Die Königin des Nordens

A correct historical film, seductive for admirable acting of Trine Dyrholm, for atmosphere and for structure of story.

A queen and her duties. The peace, with hard effort created, and its fragility. Two sons and an union . Questions about power, legitimity and a marriage.

The result is a correct film, the fiction reigning , the historical facts being used as start points.

The great virtue - the fair construction of tension, the clothes and dances and the smart structure of intrigue , at each level.

In short, a beautiful Dansk film , seductive for the peace message, for portrait of strong and powerful woman and, sure, for the admirable Trine Dyrholm and Soren Malling. Many familiar scenes and the history in its essence.

Yes I do!

From the world 'go' I was in awe! On such a large screen emerged a magnificent scenery with a haunting and beautiful music that introduced this wonderful story.

Wonderful not because everything was rosy, but because real roses do have thorns... So beauty, sorrow and pain creates wonders.

I'm not a historian or a politician but I enjoyed every minutes of this tale.

I'm not a truth's diciple either and what unfolded in front of my eyes was so good nontheless. And it certainly kept me interested its whole time.

For me it was also refreshing to see something so good with actors / actresses I never came across before.

It was too good for me, to try to see if I could criticise it in any way; as again, for me, its weight of quality did sufocate any negative aspect that may have been present.

I never give a score but I'm surprised Margrete Queen of the North did not get a higher score ; although I understand at time of my visit here, there were only 15 reviews... I have seen movies that I hold in very high esteem for specific reasons. But this one will be also at the top of my "likes" for no specific reasons, simply because it was so enjoyable.

With the Kalmar Union still in it's infancy, Queen Margrete (Trine Dyrholm) is trying to keep the Danes, Swedes and Norwegians aligned under the nominal kingship of her adopted son Erik (Morten Hee Andersen) in the face of the increasing fear of aggression from the neighbouring Germans. This task is suddenly made much more difficult when a pretender to his throne is unveiled. This gent (Jakob Oftebro) claims to be the son of the queen, and though she certainly had a son it was thought that he had been murdered many years earlier. The Norwegians are quick to support this new claim, but she is less inclined to panic and/or to execute summary justice - and that rouses suspicions about the stranger's true identity amidst the nobles and manages to antagonise her adopted son who has no intention of surrendering his throne. Adding to the pressures building on the Queen, Erik is set to marry the daughter of King Henry IV of England to cement a relationship that could help guarantee everyone's safety - but will the English want their royal dynasty married into the wrong family? Gradually, we all realise that there has been quite a degree of conspiring and lying going on for many years that spreads right to the heart of not just the kingdom, but to an influential church that cannot be guaranteed to do the right thing if it's not in it's own interests. This is quite a well produced and paced historical drama that illustrates quite engagingly the difficulties faced by anyone in holding together this loose confederation of warring nations. The fact that she was a woman doesn't appear to have inhibited her power, indeed her guile and shrewdness appear to have been quite well respected by those who appreciated her goals for unity and peace. To that end Dyrholm delivers competently, as does Søren Malling as the duplicitous priest and a solid supporting cast. It's perhaps a little verbose and also a little tame at times, but it's a period of history that is interesting to discover more about as the viking nations emerged from their raping and pillaging phase into something altogether more cohesive and important in the grand scheme of European politics. It's worth a watch if you're interested in (theatrical) Nordic history.

It's quite interesting: the main actress of this made a movie called Queen - at least in Germany - a few years ahead of this. But the other movie was contemporary. This is clearly a period piece - that said, it is not less dramatic than the other one she is starring in. Different for sure - quite different to be honest.

In this she has a lot more responsibility - if she behaved like she does in the other movie ... let's leave that aside though. Ruling is not easy - so many people to please, so many people that want what you have. So many powers to juggle - especially if you want to avoid war ... and try to stay ahead of enemies within your own ranks.

A very fine movie, with very fine actors. If you don't mind reading subtitles this is recommended for sure.

"Margrete the First" (2021)

'Margrete the First' is the epitome of an epic Danish tale. With monarchs, battle strife, magnificent costumes and big politics. All in all, a magnificent staging that is impressive. The acting was gripping, here one must especially highlight Trine Dyrholm's interpretation of Margrete 1. However, some of the lines could at times seem a bit too theatrical and fake. Morten Hee Andersen's role as the naive and arrogant Prince Erik of Pomerania, unfortunately, fell flat on its face for me. It seemed as if he was in a different universe than the rest of the characters, whether it was Morten's portrayal or the manuscript is hard to know.

With a feature length of 2 hours, it is always a challenge to keep the viewers' attention, here Margrete the 1st unfortunately does not succeed either. A strong start and end, does not excuse for a drawn out and unfocused mid point. Especially one storyline that I do not want to spoil, did not lead to much and ended abruptly. It could quickly have been explained with a scene or two. The worst thing a movie can do is waste the audience time.

I personally watch movies to be entertained with an exciting and gripping story. The story was fascinating, the production magnificent and the acting was mostly excellent. I missed a more focused narrative, with fewer plotlines, better pacing, and less navel-gazing. The story as it is portrayed here would have worked better as a new Sunday drama series.

Rating: 6/10.