Füge eine Handlung in deiner Sprache hinzuAlan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stran... Alles lesenAlan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.Alan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.
- Man in Producer's Office
- (Gelöschte Szenen)
- First Actor
- (Gelöschte Szenen)
- Second Actor
- (Gelöschte Szenen)
- Girl
- (Gelöschte Szenen)
- Bartender
- (Gelöschte Szenen)
- Girl
- (Gelöschte Szenen)
- Man in Producer's Office
- (Gelöschte Szenen)
- Costume Designer Maza
- (Nicht genannt)
- Pug Answering Phone in Gym
- (Nicht genannt)
- Bridgeport Sheriff
- (Nicht genannt)
Empfohlene Bewertungen
My first reaction was this was an expertly open-up play, but it was written for the screen. It's certainly cast well; Brent, Warner's choice for a leading man who wouldn't distract the audience from the leading lady, is fine as the hectored yet stolid playwright, and the ladies are nicely differentiated, particularly the speed at which they deliver their lines. Miss Tobin is ladylike, Miss Ellis is twittery, and Miss Farrell continues her reign as Warners' resident motormouth. McHugh sometimes sounds like he's attempting a Down East accent. It's perfectly composed, you know how it's going to turn out, and it's a pleasant series of bumps getting there.
A lively cast makes this one fun—everyone on the screen is hilarious in one way or another. Genevieve Tobin is charming and clever as Brent's first ex-wife, recruited by Brent's producers as the one person capable of helping break his writer's block. Tobin and Brent are the closest to sane of any characters in this movie.
Glenda Farrell is at her rowdiest as Brent's second ex-wife, showing up with milkman/deputy sheriff Frank McHugh in tow, hoping to collect some alimony. Glenda's initial entrance is just a riot: McHugh has preceded her into the house by a couple of minutes when she bursts in shouting, "Fine way to treat a lady! You gonna let me sit out there in the car all night?" McHugh doesn't miss a beat: "Have you been nipping at my applejack?" Farrell: "All right, so sue me!"
Patricia Ellis is also following Brent around, apparently imagining that she can capture his affections by showing up unexpectedly in his bedroom. Among all of these distractions, it's no wonder Brent isn't getting any work done.
It's not exactly sophisticated but sure has some laughs—lots of fun for fans of silly 30s comedies.
Alan Tanner (Brent) has new play opening in a week, but the play has no acceptable third act.
In order to get it done, Tanner goes to a cottage, which at the moment is snowed under to work in peace. Not happening. His blonde neighbor (Patricia Ellis) is crazy about him and shows up.
The play's producer, Arthur Layton (Porter Hall), dispatches Alan's first wife Alice (Tobin) to keep him on task. Unfortunately Alan's second wife, Daisy (Farrell), shows up and demands her alimony.
Soon the women are screaming at one another and fighting over who can help Alan more. And the neighbor wants to know where she stands. Meanwhile Alan can't get any work done.
This is a madcap comedy, and for some reason I found it incredibly loud and a little too crazy, a fun premise, but forced. Despite going over the top, it has a sophistication to it.
Frank McHugh is a scream as a deputy sent to arrest Alan, who just may find some peace if he can only get to jail. With a little more attention, this film would have been much better.
Privacy is about the last things he gets in this somewhat claustrophobic comedy where all three women in his life come for a visit. Ex-wife Genevieve Tobin arrives first, current estranged wife Glenda Farrell is second who brings along lawyer John Eldredge and Deputy Sheriff Frank McHugh to get either her back alimony or Brent in the pokey. Finally there's current girlfriend Patricia Ellis who kind of sneaks in when no one is looking.
Snowed Under is short and fast paced comedy in which Glenda Farrell stands out in this cast. Brent learns that old adage of it's cheaper to keep her.
We kind of know right away who Brent winds up with, still Snowed Under is a lot of fun with an impeccably cast ensemble.
"Snowed Under" is a kooky comedy--much of the mold of films like "Palm Beach Story", "My Favorite Wife" and "The Man Who Came to Dinner". However, the quality of the film is a couple steps below these excellent films and this is for a variety of reasons. First, occasionally the acting and writing are a bit too broad and the film tried too hard to make you laugh. While I love Glenda Farrell in most films, here she was just too shrill. Also, a few of the scenes were very, very awkward and poorly constructed--such as the fainting scene near the end of the film. The film simply is too goofy and cleaning up the script a bit would have made a better film. It didn't help that the fake snow never melted and looked really, really fake. Overall, watchable and even occasionally enjoyable...but also lacking the polish and fun you might expect in such a film.
Wusstest du schon
- WissenswertesTwo years after the release of Snowed Under, Genevieve Tobin married Warner Brothers contract director William Keighley. She'd been directed by him in Easy to Love (1934) and would work with him again on Yes, My Darling Daughter (1939) and Keine Zeit für Komödie (1940) --- her final film. She retired from the screen at age 41, stayed married to Keighley until his death in 1984, and lived herself until 1995.
- PatzerThe bench warrant calls for Alan's arrest for not appearing in court on a date which, as typed in the judge's order, was a Sunday. No court would schedule a domestic civil case hearing on a Sunday.
- Zitate
Pat Quinn: Last summer you wouldn't have turned me out in the snow.
Alan Tanner: Last summer there wasn't any snow. You were just a little girl who's father rented my house and I was trying to be a rather pleasant country landlord.
Pat Quinn: And now?
Alan Tanner: And now - is the winter of our discontent. Scram, my love.
- VerbindungenReferenced in Seven Keys to Baldpate (1947)
- SoundtracksJingle Bells
(1857) (uncredited)
Music by James Pierpont
Variations in the score during the opening credits
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Zir e Barf
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 3 Min.(63 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1