The Lost City

This is quite a project. There is every conceivable kind of plot development. The bad guys turn good; the good guys turn bad; they turn back again. It's about scientists messing with the realm of electricity; it's about Arab slave traders; it's about zombie black men being made bigger, their brains being canceled out. There's Gabby Hayes. The sidekick. When I was a child I sold enough subscriptions to the St. Paul Pioneer Press to go to the Minnesota State Fair and meet Gabby Hayes, along with several other boys. He was there with the late singer, Johnny Horton, and called us all a bunch of young whippersnappers. It was a high point in my life. Anyway, it was kind of cool to see the old guy, with his scruffy beard, playing a pretty significant role. I'm not going to take this apart. It wouldn't be fair. It had to have been made up from one day to the next. I wondered how long that old scientist would survive being picked up and carted around. Everything is so hammy. Still it's a bit much, even for a serial. By the end you feel like you've been on a roller coaster and need a program to figure the whole thing out. I did enjoy William "Stage" Boyd and his manic throwing orders around. Also, the strong man in the sparkly suit (who was continuously incompetent) was real kick. It certainly was an interesting few hours.

This supremely silly (but still kinda fun), 12-chapter serial/adventure tale (from 1935) had just about everything in it, but the kitchen sink.

Set in the fictitious region of Central Africa called the Magnetic Mountains, our dashing, young, American hero & researcher, Buck Gordon, travels to the Dark Continent in hopes of tracking down the brilliant yet decidedly crazed mad scientist Dr. Zolok who's definitely up to no good in a really big way.

As the story goes - It seems that somewhere within a hidden city (situated below Magnetic Mountain) Zolok has built a truly remarkable machine which can, in fact, be programed to create serious electrical disturbances at great distances.

And, as expected, Zolok plans to use this wondrous invention in his diabolical plans to (guess what?) take over the world. (Oh! My!)

Can our courageous hero and his trusty comrades save the day and stop zany Zolok before he carries things too far?

Well, you'll just have to check out The Lost City for yourself to find out the answer to that and much-much more, too!

"The Lost City" is another of those "mad scientist wanting to rule the world" serials. This one was independently produced by Sherman S. Krellberg and Directed by Harry Revier. The set pieces especially the laboratory equipment I thought, were quite impressive by poverty row standards.

The story has electrical engineer Bruce Gordon (Kane Richmond) tracking the source of global electrical disturbances, which he discovers to be originating from central Africa. He mounts an expedition which includes fellow scientists Reynolds (Ralph Lewis) and Colton (William Millman) and his pal Jerry (Eddie Fetherstone). Arriving in Africa, they go to a trading post run by the slave trader Butterfield (George F. Hayes). Gordon soon discovers that the disturbances are coming from a nearby mountain.

Inside the mountain are evil scientist Zolok (William "Stage Boyd") who along with his assistants the hunchback Gorzo (William Bletcher) and muscleman Appolyn (Jerry Frank), plan to rule the world with the help of an army of zombie like giants created by Dr. Manyus (Josef Swickard). Manyus and his daughter Natcha (Claudia Dell) are being held prisoner by Zolok and forced to do his will.

Soon Gordon's party is lured to the lost city. Once there Reynolds and Colton see the possibilities of the giants and kidnap Manyus and take him into the jungle where they meet up with evil slave trader Ben Ali (Gino Corrado) who also sees the possibilities. Meanwhile Butterfield through his cohort Andrews (Milburn Moranti) also learns of the giants. All wish to capture Manyus and force him to do their evil deeds. Then later on there enters the evil slave trader, Queen Rama (Margot D'use) who also has designs on the giant maker and on Bruce Gordon as well.

Gordon and Jerry do all they can to prevent Manyus' capture and ward off the assorted villains. Finally they defeat the villains and save the world from a fate worse than death.

There's an interesting sequence where we learn that Manyus also has the power to turn black men into white. Wonder how that made it pass the censors. Also there is a "death ray" which looks a lot like a laser beam several decades before such a beam was invented. The advanced television system also foretold of similar such systems in the future.

Willam "Stage" Boyd had been in films since 1913. He used the name "Stage" to avoid confusion with the "other" William Boyd who was playing Hopalong Cassidy at the time. Sadly, this was Boyd's final film for he passed away shortly after its completion.

