IMDb-BEWERTUNG
7,3/10
2681
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA formal tailcoat that gets passed from one owner to another affects each life in a significant way.A formal tailcoat that gets passed from one owner to another affects each life in a significant way.A formal tailcoat that gets passed from one owner to another affects each life in a significant way.
- Auszeichnungen
- 7 wins total
Empfohlene Bewertungen
This is a forgotten classic. It's funny, moving and old fashioned. Add the fact that it's chock full of stars and you have one fun movie to watch. Edward G. Robinson is a standout as a bum trying to make good. If you like old movies, try to hunt this one down.
The movie's a pretty good look at some of TCF's top stars of the day. The plot amounts to a series of vignettes that follow a dress coat as it gets passed around to a series of new owners. The trouble is the coat is supposed to be cursed so we expect some adversity to befall each new owner. Some vignettes, of course, are better than others. Personally I liked the Rogers- Fonda farcical 20-minutes best. On the other hand, I can see why the WC Fields episode was dropped from many versions since it's not the grouchy comedian at his best. (I also suspect the rather gross anatomical drawing behind his lectern didn't help.)
As a movie, it's certainly different, something of a showcase and, my gosh, was Rita Hayworth ever any lovelier than here. Pairing her with a pixie-ish Thomas Mitchell as a cuckolded husband was a masterstroke. Watch how slyly he asserts himself against the over-confident Boyer. Robinson gets the most extended screen time as a down-and-out lawyer trying to impress his old school chums. I'm just sorry we didn't get to hear more of Paul Robeson's wonderful bass voice in the final darktown jubilee section. Nonetheless, it's a sprightly and satisfying way to end the saga of the accursed dress coat.
The movie comes across today as an exception to the standard studio product, but is cleverly set up with a dash of humor and a touch of timeless human interest.
As a movie, it's certainly different, something of a showcase and, my gosh, was Rita Hayworth ever any lovelier than here. Pairing her with a pixie-ish Thomas Mitchell as a cuckolded husband was a masterstroke. Watch how slyly he asserts himself against the over-confident Boyer. Robinson gets the most extended screen time as a down-and-out lawyer trying to impress his old school chums. I'm just sorry we didn't get to hear more of Paul Robeson's wonderful bass voice in the final darktown jubilee section. Nonetheless, it's a sprightly and satisfying way to end the saga of the accursed dress coat.
The movie comes across today as an exception to the standard studio product, but is cleverly set up with a dash of humor and a touch of timeless human interest.
I've never seen this film in a TV listing that I can remember, which is amazing considering the magnitude of its cast. Probably the best segment is the opening one, with Rita Hayworth (at her most glamorous), Charles Boyer (who is a bit too dramatic), & the ever effective Thomas Mitchell. The Ginger Rogers/ Henry Fonda/ Cesar Romero segment is OK. The Charles Laughton/ Elsa Lanchester segment is pretty good. Although I'm a big WC Fields fan, this was not his best work, although it had a couple of very funny moments (I'm surprised that I've never seen clips from this film on any of the bios about him). The Edward G. Robinson/ George Sanders segment was a bit too intellectual, but well acted (& it was great seeing a young Robinson do scenes I've never seen before). The film ended strongly with an all-black segment featuring Paul Robeson/ Ethel Waters/ Rochester, with the great Clarence Muse in a small part. As an extra treat, this last segment contained a song by Robeson, but the sets for this segment were Broadway stage-like, & not realistic looking like the rest of the film (compare the painted back-drops here with the realism of the Robinson alleyway in an earlier segment). Even if you don't enjoy the story segments, anyone who likes great actors/actresses of the 1930s - 1940s must see this film. I rate it 8/10.
For a brief period in cinema history, the anthology film was all the rage. Movies like "Flesh and Fantasy" and "O. Henry's Full House" used large casts to tell several interlocked stories. "Tales of Manhattan" is the best of the anthology films, following the adventures of a tuxedo's tailcoat as it passes through the hands of several diverse people in New York. There's Charles Boyer, the Broadway actor who is carrying on an illicit affair; there's Henry Fonda who is helping Cesar Romero get out of a sticky situation with his fiancee Ginger Rogers (along the way, Fonda and Rogers fall in love and have one of the best-written love scenes to ever hit the screen); there's Charles Laughton who seeks one shot at glory conducting an orchestra; and, in the most touching and rewarding of the tales, there's Edward G. Robinson, a down-and-out bum who has been invited to his college reunion. If you're looking for an all-star cast and a first-rate cinema experience, "Tales of Manhattan" is the one. I consistently put this movie at the top of my all-time favorites.
This film's cast is so amazing you're going to expect it to be a perfect 10. You will most likely love some vignettes and only like others. You will be glad you watched and will be entertained.
Wusstest du schon
- WissenswertesW.C. Fields appeared in a chapter which was cut from the final theatrical version. It had been restored to the 1996 VHS version. Also in the segment are Margaret Dumont Marcel Dalio, and Phil Silvers. However, when it was later on released in DVD, the Fields segment was deleted again.
- PatzerEven though the audience has seen a close-up of Charles Boyer's bullet wound behind the left side of his jacket, when he turns to say goodbye to Mitchell and Hayworth the left side of the jacket lifts, and there is no bloodstain.
- Zitate
Paul Orman: What did you want to say about guns, Mr. Halloway?
John Halloway: Ever use 'em?
Paul Orman: Yes, on the stage.
Paul Orman: Shoot 'em?
John Halloway: On the stage.
John Halloway: Not real bullets?
Paul Orman: No.
John Halloway: Just blanks, eh?
Paul Orman: Yes, only blanks. We actors prefer them.
- Crazy CreditsThe following contains a restored sequence starring W.C. Fields which was not included in the original theatrical release of "Tales of Manhattan."
- Alternative VersionenSome scenes featuring W.C. Fields were filmed but cut from the movie before release. The US video version restores this unseen footage. In this 9 minute sequence, Phil Silvers and Marcel Dalio played the Santelli Brothers who owned the used clothing store where Fields bought the dinner jacket. Margaret Dumont played a wealthy woman who hired Fields to give a lecture on the evils of alcohol. The J. Carroll Naish episode was filmed and substituted for the longer Fields episode after it was cut.
- VerbindungenFeatured in M*A*S*H: Morale Victory (1980)
- SoundtracksPerpetual Motion (Perpetuum mobile, Op. 257)
(uncredited)
Music by Johann Strauss
Played at the concert hall rehearsal
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Tales of Manhattan
- Drehorte
- Produktionsfirma
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- Budget
- 1.000.000 $ (geschätzt)
- Laufzeit
- 1 Std. 58 Min.(118 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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