that are said in this movie, but I'll just give one: When a mother's daughter is kidnapped by a Russian crime mob, the police tell her "they don't pursue these cases." Ok well, I guess vigilante justice is our only option then.

I have a particular set of skills and sitting through this movie is not one of them. This movie tried so hard to emulate others of a genre, the classic revenge flick.... but fails miserabl. I didn't find myself attached to any character or empathetic, sympathetic, or even just rooting for anyone at any given moment including the star of the movie. The pacing is too slow. The action is almost comical. I'm guessing it was meant to be that way, but unlike DC movies that pull it off this was just laughable... I was so disinterested that even by the climactic end it was just going through the paces to see who lives and who dies. Hollywood forgets that great writing makes great movies.... and the writing for this was juvenile, not creative and simply not entertaining... I had higher hopes for something written by and produced by Sylvester Stallone, who knows action movies.

A Working Man is let down by its overly long run time exacerbated because of how needlessly convoluted its plotting is but it can still deliver the goods frequently enough to be a solid action flick that actually manages to avoid most of the icky issues with these types of stories. From the moment the flashy opening title sequence starts, it's clear this is going to be almost hilariously straight faced and better for it.

Surprisingly, there's a pretty eccentric cast of villains here however, it always remains Jason Statham's movie and him doing his usual extremely serious shtick carries this one as usual. Once again, he's playing squarely to his strengths and it's seriously impressive how him playing this type of character for the umpteenth time doesn't feel anywhere near as stale as when his fellow contemporaries stay in their respective lanes.

David Ayer's direction isn't as strong as his efforts in last year's The Beekeeper whilst keeping the film consistently visually slick despite a couple of weird creative flourishes. The action is unexpectedly choppy when also compared to Ayer and Statham's last collaboration, saved by the stuff that's still easy to see and a wild action packed finale. The overdone score by Jared Michael Fry really helps to nail the throwback feel this is going for.

If it says Statham on the outside, it's Statham inside. Minor inconsistencies are acceptable. It's always a joy to see him fire about 200 bullets from a 20-round magazine. And of course, he's invulnerable. I almost forgot. 😉. Very much in vogue: a young, smart and powerful woman who was placed at his side so that the male audience wouldn't fall asleep.

The only thing missing was for him to catch the flying bullets with his teeth. So, for a possible second part, one could add more. For the faint-hearted, the film exudes a fair amount of cultural pessimism. The theme of "I scare you, and then I'm the hero who saves you" is inherent in American films. As such, the plot is rather one-dimensional and not for people who prefer a more complex way of thinking. Nevertheless, we felt thoroughly entertained at the end of the film and deeply impressed by the many close-ups of Statham's heroic face.