George F. Hayes is of course the infamous "Gabby" Hayes who would enjoy a long career in "B" westerns playing the crusty old sidekick. Oddly enough, Hayes worked with both William Boyds.

Is there a good 35mm print of this thing? If there is and a negative, there is millions to be made from a camp Rocky Horror type reissue in cinemas or on the late-show cine circuit. Never have I seen such a bizarre serial. Imagine a jungle jumble of RED DUST, UNDERSEA KINGDOM, THE GOLEM, TARZAN AND HIS MATE, and FLASH GORDON, KING KONG, and THE MOST DANGEROUS GAME..I know, I know, just insane...but wound up to almost hysteria level acting and with a reasonable budget of deco indoor FRANKENSTEIN looking ray guns and zzzzy things, on steel rivet sets; submarine-airship bits and pieces...and you get sort of a picture of how berserk this serial truly is. Handsome he man Kane Richmond and some silly old professor and screaming daughter end up in darkest Africa being menaced chased, shot at, tied up and scribbled on (yes, scribbled upon!) by a roster of jungle idiots who include: giant oily Nubians who walk like huge stoned babies, a hunchback in a "prince Valiant style" page boy wig (and speaks in Shakespearian English), a tribal queen who clearly is Spanish, wears huge diamonties and talks like Lupe Velez, a gang of what look like flour covered jockeys in feathers and white fright wigs, and a gang of Hawaiian looking cranky cannibals who yell 'oomba goomba' and throw wobbly spears at whoever they are told to. And last but not least, a gay muscle dude who wears the tightest...and I mean SO tight you can see his religion... tightest spangly one piece girls swimming costume this side of the Hayes censorship code of 1934...he is called Appollon just in case you are not sure what he is there for. Once the scene is set between caves, indoor deco lost city with zappy electrical instruments and the usual all seeing television, and the jungle huts, the whole cast then chase each other between each location, throwing things at each other, looking suspiciously at each other or through windows or around corners - and screaming. Sometimes someone gets tied up or lions appear in old circus stock footage, or Kane gets his chest scribbled on (!) or the jockeys flabbboiiiing arrows at someone or the nubians stagger about, OR they run into a bush or get locked up in a grass hut, or tied to a chair, OR slam a door or just plain hit each other from behind in corridors with lead pipes, the action just basically rattles about in circles with ridiculous comments and overacting. I loved all 236 minutes of it. Made at the same hopeless serial factory by someone called Sherman Krellberg who produced THE BLACK COIN and other terrible serials before Republic Studios married Mascot and stopped (and imitated) the competition, THE LOST CITY needs to be concreted in infamy as the most hysterical loony and out of control piece of kids horror pantomime ever committed to celluloid. The 5000 FINGERS OF DR T has nothing on this. BUT I do believe it was made for adults. Exactly what type of adults I can only guess, but in its camp value and howling general beserkness suggests it was either seriously deranged in every part of its production or made by shrewd schlockmeisters who knew that in 2006 we would be waiting.

In the mid Fifties, Famous Monsters of Filmland published photos and stories about early horror and sci-fi serials. The Lost City serial was reviewed by Forrest Ackerman, FM's publisher, in which he told a story about the serial being run on early television in New York City. This was at a time when the networks were using old movies to fill up daytime schedules. As the story goes, the kids were so frightened at seeing black natives being turned into giant zombies with wide-eyed expressions and menacing grins, that protests were made to the station running the serial. The station discontinued the serial viewings. This story found its way into a couple of movie reference books. A serial historian checked out the story and found no mention anywhere that it either ran or was discontinued due to criticism. The serial has become a classic among fans because of its outdated racism and because it featured George Hayes, who became "Gabby Hayes" in Roy Rogers westerns. It also featured familiar B actors Kane Richmond, Claudia Dell and William "Stage" Boyd. Boyd was a B actor whose infamous claim to fame was that he once arrested for having illegal liquor at a party in his house during Prohibition. When the story was published in the paper, a photo of another William Boyd, whose stardom was on the rise. The studio where Boyd was working released him on the morals clause, even though he was not guilty. It may have been at this time that the William Boyd who was arrested took the name "Stage" to differentiate from the other Boyd. In any case, the innocent Boyd toiled in the B picture sweatshops until he was cast in a A western as Hopalong Cassidy.