Füge eine Handlung in deiner Sprache hinzuA barker at a down-at-the-heels carnival becomes a powerhouse New York publicity man as he transforms a sideshow dancer into a Broadway sensation.A barker at a down-at-the-heels carnival becomes a powerhouse New York publicity man as he transforms a sideshow dancer into a Broadway sensation.A barker at a down-at-the-heels carnival becomes a powerhouse New York publicity man as he transforms a sideshow dancer into a Broadway sensation.
- Auszeichnungen
- 2 wins total
Asta
- Dog in Butcher Shop
- (Nicht genannt)
Frank Austin
- First Man with Guilty Conscience
- (Nicht genannt)
Brooks Benedict
- Lion Gag Congratulator
- (Nicht genannt)
Charles Dow Clark
- Sheriff
- (Nicht genannt)
James Donlan
- Lou - Press Agent
- (Nicht genannt)
Jay Eaton
- Hotel Desk Clerk
- (Nicht genannt)
Bess Flowers
- Miss Flowers - Bates' Secretary
- (Nicht genannt)
Theresa Harris
- Emily - Teresita's Maid
- (Nicht genannt)
Thomas E. Jackson
- Marshall - Farrell's Assistant
- (Nicht genannt)
Si Jenks
- Rube with Beard in Audience
- (Nicht genannt)
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The Half Naked Truth is directed by Gregory La Cava who also co-writes the screenplay with Corey Ford from a story by Ben Markson and H.N. Swanson. It stars Lupe Velez, Lee Tracy, Eugene Palette and Frank Morgan. Music is by Max Steiner and cinematography by Bert Glennon.
A carnival barker and a spunky belly dancer take on the might of Broadway...
Based on the book The Anatomy of Ballyhoo: Phantom Fame (David Freedman & Harry Reichenbach), The Half Naked Truth is a smart and near caustic observation on the product of celebrity status. While not in the same league as the best of Preston Sturges, it's a film of many pleasures if you have a bent for rapid fire dialogue and scattergun pacing. What unfolds during the story is basically that an energetic Lee Tracy as Bates pulls stunts galore to bluff the whole of Broadway. The ruse is that Velez's belly dancer is actually a foreign princess and Bates engineers openings to stardom because of it. But of course problems are around the corner.
Sharp performances back up the sharp script and some of the stunts pulled by Bates are very funny. It's something of an acquired taste, as comedy - especially the screwball variety - invariably always is, but this is a good pre-code comedy that has more beneath the surface than is first apparent. 7/10
A carnival barker and a spunky belly dancer take on the might of Broadway...
Based on the book The Anatomy of Ballyhoo: Phantom Fame (David Freedman & Harry Reichenbach), The Half Naked Truth is a smart and near caustic observation on the product of celebrity status. While not in the same league as the best of Preston Sturges, it's a film of many pleasures if you have a bent for rapid fire dialogue and scattergun pacing. What unfolds during the story is basically that an energetic Lee Tracy as Bates pulls stunts galore to bluff the whole of Broadway. The ruse is that Velez's belly dancer is actually a foreign princess and Bates engineers openings to stardom because of it. But of course problems are around the corner.
Sharp performances back up the sharp script and some of the stunts pulled by Bates are very funny. It's something of an acquired taste, as comedy - especially the screwball variety - invariably always is, but this is a good pre-code comedy that has more beneath the surface than is first apparent. 7/10
This wonderfully ribald pre-code comedy is slightly schizophrenic in style. The first half is a breakneck-paced, rollicking sequence of frantic melees and stinging one-liners, not unlike Lee Tracy's other triumphs of the time, The Front Page and Blessed Event. Once the cast settles in on Broadway, the pace slows and the humour is more characteristic of director LaCava -- absurd situational comedy set up with deliberate pace and milked for effect. Although quite funny in its own right, this section seems to drag in comparison with the opening reels -- it may have worked better in a packed cinema than on the tube.
In any case, this is a must-see for fans of pre-code antics -- there's no way it could have been made three years later. Tracy is terrific in his patented role as a fast-talking con artist, and Lupe Velez is a more lurid version of her Mexican Spitfire -- her minimal costumes rival those of a Busby Berkeley chorus girl. Frank Morgan is perfect as a libidinous Ziegfeld type, Franklin Pangborn is everyone's favourite fastidious concierge, and Eugene Pallette is victim to a hilarious running gag about his gender which alone is worth the price of admission -- he also has a unique method for tutoring fledgling Ophelias. There's an intriguing look at the 30s' conception of nudism, to boot.
In any case, this is a must-see for fans of pre-code antics -- there's no way it could have been made three years later. Tracy is terrific in his patented role as a fast-talking con artist, and Lupe Velez is a more lurid version of her Mexican Spitfire -- her minimal costumes rival those of a Busby Berkeley chorus girl. Frank Morgan is perfect as a libidinous Ziegfeld type, Franklin Pangborn is everyone's favourite fastidious concierge, and Eugene Pallette is victim to a hilarious running gag about his gender which alone is worth the price of admission -- he also has a unique method for tutoring fledgling Ophelias. There's an intriguing look at the 30s' conception of nudism, to boot.
