Füge eine Handlung in deiner Sprache hinzuMickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The spon... Alles lesenMickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.Mickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.
- Sylvester Macaroni
- (Synchronisation)
- (Nicht genannt)
- Goofy
- (Synchronisation)
- (Nicht genannt)
- Mickey Mouse
- (Synchronisation)
- (Nicht genannt)
- Clara Cluck
- (Synchronisation)
- (Nicht genannt)
- Radio Announcer
- (Synchronisation)
- (Nicht genannt)
- Donald Duck
- (Synchronisation)
- (Nicht genannt)
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Mickey and his pals are all set to make their orchestral debut on the Macaroni SYMPHONY HOUR - not knowing that Goofy has virtually destroyed their instruments.
Many younger viewers may not realize that this very funny little film is set during the broadcast of an old-time live radio show. John McLeish is the program's announcer; Mickey's musicians consist of Donald Duck, Goofy, Clarabelle Cow, Horace Horsecollar and the marvelous Madame Clara Cluck, who inexplicably is given only a few seconds of screen time and was about to disappear from Disney cartoons altogether for forty-one years. Pete is hilarious as Sylvester Macaroni, the program's sponsor.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
The musical piece sounded catchy and great and, during the actual concert portion, sounded funny and hilarious. It will send you roaring with laughter as you hear the funny music and see the musicians struggling with their crushed instruments and see poor Mickey struggling to keep the symphony in order while also trying to please the program sponsor.
As with many Disney cartoons, the ending will surprise you and, of course, a little miracle might happen. See for yourself and enjoy a fun time and hilarious time at the symphony! Grade A
Wusstest du schon
- WissenswertesThe music performed in "Symphony Hour" from 1942 is actually the Overture of Franz von Suppé's operetta: "Leichte Kavallerie (Light Cavalry)". This piece was referenced in the scores of numerous other Disney Cartoons, including the 1937 Mickey Mouse Cartoon "Der Windewurm (1937)", the 1945 Donald Duck Cartoon "Cured Duck (1945)" and the 1949 Goofy Cartoon "Goofy Gymnastics (1949)".
- Zitate
Pete, as Sylvester Macaroni: [Sobs] I'm-a sick! I'm-a bust!
[Sobs louder]
Pete, as Sylvester Macaroni: I'm a ruined man!
- Alternative VersionenWhen shown on The Disney Channel or Toon Disney during hours when children might be watching, a scene in which Mickey Mouse plants the barrel of a large revolver between Donald Duck's eyes to stop him from leaving is deleted.
- VerbindungenEdited into Micky ist der Größte (1968)