IMDb-BEWERTUNG
7,8/10
7432
IHRE BEWERTUNG
Ein schöner Prinz reitet auf einem fliegenden Pferd in ferne Länder und erlebt märchenhafte Abenteuer; unter anderem schließt er mit einer Hexe Freundschaft, trifft Aladdin, bekämpft Dämonen... Alles lesenEin schöner Prinz reitet auf einem fliegenden Pferd in ferne Länder und erlebt märchenhafte Abenteuer; unter anderem schließt er mit einer Hexe Freundschaft, trifft Aladdin, bekämpft Dämonen und verliebt sich in eine Prinzessin.Ein schöner Prinz reitet auf einem fliegenden Pferd in ferne Länder und erlebt märchenhafte Abenteuer; unter anderem schließt er mit einer Hexe Freundschaft, trifft Aladdin, bekämpft Dämonen und verliebt sich in eine Prinzessin.
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In our age of CG and digital enhancements, it's difficult (for some) to remember a time when things were done by hand and hand alone. Thus, is the case of animation. This painstaking art has been replaced with programs that not only speed up the process of single-frame rendering, they can even mimic pen strokes and outlines.
So it's a rare treat to come across a unique work that illustrates the artistry of early animation in Film. A shining example is Reinger's "The Adventures of Prince Achmed" . There's really no preparation for this feature, one just needs to succumb to the beautiful imagery that begins to reveal itself, one silhouette at a time. It completely takes us off the conventional track and into the realm best inhabited by forgotten dreams. One forgets that one is watching a series of contours and like the traditional Nang Yai shadow puppet play, the journey has you swept away in a short time!
Some may not be as impressed with this `old-fashioned' approach to story telling. It doesn't compare to the spectacles of the `instant classic' available these days. It's a bit `clanky' and possibly too analog for others. On the other hand, if you're looking for a whimsical and imaginative tale of magic, travels to mystical lands, heroism and love (with a charming score), you won't be in the least bit disappointed with this one.
So it's a rare treat to come across a unique work that illustrates the artistry of early animation in Film. A shining example is Reinger's "The Adventures of Prince Achmed" . There's really no preparation for this feature, one just needs to succumb to the beautiful imagery that begins to reveal itself, one silhouette at a time. It completely takes us off the conventional track and into the realm best inhabited by forgotten dreams. One forgets that one is watching a series of contours and like the traditional Nang Yai shadow puppet play, the journey has you swept away in a short time!
Some may not be as impressed with this `old-fashioned' approach to story telling. It doesn't compare to the spectacles of the `instant classic' available these days. It's a bit `clanky' and possibly too analog for others. On the other hand, if you're looking for a whimsical and imaginative tale of magic, travels to mystical lands, heroism and love (with a charming score), you won't be in the least bit disappointed with this one.
THE ADVENTURES OF PRINCE ACHMED pit him against the evil African Sorcerer in an attempt to rescue beautiful Princess Peri Banu from terrible peril.
German filmmaker Lotte Reiniger (1899-1981) was fascinated with cutouts and puppetry from childhood. After seeing a silent film by the great Georges Méliès as a teenager, she knew that movies would be her destiny. Reiniger loved make believe and would eventually make films on a whole series of fabulous characters, from Dr. Dolittle (1928) and Puss in Boots (1936) to Thumbelina (1954) and Hansel & Gretel (1955).
Reiniger's area of expertise was in silhouette animation. Using a pair of scissors, she produced amazingly elaborate images from black paper and then had them back-lit and photographed one frame at a time, moving the cutouts slightly each time, thereby producing the illusion of movement. Her masterwork, after three years of labor, was THE ADVENTURES OF PRINCE ACHMED, produced eleven years before Disney's SNOW WHITE, thus becoming the world's first animated feature film.
The movie tells an exciting story from the world of the Arabian Nights, full of magic, menace & monsters, and incorporates the tale of Aladdin and his love for Achmed's sister Dinarzade, thus giving the movie two valiant heroes instead of only one. The romantic exploits are slightly leavened with a touch of delightful decadence and good humor, exemplified by Achmed's few moments in the seraglio on the magical Isle of Waq Waq.
It is fascinating how these pieces of black paper can evoke an emotional response from the viewer. It is a testimony to the wonderful artistry of their creator, Lotte Reiniger, a woman who richly deserves to be more celebrated by those interested in cinema history.
German filmmaker Lotte Reiniger (1899-1981) was fascinated with cutouts and puppetry from childhood. After seeing a silent film by the great Georges Méliès as a teenager, she knew that movies would be her destiny. Reiniger loved make believe and would eventually make films on a whole series of fabulous characters, from Dr. Dolittle (1928) and Puss in Boots (1936) to Thumbelina (1954) and Hansel & Gretel (1955).
Reiniger's area of expertise was in silhouette animation. Using a pair of scissors, she produced amazingly elaborate images from black paper and then had them back-lit and photographed one frame at a time, moving the cutouts slightly each time, thereby producing the illusion of movement. Her masterwork, after three years of labor, was THE ADVENTURES OF PRINCE ACHMED, produced eleven years before Disney's SNOW WHITE, thus becoming the world's first animated feature film.