The fast-talking Lee Tracy fits the role perfectly of Jimmy Bates in "The Half-Naked Truth." This is a strange film, with some humor. Bates is a character who promotes Teresita (played by Lupe Velez) from a carnival act to the big time on Broadway. It's all done with very little truth. The only thing that is true is that his client has some talent. As Bates says, success is all in the publicity, and what he won't do for publicity! It's a nice satire, but on the duped as well as on the dupers, and of the press that was always looking for the sensational and unusual to report as "news."
Hollywood staple player Eugene Pallette is Achilles, Bates' right hand man. Frank Morgan plays Merle Farrell, a big-time Broadway producer. If he's supposed to be a takeoff or copy of Florenz Ziegfeld, it's a lousy one. Here, Morgan plays more of a buffoon than a real talent and show promoter.
The comedy is hit and miss in this film. The funniest scene is when they get rooms in the Ritz hotel. Bates registers for the three of them with separate rooms and a suite for Teresita. When he registers for Pallette, the clerk looks at the registration, and though the word is never spoken, it's clear that Bates has signed him in as a eunuch. He says to the hotel clerk, Mr. Wellburton, "Oh, uh, you know, uh, they have them in all Turkish harems." Wellburton says, "Oh, yes, of course," and Bates says, "He's very sensitive about it." This comes back a couple times later in the film with Achilles fussing over what Bates registered him as. Wellburton is played by another established and familiar supporting actor, Franklin Pangborn.
And, in a whirlwind of newspaper reports and scene flashes, we see the meteoric rise of Bates as a promoter with some outlandish tidbits. A newspaper article reports, "Citizens of Pleasant Falls were startled yesterday at the report that a Nudist Colony had taken up its abode in a wooded dell on the outskirts of town." Then an action segment shows Pallette and some other guys in what look live caveman costumes in the woods. It's a hoot and over-the-top crazy.
Although this is just a so-so comedy and film, it is one of the better ones of the young and attractive Mexican actress, Lupe Velez. She was 24 when she made this film. Like some other young actors, Velez had some rocky affairs and took to heavy drinking and drugs. At age 36, she would commit suicide with a drug overdose.
Some reviewers see much more comedy in this film than I did. But, for anyone familiar with Lee Tracy, his fast-paced non-stop prattling soon becomes rattling on the nerves. Only fans who can long bear with that sort of delivery, and those of Tracy and Velez are likely to enjoy this film. Here are the best lines of this film.
Teresita, "Oh, you're crazy." Jimmy Bates, "All pioneers are crazy, till they die - then they get a monument." Achilles, "Who wants a monument?"
Jimmy Bates, "Listen, baby, you don't wanna be a hootch dancer all your life, do ya?"
Jimmy Bates, "If I don't have you in Merle Farrell's Folies before the end of the week, I'll eat that dog in Times Square without mustard."
Merle Farrell, "I'm working so hard, I don't know what I'm doing."
Jimmy Bates, going over mail with his secretary, "What else is there?" Miss Flowers, "A letter from the Seluvian secretary of state." Bates, "What does he want?" Miss Flowers, "Would you be interested in handling the next presidential campaign?" Bates, "No. Who wants to leave a sucker town like this."
Miss Flowers," Imagine anyone daring to question your veracity." Jimmy Bates, "Such language."
Hollywood staple player Eugene Pallette is Achilles, Bates' right hand man. Frank Morgan plays Merle Farrell, a big-time Broadway producer. If he's supposed to be a takeoff or copy of Florenz Ziegfeld, it's a lousy one. Here, Morgan plays more of a buffoon than a real talent and show promoter.
The comedy is hit and miss in this film. The funniest scene is when they get rooms in the Ritz hotel. Bates registers for the three of them with separate rooms and a suite for Teresita. When he registers for Pallette, the clerk looks at the registration, and though the word is never spoken, it's clear that Bates has signed him in as a eunuch. He says to the hotel clerk, Mr. Wellburton, "Oh, uh, you know, uh, they have them in all Turkish harems." Wellburton says, "Oh, yes, of course," and Bates says, "He's very sensitive about it." This comes back a couple times later in the film with Achilles fussing over what Bates registered him as. Wellburton is played by another established and familiar supporting actor, Franklin Pangborn.
And, in a whirlwind of newspaper reports and scene flashes, we see the meteoric rise of Bates as a promoter with some outlandish tidbits. A newspaper article reports, "Citizens of Pleasant Falls were startled yesterday at the report that a Nudist Colony had taken up its abode in a wooded dell on the outskirts of town." Then an action segment shows Pallette and some other guys in what look live caveman costumes in the woods. It's a hoot and over-the-top crazy.
Although this is just a so-so comedy and film, it is one of the better ones of the young and attractive Mexican actress, Lupe Velez. She was 24 when she made this film. Like some other young actors, Velez had some rocky affairs and took to heavy drinking and drugs. At age 36, she would commit suicide with a drug overdose.
