Abenteuer im gelben Meer

China Seas is a sort of follow-up to Red Dust, with the addition of the sort of all-star cast pioneered in Grand Hotel, only set on board a passenger ship instead of in a hotel. As in Red Dust, the central plot element involves a triangle featuring Clark Gable and Jean Harlow. However, this time the hypotenuse is occupied by Rosalind Russel rather than Mary Astor.

By the time China Seas was produced the infamous Hayes Office was already busily enforcing standards of decency in the film industry. Consequently, the action is a good deal less steamy than in Red Dust. Nevertheless, the Gable-Harlow chemistry is still very much in evidence, even if their byplay has been somewhat toned-down.

Another major element of the plot involves piracy against modern (1930s) shipping in the Far East. Some viewers might find that notion a bit far-fetched. However, it is far less absurd than one might think. In fact, it is still going on today (2012)!

A good cast and lots of action highlight "China Seas," a 1935 film directed by Tay Garnett and starring Clark Gable, Jean Harlow, Wallace Beery and Rosalind Russell.

Gable plays Alan Gaskell who is captain of a ship sailing from Hong Kong to Singapore. He's in love with the refined Sybil Thorndike (Russell) and attempting to reform his some of his bad habits.

He has a constant reminder of his former life, however, and that's his old girlfriend Dolly (Harlow) who wants him back. When the ship is hijacked by pirates looking for gold, Gaskell wonders how much Dolly and her drinking buddy, MacArdle, were involved.

Gable and Harlow worked extremely well together and give good performances here, and there's a lot happening - a typhoon and the pirate attack - which make for good adventure.

Derivative but very enjoyable.

High seas adventure with Gable as a run-down captain and Harlow as his lover. Complications involve Rosalid Russell, as a high society widow Gable was in love with before. Harlow takes up with Beery to make him jealous, but ends up being forced to join him in his plot to help pirates rob the ship. Harlow and Gable remain a knockout A-class pairing, and the character roles are well-handled. Juicy dialogue and gory action are also plusses.

A great story and a great cast. If you set aside all the early Hollywood traps about racism and sexism, this is a terrific and watchable romance/adventure.

The story is very similar to Gable's later film, "Mogambo." He's the adventurous cad who loves two women - a beautiful ice-queen who represents his link to civilization (Russell); and the cute but stubborn and uncouth "woman of the world" who has the capacity to betray him when it suits her (Harlow). This movie is very well acted. I've always said that if you give Gable an affectation to fall back on, he does extremely well. Here, he's a barking sea captain, which, almost by accident, gives his performance a better range than it otherwise would have. I don't really like Harlow, but she's good in her role.

The editing is a bit strange - many closeups are too obviously added in later, but I guess I can partially forgive this because of the time it was made. It really shows how Harlow was on a roll when she was with the rest of the cast, though. Because these individual shots do not fit in with the movie at all.

There's some amazing effects during the typhoon sequence, with a steam engine running loose on the deck - and you actually see people get run over and flattened. It's disconcerting even though you realize the camera tricks involved. Very inventive for its day.

A pretty good movie with an excellent cast and some decent special effects. Gable is at his best and the same can be said for Beery , Sir C. and Harlow. I haven't seen many Harlow films but I'm assuming that her stock character is the one she portrays here , a sort of bad girl with a heart of gold, a lovable moron who speaks first and thinks later. The kind of woman who (if she were your wife/girlfriend) would ruin a party and make a big scene if she became jealous. In other words the kind of woman most men might stupidly have casual sex with and then realizing what an idiot they were saddled with, run away from as fast as they could. I'm guessing many depression era women could identify with her low class stubborn pride but now she seems like an annoying , shrill, infantile idiot constantly seeking approval. As a portrait of this kind of woman , Harlow is magnificent. You might want to strangle her or throw her overboard but she's always watchable, the bra less gowns help.