The movie tells an exciting story from the world of the Arabian Nights, full of magic, menace & monsters, and incorporates the tale of Aladdin and his love for Achmed's sister Dinarzade, thus giving the movie two valiant heroes instead of only one. The romantic exploits are slightly leavened with a touch of delightful decadence and good humor, exemplified by Achmed's few moments in the seraglio on the magical Isle of Waq Waq.
It is fascinating how these pieces of black paper can evoke an emotional response from the viewer. It is a testimony to the wonderful artistry of their creator, Lotte Reiniger, a woman who richly deserves to be more celebrated by those interested in cinema history.
A really superb animated film, quite amazing for its time, I think. Delightful!
An African sorcerer tries to sell a flying horse he has created or conjured up to a Caliph. He hopes perhaps to have the Caliph's daughter. That being unlikely, he lets the Prince try the horse out, without explaining how it works. Thus, the Prince goes up to soaring heights, and by the time he figures it out, he's found the magical island of Wak-Wak where he half-kidnaps, half-saves a Princess there. They go to China, he meets Aladdin, there's lots of charming adventures, some of them perhaps scary for kids (giant snakes, demons, the Sorcerer, etc.).
It's done with silhouettes, black cut-outs against white (or tinted) backgrounds, though the backgrounds are also filled with silhouettes too. Some of them are very intricate, and there is also a fair amount of attention to detail, like creating rippled reflections in water.
Highly recommended!
An African sorcerer tries to sell a flying horse he has created or conjured up to a Caliph. He hopes perhaps to have the Caliph's daughter. That being unlikely, he lets the Prince try the horse out, without explaining how it works. Thus, the Prince goes up to soaring heights, and by the time he figures it out, he's found the magical island of Wak-Wak where he half-kidnaps, half-saves a Princess there. They go to China, he meets Aladdin, there's lots of charming adventures, some of them perhaps scary for kids (giant snakes, demons, the Sorcerer, etc.).
It's done with silhouettes, black cut-outs against white (or tinted) backgrounds, though the backgrounds are also filled with silhouettes too. Some of them are very intricate, and there is also a fair amount of attention to detail, like creating rippled reflections in water.
Highly recommended!
7tavm
While I was at the East Baton Rouge Parish Library looking at various VHS tapes I could borrow, my eyes saw something that I've never heard of before called The Adventures of Prince Achmed. I looked at the back case and found out it was possibly the earliest full-length animated feature in existence and was directed by Lotte Reiniger in cutout silhouette. I must say, most of the images were pretty impressive with various color tints and use of detail in backgrounds and movements, all involving black construction paper. Certainly one of the most impressive sequences involved the battle of the evil sorcerer and Witch of the Fiery Mountains as they changed into various vicious animals in the fight to the death. While there's plenty of action here, it's not very fast paced which I guess is par for such a painstaking film that took three years to make involving such attention to dreaming of the big picture but if you allow your imagination to take hold, this could be one of the most enchanting experiences of your life! Definitely worth checking out for animation enthusiasts.
Lotte Reiniger's "The Adventures of Prince Achmed" is one of the most amazing achievements in the history of cinema. The first animated movie ever, Achmed was based on the ancient stories "Arabian Nights." It took her three whole years to make, shooting over 250,000 cardboard cutouts with the assistance of her husband Carl Koch.
The German silent film begins with the creation of a flying horse. The African Magician tricks Prince Achmed into flying the horse, hoping to rid the kingdom of Achmed's presence. But Achmed is able to control the horse, and flies off to an island, where he finds the beautiful princess Peri Banu. In order to win her heart he must defeat the Magician, the Chinese Emperor, and an army of demons, with the help of Aladdin and a mysterious witch.
The irony of this movie is that the German subtitles are subtitled in English. But don't let that throw you, this silent masterpiece is magnificent film-making at its best, and certainly a landmark in cinema.
The German silent film begins with the creation of a flying horse. The African Magician tricks Prince Achmed into flying the horse, hoping to rid the kingdom of Achmed's presence. But Achmed is able to control the horse, and flies off to an island, where he finds the beautiful princess Peri Banu. In order to win her heart he must defeat the Magician, the Chinese Emperor, and an army of demons, with the help of Aladdin and a mysterious witch.
The irony of this movie is that the German subtitles are subtitled in English. But don't let that throw you, this silent masterpiece is magnificent film-making at its best, and certainly a landmark in cinema.
Wusstest du schon
- WissenswertesThe earliest feature-length animated film to have survived. Only two Argentinean films by Quirino Cristiani, both presumed lost, predate it.
- Zitate
Title Card: Prince Achmed was young and brave and not afraid of any adventure.
- Alternative VersionenIn 2013, the BFI created a new soundtrack. It supplemented the original score by Wolfgang Zeller with voiceover narration based on Lotte Reiniger's own translation of her German text, spoken by actress Penelope McGhie, plus some sound effects mixed by audio engineer Dan Larkin.
- VerbindungenFeatured in Bewegte Bilder. Deutsche Trickfilme der Zwanziger Jahre (1975)
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Wak-Wak, ein Märchenzauber
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- Weltweiter Bruttoertrag
- 100.156 $
- Laufzeit
- 1 Std. 20 Min.(80 min)
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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