Ace of Aces

Considering the era it was made this film was very well made. Of all the fluff that came out of Hollywood I'm sure this was a pleasant change of pace for moviegoers of the day and is still worth watching some 70 + years later.

War and especially combat change a man and usually not for the better for a long time if not for life. This movie went into the dark corners of these human transformations. Great acting, writing, and directing was put into this effort.

Richard Dix was well chosen for the lead of this film as the role called for a tough character in this lead role of fighter pilot ace. Although Mr. Dix is not as well known in film history as Gable or Bogart he was very popular back in the 30's and 40's and a leading man. His untimely death at age 56 shortened a great career. If you get the chance to see this movie, please seize the opportunity to view some real Hollywood history.

As America decides to enter WWI, an artist (Richard Dix) tells his patriotic girlfriend (Elizabeth Allan) that he objects to getting involved in a pointless war "like a lemming." Feeling guilty over her rebuke, he signs up, and after overcoming initial qualms about killing, quickly becomes the best fighter pilot in his squadron, having killed 43 of the enemy. When the pair happen to run into one another on a weekend pass he has in Paris, he tells her that he'll only spend the time with her if she'll have sex with him - that's what he's looking for from other women - and she reluctantly consents (certainly a pre-Code moment). He's gone through quite a transformation, oozing masculinity and aggression so much that even fighting seems to be mostly about personal glory, but he's shaken when he sees real suffering in the hospital, including a man he personally shot down.

The film has elements glorifying war, such as the ragtag fighter crew and their aerial exploits, but it also has elements condemning it, such as the men suffering cruel, lingering deaths, PTSD, and a suicide. Despite having secured an instructor's position, the man feels compelled to go back out and earn more kills to beat some other hotshot's record, something I initially thought might be a metaphor for humanity inevitably continuing the crazy cycle of warfare, but his subsequent actions show a nice (if rather forced) sense of enlightenment.

Unfortunately, despite all these great concepts, the film is rather clunky in its mechanics for delivering them. At times it feels abrupt and at others, confused. It needed some other element with an edge - someone bringing up how ridiculous this particular war was in the first place, a darker change in Dix's character, some kind of arc to Allan's character, or an ending that was less saccharine - to have truly succeeded. It could also have used a little more star power and flair in its performances. I liked the antiwar components and how they reflected the psyche of the country in between the wars, but this one was just average, and not terribly special.

A mild-mannered sculptor who hates war becomes the ACE OF ACES in World War One.

Although nearly forgotten for decades, this powerful little anti-war film packs a punch as it focuses on the young men of an American flying squadron stationed in France. Cynical & flippant, they know the odds are against them surviving the war and they each deal with that knowledge in their own way.

Richard Dix, an excellent actor who has become undeservedly obscure, gives a powerful performance as a pilot embittered by war's savagery yet delighting in his ability to kill. His reaction at finally meeting one of the Germans he has mortally wounded is only one moment which gives the actor much scope to display his craft. Lovely Elizabeth Allan portrays the weary front-line nurse, once Dix's fiancée, who brings some humanity back into his life.

Ralph Bellamy plays Dix's no-nonsense superior officer; Theodore Newton does well as Dix's barracks mate. Movie mavens will recognize an uncredited Grady Sutton as an excited house guest.

RKO has given the film fine production values, with the flying sequences especially well mounted. The movie is marred slightly by the ending, which is rather unbelievable considering the moments leading up to it. And whatever happened to the chimp & the lion?

This movie, along with the similar EAGLE AND THE HAWK and ALL QUIET ON THE WESTERN FRONT, is an excellent anti-war film made during the 1930s. It's completely original and unusual enough to merit you watching it. So what's so unusual about it? Well, Richard Dix plays a pacifist who only reluctantly agrees to go to war. However, once he becomes a fighter pilot and gets a taste for blood, his personality changes dramatically. Gone is the decent soul who had once longed to become a famous sculptor and in its place was a man who lived to kill--enjoying every minute of it! While this certainly isn't true of everyone who goes to war, the notion that personalities can dramatically change thanks to the carnage is an excellent point to make indeed.

I never liked Richard Dix very much. He's just awful in the wonderful film, Cimarron, which earned him an Oscar nomination. Any other film I've seen in him seems to show him off as a hammy, middle-aged actor just going through the paces. But Ace of Aces was a slight surprise. This WW I story about a pacifist artist who joins up and become a bloodthirsty killer under the guise of being a flying "ace" seems like the kind of role he needed. In a way it's similar to the role of Yancy in Cimarron, but minus the "Wahoos" he lets out sporadically in that film. Plus in Cimarron Dix pales in comparison to the great performance turned in by Irene Dunne. In Ace of Aces, Dix is the star. No one else registers very strongly. Elizabeth Allan is the girl friend, Ralph Bellamy the commanding officer, Theodore Newton the best friend, Nella Walker the socialite, and the Stroud twins (Claude and Clarence) play fellow flyers. Not a great film by any means, but a solid story certainly helps. The aerial dogfights are good but not as good as in Hell's Angels. Check it out.