IMDb-BEWERTUNG
7,4/10
21.847
IHRE BEWERTUNG
Ein vom Übernatürlichen besessener Vagabund stößt auf ein Gasthaus, in dem ein schwer krankes heranwachsendes Mädchen langsam zum Vampir wird.Ein vom Übernatürlichen besessener Vagabund stößt auf ein Gasthaus, in dem ein schwer krankes heranwachsendes Mädchen langsam zum Vampir wird.Ein vom Übernatürlichen besessener Vagabund stößt auf ein Gasthaus, in dem ein schwer krankes heranwachsendes Mädchen langsam zum Vampir wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 wins total
Henriette Gérard
- Die alte Frau vom Friedhof (The Old Woman from the Cemetery)
- (as Henriette Gérard)
Kani Kipçak
- Michael
- (Nicht genannt)
Empfohlene Bewertungen
Brilliant! Breathtaking! This film was worth the long wait I imposed on myself to see it. It is not the most cohesive narrative about, but it has images that linger with you....haunt you. The film is basically a silent with some speaking. It tells a story about Allan Grey and how he was introduced into a vampire's conspiracy to kill two sisters. Grey is brought in for aid by their father who dies while trying to fight the infection coursing through his daughter's veins. What then follows is pure cinematic magic as Grey...opening a book that the father wrote was to be opened upon his death...begins reading the book on vampires whilst it is going on right around him. The mixture of action and the text from the book create a wonderfully eerie atmosphere and convey a feeling of dread and despair. There are many scenes in Vampyr, directed with fluidity by Carl Dreyer, that are incredibly well-done. The dream sequence in particular explores various camera angles, hitherto not used. As I said before, it is not the tightest story and it has some gaping holes in the plot that are never explained, but that really is not very important because the film succeeds as a film of haunting imagery...fear based on illusion and shadows.
With its fragmented plot, eerie imagery, and air of undefined menace this film more nearly realises the dream state than any other film I've seen.
The story, which follows a young man's discovery of vampiric doings while on a trip to the country, is secondary to the fascinatingly uncanny mood generated by the cinematography and effective use of sound and silence.
Yes, yes, it's old and unconventional, and requires either some extra concentration or complete surrender to its unique world, but the effort is worth it.
Vampyr should especially appeal to fans of cinefantastique, cinema history and maybe even the arthouse crowd.
The story, which follows a young man's discovery of vampiric doings while on a trip to the country, is secondary to the fascinatingly uncanny mood generated by the cinematography and effective use of sound and silence.
Yes, yes, it's old and unconventional, and requires either some extra concentration or complete surrender to its unique world, but the effort is worth it.
Vampyr should especially appeal to fans of cinefantastique, cinema history and maybe even the arthouse crowd.
It is understandable that many take issue with Vampyr due to an absence of conventional moviemaking factors that make an average film watchable. However, I believe that this is more a problem of the viewer than one with the filmmaker, and it all begins with whether or not one watches expecting to be frightened in a generic horror flick manner. This is not a scary movie; it is one that fundamentally blurs the lines between dreams and reality. It is not a silent film or a talkie, but something in between, and that fits in perfectly with the idea of it being an experience much like a bad dream. There are few professional actors (two, in fact, and neither would be considered the leading actors), and long takes that would drive a Hollywood film editor to distraction. They are selected more for their appearance and natural manner than for any exceptional gift as an actor/actress, and it is my belief that that adds more than detracts from the experience. The reactions of the characters are far more visceral and simple than in most films of this depth, and it helps create the mesmerizing, hypnotic effect few movies can create. It is designed, I believe, to be seen in a dark room, preferably alone and late at night, just prior to going to bed. If the viewer is a little sleepy, so much the better: for the true power of the film will only be revealed as you dwell on it afterwards while you struggle to go to sleep. Then,and only then, will the full might of Carl Theodore Dreyer's vision be revealed.
Simply: it's beautiful work of art. No action. No slasher scenes. There is almost less speaking then in Aki Kaurismäki's films. Master of silent movie, Carl Th. Dreyer, uses more silent film magic than any spoken voices. Movie's style is from another world. Living shadows, ghosts, vampire in the foggy wood and (of course) the famous scene where man watch himself to be buried alive. There is no way you can say what this film is true and what dream. It's like Dreyer would have put he's own dream in to the screen. Nobody have done anything like this later, perhaps because the gray light that is all the time in the film came by an accident. There is no movie like this and no way there is another horror movie like this! Vampire- movie fan can watch this with F. W. Murnau's Nosferatu. They are different film's, but strange way spooky at same way.
Another person said it best in a previous review, "Vampyr" is a masterpiece of suggested horror with truly frightening and disturbing scenes throughout. A warning in advance. This is an extremely slow moving picture. It seems to drag and usually that really bothers me but this movie is so full of images, it makes up for it. The movie is subtitled but it hardly matters since there is so little dialogue. The movies unfolds in a strange dream-like state and stays that way throughout. Your not really sure if it is day or night. There are many memorable scenes also. The policeman sitting in his chair moments before his shadow also sits down, the infamous dream burial sequence induced by a blood transfusion and so many more! If you like wonderful images and camerawork as well as a few chills, this film is for you! Highly recommended!
Wusstest du schon
- WissenswertesFor much of the cast, this was their only film appearance, since they were not professional actors. Henriette Gérard, who played the vampire, was a French widow, Jan Hieronimko, who played the village doctor, was a Polish journalist, and Rena Mandel, who played Gisèle, was an artist's model. Julian West (real name: Baron Nicolas de Gunzburg), who played Allan Grey, was a French-born member of Russian nobility who agreed to finance the film in exchange for the leading part. (He later emigrated to America where he became a powerful fashion journalist and mentor to designers like Calvin Klein.)
- PatzerAt exactly 16 minutes (in the Criterion DVD) as the camera pans right, there is a reflection in a glass window of the camera operator cranking the camera.
- Alternative VersionenThere is an Italian edition of this film on DVD, distributed by DNA srl, "LA STRANA AVVENTURA DI DAVID GRAY (Vampyr - Il vampiro, 1932) + NOSFERATU, UNA SINFONIA DELL'ORRORE (1922)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- VerbindungenEdited into Dr. Terror's House of Horrors (1943)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Vampyr?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Vampyr - Der Traum des Allan Grey
- Drehorte
- Abbaye de Braye, Braye, Aisne, Frankreich(recreated cemetery)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 15 Minuten
- Farbe
- Seitenverhältnis
- 1.19 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen