The Cheat

The ever-mesmerizing Tallulah Bankhead plays herself - a sassy, brassy flapper who has a wonderful handsome husband who loves her, but she wants more, more, more. During the Great Depression, he can't make enough money to afford her luxurious habits. Not only that but she has gotten in way over-her-head with gambling debts - what's a girl to do? In steps Hardy Livingstone, a smooth talker who has an Oriental obsession - as his house, servants, decor and parties all illustrate. He offers to help out with the debt but at a very high price. Nothing you haven't seen before but Tallulah really elevates this to a very enjoyable level, let's face it, she could read a prayer book and make it sound dangerous and sexy. Racy pre-code fun from 1931!

In this movie Tallulah Bankhead falls into the clutches of a lecherous man - honest, you can watch it yourself if think I'm fooling. But, of course, this was a movie. In real life, if we are to believe tradition and gossip, Tallulah would have eaten this stiff for lunch and not missed a round of drinks.

Anyway, she may have been lucky in love but in this picture she was unlucky at cards and ran up a huge gambling debt. The stiff in question, played by Irving Pichel in a sinister turn, offers to bankroll her - and you can guess the price of his largesse. Harvey Stephens plays her trusting doofus husband who buys any excuse she gives him.

"The Cheat" is an interesting melodrama which becomes less so toward the end. It's OK, but the best part is that it gives you a chance to see TB in a starring role and judge her talent for acting for yourself. She gives it her considerable best and chews the scenery at the appropriate intervals. Since she was primarily a stage actress she didn't make that many movies to judge, so watch it if you get a chance.

Tallulah Bankhead made her impact on the stage, not the screen. A 'movie star' is usually the result of the fortunate soul discovered to have, besides wonderful photogenicity, a distinct look like no other, and this look sometimes complimented by an unusual manner of speech. Two out of three ain't bad; but, since the camera didn't love her, Tallulah didn't stay long in Hollywood. The camera emphasized the squareness of her head, her hooded eyes, the hardness of her mouth, images belying the many first-hand reports of her irresistible allure when young. For me the major treat in watching this movie is the over-the-top depiction of the lifestyles of the rich and famous - so prevalent in movies made in Lalaland during the Depression. For example, the villain's bachelor pad, where Frank Sinatra might blush in embarrassment, features a curio cabinet with dolls representing female conquests (there is still an empty shelf for the future) and ornate Oriental sliding doors which, when opened reveal an Oriental string quartet reaching to a crescendo.

A favorite quote from her: 'It's the good girls who keep diaries, the bad girls never have the time.'

This film essentially begins with a young society woman by the name of "Elsa Carlyle" (Tallulah Bankhead) enjoying herself at a party when she suddenly gets the idea to join a poker game going on in the next room. Being the rather daring gambler that she is, she decides to bet a large sum of money on a hand--only to lose all of her money. Figuring that she can quickly make up for it, she then decides to go double or nothing on the turn of a card. And once again she loses. Closely observing all of this is an extremely wealthy ladies' man by the name of "Hardy Livingstone" (Irving Pichel) who quickly senses an opportunity and decides to offer his assistance. For a price, of course. Happily married, she casually rejects his advances. However, when things continue to go bad, she then has to face a very difficult decision. Now, rather than reveal any more, I will just say that this was one of those films that could have been more successful if some of the scenarios had been a bit more plausible or realistic. Likewise, the rather dated nature of the movie certainly didn't help matters either. Even so, I must admit that it kept my attention for the most part, and for that reason I have rated it accordingly. Slightly above average.

This is brilliant! If you love a crazy melodramatic story with larger than life characters and larger than life Tallulah Bankhead, then this is for you. It's everything you could want from a pre-code movie.

This is one of those pictures where you know exactly what's going to happen but actually revel in anticipation of what you know is going to be fabulous fun. Its plot has laser guided focus, its characters are instantly recognisable; it's a brilliantly written, brilliantly acted melodrama. This is one of those films where the clichéd characters and its inevitable corollary add to your enjoyment but even though you know what's happening next, it still has more than enough tension to keep you on the edge of your seat.

Some have criticised this for being too theatrical. Well director George Abbott was a top Broadway man and obviously the theatre was Miss Bankhead's natural home so this does have a theatrical feel. Often that criticism means stagnant, stagey and talky - but not in this case. This is 100% movie with beautiful photography and perfectly fluid transitions from scene to scene which escalate at a perfect pace to one of the most exciting denouements imaginable. This is how to make drama. This is how to make a film. This is how to make entertainment.

What makes this so fabulous is its star: the amazing Tallulah Bankhead. She's in every scene and you can't tear your eyes away from her for a single second and want to savour every single word she speaks. Her screen presence is utterly captivating. She's not pretty-pretty like Loretta Young or cute-pretty like Joan Blondell. No, she's pure, grown-up sex on legs. In real life she was apparently ten times more sexually voracious than the Tallulah we see in this. The real Tallulah would have laughed off the scandal she tries to avoid in this story so in some respect, her screen persona is a diluted version of herself. Even so, she absolutely sizzles with sex. It's an amazing performance in an amazing film.

Not Tallulah's best film however - that's DEVIL AND THE DEEP....even brillianter!