Der blaue Engel

I think this is more a commentary on the human condition than it is a movie review. von Sternberg presents Professor Rath as pompous, rather inflexible and naive, and then reduces him gradually to a pitiful, self-debasing wretch - much like Tyrone Power's character in "Nightmare Alley". Rath, appears to me, not so much the victim as a drunken jaywalker who wanders out into traffic and is totally shocked when he is hit by a truck. Emil Jannings, without doubt, delivers everything that von Sternberg could have asked for.

I have never been a big Marlene Dietrich fan, but I have to admit that, in this early effort, her utter sexuality and the casual way she dispenses it is hypnotic. Her character is also complex. Between her first encounter with Rath and those final scenes, her attitude toward him changes from amusement and ridicule to concern, pity, and even affection. His return to his home town and his descent into total degradation is painful to watch, yet she chooses this opportunity to humiliate him even further by offering herself to Mazeppa while he watches. I'm baffled.

The corruption and hopelessness of the German cafe circuit is a perfect backdrop for this study of the human condition. When one reaches their absolute nadir - like Rath - there are few choices left. Suicide, violent hostility, or if you are lucky - the determination and will to climb out of the cesspool. Rath was a day late and a reichsmark short. I would like to think that if he had more time he would have made it.

This movie should merit a place in the upper region of the 250 top movies, somewhere in the neighborhood of "Citizen Kane" and "Twelve Angry Men". Apparently it is not very well known in the USA.

In Germany and in countries where the German language is rather familiar, it is rightly considered as one of the classics of cinema.

Amazing, that Sternberg, only a couple of years after the invention of the "talky" could produce a masterpiece that has seldom been surpassed. It was this movie that launched the carreer of Marlene Dietrich, with her famous song "Ich bin von Kopf bis Fuss auf Liebe eingestellt".

I had seen the movie many years ago. When I saw it for the second time about a year ago, I realized that Emile Jennings acting, as the rather silly teacher at the local grammar school who sacrifies his career because of a cabaret girl, was not less impressive than that of Marlene Dietrich. A pity that I did never see another film with this great actor.

Proper and respectable Emil Jannings, a teacher at a boys high school takes quite an interest in their moral well being. Seems there's this naughty establishment called The Blue Angel in his town where women have been known to entertain in various states of undress. Some of his boys have some postcards of one of the dancers and Jannings catches them with it. After confiscating the material, Jannings decides to go down to the Blue Angel and tell them not to be catering to minors.

Of course he takes one look at the subject of those naughty postcards and since it turns out to be Marlene Dietrich, he realizes his own education has been sadly neglected.

He's spotted the kids in the establishment, but they've spotted him as well. From an authoritarian figure, Jannings is now a figure of derision and has no authority in or out of the classroom. He marries Marlene and tours with her company as a clown. A return to his hometown proves to be more than he can bear.

Though Marlene Dietrich became an international sex symbol from this film and got a Hollywood contract as a result, the film is really the story of Jannings, his downfall, his humiliation, his degradation. Their respective career paths were really meeting halfway in this film. She was going to America on the strength of this film, Jannings was returning to Germany where he became a very big star and leader of Adolph Hitler's amen corner in German cinema

In the supporting cast is also Kurt Gerron who is a magician and manager of the troupe of entertainers Marlene and Jannings are part of. His life had the worst tragedy of all, as a Jew he met death in Auschwitz, but not after undergoing a lot of humiliation before. Not unlike what Jannings had in the film, but this was real life.

The Blue Angel is a milestone film for many people and in an indirect way for Adolph Hitler as well since he got his biggest film star from the cast. Still though it's a stunning bit of cinema with performances that still hold up very well today.

This will basically be reinforcing what was said in my review for the German-language version, being the same film but this time in English.

Despite Marlene Dietrich actually appearing in several silent films in her native Germany, it was 'The Blue Angel' that made her a star and rose her to international fame. It was also the film that started the famous and iconic 7-film collaboration of Dietrich and director Josef Von Sternberg. 'The Blue Angel' may not be the best film of theirs, but is still very good and a knockout first collaboration for them.

It is agreed that the German-language version is superior. The English-language version is still very good and retains all the things that makes 'The Blue Angel' in German as good as it is. The English "dubbing" doesn't always sound natural and felt rushed at times, with the actors not being at ease with the language entirely.

As a film, 'The Blue Angel's' only real drawback is to do with pacing, taking a little too long to get going and then later on parts feel rushed, abruptly introduced and not quite developed enough.

Most memorable about 'The Blue Angel' is Dietrich on cruel and seductive form while singing her songs with sincerity, standing out especially being her iconic rendition of "Falling in Love Again" with her in a top hat and black stockings perched on the bar stool. Her character may not be likable but it's a complex one and Dietrich succeeds in making her real.

It is easy to overlook Emil Jannings, in his first talking picture, however, the story of 'The Blue Angel' really being his, detailing of an enamoured man led to his downfall. It is a performance however underserving of overlooking, for it is a great performance full of wonderful moments (like his facial expression in the mirror and at the end), succeeding in making a real character in a way that's eccentric and poignant.

Kurt Gerrer, who met a tragic end just over a decade later, is also good.

Sternberg directs as sumptuously as to be expected and with adroit atmosphere. 'The Blue Angel' looks good, aside from occasional choppy editing, especially in the clever and luminous use of light and shadow lighting and cinematography that's atmospheric and classy. The music fits beautifully and enhances the mood, "Falling in Love Again" being a signature song of Dietrich's for very good reason.

Further good things are a script that has a good balance of the comedic and the tragic, done amusingly and movingly, and a story that's disturbing and emotional, especially the heart-wrenching ending.

Overall, very good film and more than just historical interest. 8/10 Bethany Cox

Joseph von Sternberg 'packaged' his muse, Marlene Dietrich to become a world star with "The Blue Angel". The disturbing story of a revue entertainer (Dietrich) and the middle aged professor(Emil Jannings)who falls madly in love with, and later is destroyed by her, based on the novel "Professor Unrat".

Many unforgettable songs by Friedrich Hollander are featured, most noteworthy of course "Ich bin von Kopf bis Fuss auf Liebe eingestellt" ("Falling in Love Again") and "Ich bin die feche Lola" ("They Call Me Naughty Lola").

There is an English language version available (filmed simultaneously for an intended International release), but I recommend the original German with subtitles. Many effects are lost with the former. I can highly recommend this film, a must for fans of either the stars or the director!*****