Some reviewers see much more comedy in this film than I did. But, for anyone familiar with Lee Tracy, his fast-paced non-stop prattling soon becomes rattling on the nerves. Only fans who can long bear with that sort of delivery, and those of Tracy and Velez are likely to enjoy this film. Here are the best lines of this film.
Teresita, "Oh, you're crazy." Jimmy Bates, "All pioneers are crazy, till they die - then they get a monument." Achilles, "Who wants a monument?"
Jimmy Bates, "Listen, baby, you don't wanna be a hootch dancer all your life, do ya?"
Jimmy Bates, "If I don't have you in Merle Farrell's Folies before the end of the week, I'll eat that dog in Times Square without mustard."
Merle Farrell, "I'm working so hard, I don't know what I'm doing."
Jimmy Bates, going over mail with his secretary, "What else is there?" Miss Flowers, "A letter from the Seluvian secretary of state." Bates, "What does he want?" Miss Flowers, "Would you be interested in handling the next presidential campaign?" Bates, "No. Who wants to leave a sucker town like this."
Miss Flowers," Imagine anyone daring to question your veracity." Jimmy Bates, "Such language."
Lee Tracy, too little known today, is one of the all-time great comic actors and a personal favorite of mine. He was the original Hildy Johnson in The Front Page on Broadway and although his major films are not numerous, each is a delight. Blessed Event with co-star Dick Powell and Bombshell with co-star Jean Harlow are gems long beloved by Thirties film buffs, but even they may not have seen The Half-Naked Truth, which is a pure jolt of the Lee Tracy magic. His physical and vocal presence are uniquely and unmistakably his: the lankily elastic body, the whirling-dervish energy, the sarcastic tone, the long fingers that always seem to be jabbing in someone's direction. There's not another screen actor I can think of who has quite the manic joie de vivre of the young Tracy. In The Half-Naked Truth, he plays a carnival barker and theatrical promoter who will go to any insane lengths to hog headlines (a very contemporary figure for us!). He's paired with Lupe "Mexican Spitfire" Velez, who proves to be an extremely apt partner for him; you believe in these two together, and that makes their final scene surprisingly emotional. (Tracy's magnetism definitely has its romantic aspect; watching Bombshell, an audience can be driven to heights of frustration waiting for Tracy and Harlow to realize that they are, in fact, perfect for one another.) The wonderful ending of The Half-Naked Truth also crystallizes the Tracy credo in a single line: "What good is life if you don't get some fun out of it?" You can have some of that fun by watching this film.
The Half-Naked Truth is like a machine gun on steroids, a super-fast paced movie and a stage for Hollywood's greatest carnival barker, Lee Tracy. Tracy spends the entire 75 minutes racing at break-neck speed through miles of monologue - because his character never talks with, only at, those around him - and it's wonderfully exhausting to keep up with him.
Eugene Palette plays one of the funnier roles I have ever seen him in. He's supposed to be Tracy's assistant, but he's not above pulling his own shenanigans on the side, particularly with respect to giving "private" acting lessons to a rather reluctant hotel maid.
At least a couple of the other reviewers here, unfortunately, have got the running gag about Pallete's sexuality wrong: as per Tracy's publicity idea, Palette, complete with turban, is fresh out of a Turkish princess's harem. The idea is NOT that he is a woman, but that he is a EUNUCH. And the movie revisits this inside joke a few times, always to the understandable indignation of Mr. Palette himself!
The plot itself really stretches credibility, but it doesn't matter. It's a fun and quick ride, so just enjoy.
Eugene Palette plays one of the funnier roles I have ever seen him in. He's supposed to be Tracy's assistant, but he's not above pulling his own shenanigans on the side, particularly with respect to giving "private" acting lessons to a rather reluctant hotel maid.
At least a couple of the other reviewers here, unfortunately, have got the running gag about Pallete's sexuality wrong: as per Tracy's publicity idea, Palette, complete with turban, is fresh out of a Turkish princess's harem. The idea is NOT that he is a woman, but that he is a EUNUCH. And the movie revisits this inside joke a few times, always to the understandable indignation of Mr. Palette himself!
The plot itself really stretches credibility, but it doesn't matter. It's a fun and quick ride, so just enjoy.
Wusstest du schon
- WissenswertesComposer Max Steiner plays the conductor of the Broadway show. (He also can be seen conducting the studio orchestra in the opening titles of RKO's Girl Crazy (1932) the same year.)
- PatzerShirley Chambers' onscreen character name is "Gladys", but she says her name is "Ella Beebee". She is never called Gladys.
- Zitate
James 'Jimmy' Bates: And one more thing, you give them what they think they want and they'll want what they think you give them. As we say in trigonometry, A-B-C ,1-2-3, 2 and 2 makes 4.
- VerbindungenFeatured in Great Performances: Music for the Movies: The Hollywood Sound (1995)
- SoundtracksO! Mister Carpenter
(1932) (uncredited)
Lyrics by Edward Eliscu
Music by Harry Akst
Performed several times by Lupe Velez, often with Lee Tracy on piano
Also used as background music
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By what name was The Half Naked Truth (1932) officially released in India in English?
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